In his latest tragicomedy Hamid Ismailov interrogates the interaction between tradition and modernity, myth and reality. A radio presenter interprets one of his dreams as an initiation by the world of spirits into the role of a Manaschi, a Kyrgyz bard and shaman who recites and performs the epic poem, Manas, and is revered as someone connected with supernatural forces. Travelling to his native mountainous village, populated by Tajiks and Kyrgyz, and unravelling his personal and national history, our hero Bekesh instead witnesses a full re-enactment of the epic’s wrath. Following on from the award winning The Devils' Dance and Of Strangers and Bees, this is the third and final book in Ismailov's informal Central Asia trilogy.

In thirteen stories that investigate ordinary and working-class Thailand, characters aspire for more but remain suspended in routine. They bide their time, waiting for an extraordinary event to end their stasis. A politician’s wife imagines her life had her husband’s accident been fatal, a man on death row requests that a friend clear up a misunderstanding with a prostitute, and an elevator attendant feels himself wasting away while trapped, immobile, at his station all day. With curious wit, this collection offers revelatory insight and subtle critique, exploring class, gender, and disenchantment in a changing country.

A young girl is abducted and smuggled aboard a boat bound upstream on an Indonesian river, through a landscape scarred by ecological destruction and historical greed. As her captors take her ever deeper into the jungle, her uncertain fate is compounded by the sense of her environment as a place of violence, destruction and jeopardy. But it is also a place from which she herself is indigenous, and if she can root herself back into its landscape and languages, she may yet save herself. Khairani Barokka addresses issues of pollution, consumerism, and habitat destruction with a poet's sensibility, and her frenetic neon artwork, inspired by contemporary glitch artists while also incorporating traditional motifs, aims to overturn our ideas of the jungle as a place of threatening darkness. Indigenous Species is also a bold and necessary experiment in making a sight-impaired-accessible art book: Tilted Axis is producing a separate edition which will feature Braille alongside text for sighted readers, and tactile, embossed imagery.

INTERNATIONAL BESTSELLER! Han Kang’s Human Acts meets Yōko Ogawa’s The Memory Police in this understated South Korean novella in a restrained yet emotional magical realist examination of futility in a capitalist society written in response to the 2009 Yongsan Disaster. In a Seoul slum marked for demolition, residents’ shadows have begun to rise. No one knows how or why–but, they warn each other, do not follow your shadow if it wanders away. As the landscape of their lives is torn apart, building by building, electronics-repair-shop employees Eungyo and Mujae can only watch as their community begins to fade. Their growing connection with one another provides solace, but against an uncaring ruling class and the inevitability of the rising shadows, their relationship may not be enough. Winner of the Hankook Ilbo Literary Award and the Korean Bookseller’s Award, One Hundred Shadows is a tender working-class perspective with subtle and affecting social commentary. This edition features an introduction by Man Booker Prize-winning author of The Vegetarian , Han Kang, a historical note about the Yongsan tragedy that inspired One Hundred Shadows , and an exclusive interview with the author.

Negli anni trenta del Novecento, un vasto movimento di conversione al cristianesimo investe l'Africa orientale. In Ruanda i missionari cattolici invocano la discesa dello Spirito Santo, perché possa annientare il paganesimo indigeno. Il reverendo Marcus, pastore afroamericano giunto dagli Stati Uniti, fonda assieme a una guaritrice, Sister Deborah, una missione evangelica in territorio ruandese. Nei suoi sermoni l'uomo annuncia l'arrivo ormai prossimo di un salvatore. È proprio Sister Deborah a precisare che non solo il messia sarà di colore, ma addirittura una donna. Le ruandesi iniziano allora a scioperare, abbandonano i campi, tengono lontani i mariti, convinte che, dopo mille anni di infelicità, una nuova epoca di gioia e prosperità attenda le donne. I disordini si diffondono, ma sono rapidamente repressi dalle truppe coloniali. Sister Deborah scompare e la sua vita si sublima in leggenda. Non tutto, però, è perduto. Ikirezi, una bambina ruandese che un tempo la suora ha miracolosamente curato, infondendo in lei il suo potere taumaturgico, è nel frattempo diventata una brillante accademica africanista e si mette sulle tracce della sua benefattrice. Riuscirà a ritrovarla? E, se sì, prima o dopo che una donna nera, messia di un'era nuova, rivoluzioni il mondo?

Two graduate students must set aside their rivalry and journey to Hell to save their professor’s soul, perhaps at the cost of their own. Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality—her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world—that is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands, and even death is not going to stop the pursuit of her dreams. Nor will the fact that her rival, Peter Murdoch, has come to the same conclusion.