An unprecedented collection of the best of contemporary Black speculative fiction, featuring 20 mindblowing, horror-strewn, weird, woke, award-winning talesBlack speculative fiction has never been better than it is here and now. On the shoulders of Afrofuturist masters like Octavia E. Butler and Samuel R. Delany and pioneering visionaries before them, a new, abundant, and brilliant generation of contemporary writers, some of them just beginning their careers, is conjuring up a very real renaissance.Edited by SF-expert andré carrington, and including Hugo, Nebula, and Locus award winners alongside emerging and experimental voices, The Black Fantastic showcases the artistry of these breakout literary stars and celebrates the diversity of their talents.Here are twenty mindblowing, horror-strewn, weird, woke, nerdy, terrifying, liberating, fantastic, utopian, surreal, genre-defying and empowering short stories, all of them worth reading and rereading now and far into futurity. Reclaiming histories of racism and oppression and seizing the day, these writers are forging kaleidoscopic new senses of Black identity, community, and imaginative freedom.

A multi-voiced fusion of prose, playwriting, graphic art, and philosophy that spins an epic tale of America’s struggle for civil rights as it played out in San Francisco’s Chinatown. Divided into ten novellas, one for each year, I Hotel begins in 1968, when Martin Luther King and Bobby Kennedy were assassinated, students took to the streets, the Vietnam War raged, and cities burned.As Karen Yamashita’s motley cast of students, laborers, artists, revolutionaries, and provocateurs make their way through the history of the day, they become caught in a riptide of politics and passion, clashing ideologies and personal turmoil. And by the time the survivors unite to save the International Hotel—epicenter of the Yellow Power Movement—their stories have come to define the very heart of the American experience.

In a paranoid nation on the other side of the world a young man named Noon is caught vandalizing posters of the Beloved President. Nearer by, Oon trawls designer shops hoping to find just the right shirt to wear to an upcoming gig. Noona and friends screen their low-budget film at hat shops and dive bars, hoping for a break. And Oona works a missing-persons case on a giant cruise ship. In Eugene Lim's beautifully bizarre new novel, multiple sets of strange twins explode or drift or otherwise come apart and yet, like entangled quanta, continue to speak impossibly to one another. What an astonishing book! ­Beautiful, original, with delicious surprises lurking at the heart of sentences, of events, of all the engines of communication. –Harry Mathews THE STRANGERS is like a cabinet of curiosities put together by Georges Perec and Andrei Biely, hilarious and utterly seductive, a sharp commentary on the social and political architecture we cling to at our peril. And yet, while pulling the rug out from under the reader, Eugene Lim’s book is a total pleasure. –Susan Daitch Beautifully written, so precise and accurate to real life that it is (fantastically) convincing, Eugene Lim’s THE STRANGERS, with its multiple interwoven strands, reveals one surprising character and relationship after the next, and culminates in a skilfully devised and satisfying resolution. A fascinating and engrossing tale. –Lydia Davis

An exquisite slow-burn forbidden love story, laced with passion and faithRome, 1953. David is young, handsome, charismatic, and sworn to celibacy. He is freshly ordained, and about to return to England to begin life as a priest. Devotion to God is all he’s ever known, and all he thinks he ever will.In London, Margaret is entangled in an impossible love affair. Increasingly drawn to the Church, she sets out to join the new revolutions of sex and faith.Decades later, she is being cared for by her grandson, who has just discovered the strange truth of his family history.Stephanie Sy-Quia’s A Private Man is a stunning story of devotion and sacrifice, and of the consequences of our actions that ripple throughout generations.

In this dizzyingly rich novel of ideas, Mann uses a sanatorium in the Swiss Alps, a community devoted exclusively to sickness, as a microcosm for Europe, which in the years before 1914 was already exhibiting the first symptoms of its own terminal irrationality. The Magic Mountain is a monumental work of erudition and irony, sexual tension and intellectual ferment, a book that pulses with life in the midst of death.

Older cover for ISBN 9780679723394. More recent edition here. The late Vladimir Nabokov always did things his way, and his classic autobiography is no exception. No dry recital of dates, names, and addresses for this linguistic magician--instead, Speak, Memory is a succession of lapidary episodes, in which the factoids play second fiddle to the development of Nabokov's sensibility. There is, to be sure, an impressionistic whirl through the author's family history (including a gallery of Tartar princes and fin-de-siècle oddities). And Nabokov's account of his tenure at St. Petersburg's famous Tenishev School--where he counted Osip Mandelstam among his schoolmates--offers a lovely glimpse into the heart of Russia's silver age. Still, Nabokov is much too artful an autobiographer to present Speak, Memory as a slice of reality--a word, by the way, that he insisted must always be surrounded by quotation marks.

