Do you know what happened already? Did you know her? Did you see it on the internet? Did you listen to a podcast? Did the hosts make jokes? Did you see the pictures of the body? Did you look for them? It's been nearly a decade since the horrifying murder of sixteen-year-old Joan Wilson rocked Crow-on-Sea, and the events of that terrible night are now being published for the first time. That story is Penance, a dizzying feat of masterful storytelling, where Eliza Clark manoeuvres us through accounts from the inhabitants of this small seaside town. Placing us in the capable hands of journalist Alec Z. Carelli, Clark allows him to construct what he claims is the 'definitive account' of the murder - and what led up to it. Built on hours of interviews with witnesses and family members, painstaking historical research, and most notably, correspondence with the killers themselves, the result is a riveting snapshot of lives rocked by tragedy, and a town left in turmoil. The only question is: how much of it is true?

This is the story of the making of England in the 9th and 10th centuries, the years in which King Alfred the Great, his son and grandson defeated the Danish Vikings who had invaded and occupied three of England’s four kingdoms. The story is seen through the eyes of Uhtred, a dispossessed nobleman, who is captured as a child by the Danes and then raised by them so that, by the time the Northmen begin their assault on Wessex (Alfred’s kingdom and the last territory in English hands) Uhtred almost thinks of himself as a Dane. He certainly has no love for Alfred, whom he considers a pious weakling and no match for Viking savagery, yet when Alfred unexpectedly defeats the Danes and the Danes themselves turn on Uhtred, he is finally forced to choose sides. By now he is a young man, in love, trained to fight and ready to take his place in the dreaded shield wall. Above all, though, he wishes to recover his father’s land, the enchanting fort of Bebbanburg by the wild northern sea. This thrilling adventure—based on existing records of Bernard Cornwell’s ancestors—depicts a time when law and order were ripped violently apart by a pagan assault on Christian England, an assault that came very close to destroying England.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicenter of the break. The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T.S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

These 18 darkly complex short stories and novellas touch upon human nature and perception, metaphysics and epistemology, and gender and sexuality, foreshadowing a world in which biological tendencies bring about the downfall of humankind. Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included. The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours. Contents Introduction by Michael Swanwick The Last Flight of Doctor Ain (1969) The Screwfly Solution (1977) And I Awoke and Found Me Here on the Cold Hill’s Side (1972) The Girl Who Was Plugged In (1973) The Man Who Walked Home (1972) And I Have Come Upon This Place by Lost Ways (1972) The Women Men Don’t See (1973) Your Faces, O My Sisters! Your Faces Filled of Light! (1976) Houston, Houston, Do You Read? (1976) With Delicate Mad Hands (1981) A Momentary Taste of Being (1975) We Who Stole the Dream (1978) Her Smoke Rose Up Forever (1974) Love Is the Plan the Plan Is Death (1973) On the Last Afternoon (1972) She Waits for All Men Born (1976) Slow Music (1980) And So On, and So On (1971)

Do you know what happened already? Did you know her? Did you see it on the internet? Did you listen to a podcast? Did the hosts make jokes? Did you see the pictures of the body? Did you look for them? It's been nearly a decade since the horrifying murder of sixteen-year-old Joan Wilson rocked Crow-on-Sea, and the events of that terrible night are now being published for the first time. That story is Penance, a dizzying feat of masterful storytelling, where Eliza Clark manoeuvres us through accounts from the inhabitants of this small seaside town. Placing us in the capable hands of journalist Alec Z. Carelli, Clark allows him to construct what he claims is the 'definitive account' of the murder - and what led up to it. Built on hours of interviews with witnesses and family members, painstaking historical research, and most notably, correspondence with the killers themselves, the result is a riveting snapshot of lives rocked by tragedy, and a town left in turmoil. The only question is: how much of it is true?

Poetry has often been considered an irrational genre, more expressive than logical, more meditative than given to coherent argument. And yet, in each of the four very different poets she considers here, Helen Vendler reveals a style of thinking in operation; although they may prefer different means, she argues, all poets of any value are thinkers. The four poets taken up in this volume―Alexander Pope, Walt Whitman, Emily Dickinson, and William Butler Yeats―come from three centuries and three nations, and their styles of thinking are characteristically idiosyncratic. Vendler shows us Pope performing as a satiric miniaturizer, remaking in verse the form of the essay, Whitman writing as a poet of repetitive insistence for whom thinking must be followed by rethinking, Dickinson experimenting with plot to characterize life’s unfolding, and Yeats thinking in images, using montage in lieu of argument. With customary lucidity and spirit, Vendler traces through these poets’ lines to find evidence of thought in lyric, the silent stylistic measures representing changes of mind, the condensed power of poetic thinking. Her work argues against the reduction of poetry to its (frequently well-worn) themes and demonstrates, instead, that there is always in admirable poetry a strenuous process of thinking, evident in an evolving style―however ancient the theme―that is powerful and original.

From the internationally acclaimed author of some of this century's most breathtakingly original novels comes this posthumous collection of thirty-six literary essays that will make any fortunate reader view the old classics in a dazzling new light.Learn why Lara, not Zhivago, is the center of Pasternak's masterpiece, Dr. Zhivago, and why Cyrano de Bergerac is the forerunner of modern-day science-fiction writers. Learn how many odysseys The Odyssey contains, and why Hemingway's Nick Adams stories are a pinnacle of twentieth-century literature. From Ovid to Pavese, Xenophon to Dickens, Galileo to Gadda, Calvino covers the classics he has loved most with essays that are fresh, accessible and wise. Why Read the Classics? firmly establishes Calvino among the rare likes of Nabokov, Borges, and Lawrence--writers whose criticism is as vibrant and unique as their groundbreaking fiction.  

Nou Occitan is a place where duels are fought with equal passion over insults and artistic views alike. Giraut--swordsman, troubador, lover--is a creature of this swashbuckling world, the most isolated of humanity's Thousand Cultures. But the winds of change have come to Nou Occitan. As the invention of the "springer"--instantaneous interstellar travel, at a price--spreads throughout the human galaxy, the stability and purity of no world, no matter how isolated, is safe. Nor can Giraut's life remain untouched. To his wonder, his is about to find himself made an ambassador to a different human world, a place strange beyond his wildest imaginings.

It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong. The Sympathizer is the story of this captain: a man brought up by an absent French father and a poor Vietnamese mother, a man who went to university in America, but returned to Vietnam to fight for the Communist cause. A gripping spy novel, an astute exploration of extreme politics, and a moving love story, The Sympathizer explores a life between two worlds and examines the legacy of the Vietnam War in literature, film, and the wars we fight today.

Hundreds of years after their withdrawal, the Enemy is back, and this time they will be satisfied with nothing less than the extinction of the galaxy, forcing humankind to once again fight a seemingly unbeatable adversary across the Spiral Arm. Reprint.