Told through the alternating perspectives of five childhood friends from the same housing estate in England, I See Buildings Fall like Lightning is a story about friendship, place, loss, addiction and the ways in which lives, minds, and bodies can be limited by material conditions; it also speaks powerfully to the ways in which humor, loyalty, and family can bestow meaning and life even in the toughest circumstances. Only Rian has made it out of the estate and moved away to another city, but his money doesn't stop him clinging to a vision of the past that is quickly slipping away. Oli is fading by the day, drinking and snorting his way through the endless boredom. Things are looking up for Conor, but he is never too far away from chaos. Patrick and Shiv are as in love as ever, always the calm in the eye of the storm, but even they are rocked when old secrets begin to open new wounds. Bold, ambitious, and stylistically striking, I See Buildings Fall Like Lightning lays bare the economic, psychological, and spiritual impact of poverty, explores the redeeming and transforming beauty of friendship and examines the true limits of hope and forgiveness.

Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer’s Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.

From award-winning author R. F. Kuang comes Babel, a historical fantasy epic that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British Empire Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. The tower and its students are the world's center for translation and, more importantly, magic. Silver-working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as the arcane craft serves the Empire's quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide . . . Can powerful institutions be changed from within, or does revolution always require violence?

One family. Four generations. A secret son. A devastating addiction. A Texas family is met with losses and surprises of inheritance, but they’re unable to shake the pull back toward each other in this big-hearted family saga perfect for readers of Mary Beth Keane and Claire Lombardo. Ryan and Lillian Bright are deeply in love, recently married, and now parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching their marriage rise and fall. When a shocking blow scatters their fragile trio, Georgette tries to distance herself from reminders of her parents. Years later, Lillian’s son comes searching for his birth family, so Georgette must return to her roots, unearth her family’s history, and decide whether she can open up to love for them—or herself—while there’s still time. Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

Olivia Beckett has lived through thousands of lifetimes, dispatching miscreant supernatural creatures alongside her sisters as the mythological trio of Furies. Memories of her past lives begin to appear and haunt her, and she starts questioning everything she thought she knew about her life and her duty. In the midst of a brewing war between the factions of Creatures, Olivia goes against all the rules and falls in love with a human, only to realize he may be connected to her mysterious past. Can she have it all, or will she have to make the ultimate sacrifice in order to stop the war?

Skandinavien is a dark, immersive horror audiobook designed for fans of atmospheric horror and slow-burn suspense. Conrad lives a solitary existence in an ancient windmill in a remote part of Scandinavia. He has no memory of being a functional part of society. All he has is his work; the bodies he disposes of. When prominent politician Albert Finzt ends up on Conrad’s autopsy slab, he begins to unravel the horrific circumstances behind his forced labour. This is a cold, creeping story rooted in folklore, isolation, and the fragile nature of memory.