In The Possessed, Witold Gombrowicz, considered by many to be Poland's greatest modernist, draws together the familiar tropes of the Gothic novel to produce a darkly funny and playful subversion of the form. With dreams of escaping his small-town existence and the limitations of his status, a young tennis coach travels to the heart of the Polish countryside where he is to train Maja Ocholowska, a beautiful and promising player whose bourgeois family has fallen upon difficult circumstances. But no sooner has he arrived than his relationship with his pupil develops into one of twisted love and hate, and he becomes embroiled in the fantastic happenings taking place at the dilapidated castle nearby. Haunted kitchens, bewitched towels, conniving secretaries and famous clairvoyants all conspire to determine the fate of the young lovers and the mad prince residing in the castle. Translated directly into English for the first time by Antonia Lloyd-Jones, The Possessed is a comic masterpiece that, despite being a literary pastiche, has all the hallmarks of Gombrowicz's typically provocative style.

Withdrawn, uneducated and unloved, Frederick collects butterflies and takes photographs. He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will grow to love him in time.

On her twelfth birthday, Sierva Maria, the only child of a decaying noble family in an eighteenth-century South American seaport, is bitten by a rabid dog. Believed to be possessed, she is brought to a convent for observation. And into her cell stumbles Father Cayetano Delaura, who has already dreamed about a girl with hair trailing after her like a bridal train. As he tends to her with holy water and sacramental oils, Delaura feels something shocking begin to occur. He has fallen in love, and it isn't long until Sierva Maria joins him in his fevered misery. Unsettling and indelible, Of Love and Other Demons is an evocative, majestic tale of the most universal experiences known to woman and man.

"A story has no beginning or end: arbitrarily one chooses a moment of experience from which to look ahead..." "This is a record of hate far more than of love," writes Maurice Bendrix in the opening passages of The End of the Affair, and it is a strange hate indeed that compels him to set down the retrospective account of his adulterous affair with Sarah Miles. Now, a year after Sarah's death, Bendrix seeks to exorcise the persistence of his passion by retracing its course from obsessive love to love-hate. At first, he believes he hates Sarah and her husband, Henry. Yet as he delves deeper into his emotional outlook, Bendrix's hatred shifts to the God he feels has broken his life, but whose existence at last comes to recognize.

It's 28 June 1389, the Field of the Blackbirds. A Christian army made up of Serbs, Bosnians, Albanians and Romanians confront an Ottoman army. In ten hours the battle is over, and the Muslims possess the field; an outcome that has haunted the vanquished ever since. 28 June 1989, the Serb Leader Slobodan Milosevic launches his campaign for a fresh massacre of the Albanians, the majority population of Kosovo. In three short narratives, Kadare shows how legends of betrayal and defeat simmered in European civilisation for six hundred years, culminating in the agony of one tiny population at the end of the twentieth century.

Eszter Encsy, a now accomplished actress, finds herself thinking about her impoverished and frustrating childhood and path to accomplishment as she hears news of an old childhood acquaintance. She engages in a series of internal monologues, delving into the depths of the humiliation, isolation, poverty, social and emotional exclusion and despair she has experienced, desperately attempting to unearth and comprehend all of her experiences. At first she recalls them with a disturbing calmness and an indifferent detachment, outwardly remaining unperturbed and icy, but soon finds her manner of speaking and her demeanor slowly changing as it becomes more and more difficult for Eszter to choke down the intense feeling of hatred and resentment she has been allowing to quietly ferment for years. It is a composed, restrained feeling of hatred which is always with her, but breaks out on only a few occasions, and which now begins to contaminate her entire life like a deadly poison.

1969: Albert Speer, Hitler’s favourite architect and Minister for Armaments, publishes his memoirs. Rewriting his own past, from his involvement in Nazi rallies to the fall of the Third Reich, he becomes ‘the good Nazi’, the poster child of German guilt. Claiming to have known nothing about the Final Solution despite his proximity to the Führer, he declares himself ‘collectively responsible, but not individually guilty’. How do you write about a man who made fiction more seductive than truth? Retracing Speer’s life, from his early years as a Nazi to the height of his power, to his post-war rebranding as a best-selling author, and artfully questioning the truthfulness of his stories, Jean-Noël Orengo offers a dizzying portrait of the man who was once described as the Führer's unrequited love. In an age of competing narratives, this is the story of one of history's greatest lies. Translated from French by David Watson.

Reunion is a little-known novel. But it is also a universal story of friendship. It is a book of great power, waiting to be discovered. On a grey afternoon in 1932, a Stuttgart classroom is stirred by the arrival of a newcomer. Middle-class Hans is intrigued by the aristocratic new boy, Konradin, and before long they become best friends. It’s a friendship of the greatest kind, of shared interests and long conversations, of hikes in the German hills and growing up together. But the boys live in a changing Germany. Powerful, delicate and daring, Reunion is a story of the fragility, and strength, of the bonds between friends. ------------- Librarian's note: Alternate cover edition here.