The first nonfiction work by one of the most distinctive prose stylists of our era, Joan Didion's Slouching Towards Bethlehem remains, decades after its first publication, the essential portrait of America—particularly California—in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture. It contains Didion's famous essay, "Goodbye to All That".

A new masterpiece of modern queer fiction, Wife & Wife is a sharply observed and deeply moving story of love, discovery, and defiance told through the eyes of two women who meet as housewives in the 1950s and triumphantly marry in 2011. It is 1955 in the sedate, affluent suburb of Pearl’s Cove, New York. Twenty-five-year-old housewife and mother of two Ruth Wolf is a glamorous platinum blonde who secretly devours lesbian pulp fiction shoplifted from the local drugstore. But nothing about her clandestine reading has prepared her for what will happen when she meets Sylvie Fein, a socialite who pours her energy into making art while her children are at school. Their connection is electric and instantly threatens to upend their dutiful, traditional lives. Dazzled and in love, Ruth and Sylvie struggle to find a way to be together for more than half a century, wrestling with the expectations of their families and neighbors and the undeniable force of their desire for one another. From the stifling suburban kitchens of the 50s to the triumphant coming of gay marriage in 2011, this is a sharpy observed, wryly funny and deeply moving journey through time and the human heart. Wife & Wife transforms a single love affair between two ordinary women into a sweeping narrative of discovery and reinvention, mirroring the profound cultural upheavals that redefined marriage and family in America.

One fateful night in Sparta, a young slave girl encounters a mysterious, grey-eyed princess. Melantho and Penelope, though from different worlds, are instantly connected. But betrayal soon tears them apart.Years later, on Ithaca's rocky shores, Melantho is sent to serve Princess Penelope and her new husband, Prince Odysseus. Hardened by slavery, Melantho vows to stay distant from Penelope. Yet, the undeniable pull between them proves stronger than ever.As war ignites Greece, Odysseus and Ithaca's men are called away and, in their absence, Melantho finds a new world opening up before her – one where women rule, where family can be found, and where love is finally given the space to bloom.But all wars eventually end and as Troy falls, Penelope and Melantho must face the King’s return and decide how far they will go to protect what matters most to them.

The first nonfiction work by one of the most distinctive prose stylists of our era, Joan Didion's Slouching Towards Bethlehem remains, decades after its first publication, the essential portrait of America—particularly California—in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture. It contains Didion's famous essay, "Goodbye to All That".

Hell is empty and all the devils are here… Alex Stern made it to hell and back more than once, but this time she left the door open behind her. Demons are creeping through the streets of New Haven and the Yale campus, feeding on the souls of the living, terrifying the dead. Alex and her allies can hunt them, but it’s only a matter of time before the gates to the underworld open and they face a war they cannot win. To stop it, they’ll have to reach deep into the secrets of Yale and its societies, and discover the truth hidden in Alex’s own blood. While she struggles to hold onto the dream of a future Yale once offered, Alex must contend with the machinations of a corrupt Lethe Board and a deadly vampire with his own connection to the societies. But for the first time in her life, she won’t have to face the fight alone. Dawes, Turner, Mercy, and even Tripp will have a role to play, none more so than Alex’s mentor Darlington, the golden boy who lived so long in her head, now back in the flesh and cursed with dangerous powers of his own. Hell itself is stalking the delegates of Lethe House, and they’re all about to learn that demons don’t play by human rules.

The great Pirandello's (1867-1936) 1926 novel, previously published here in 1933 in another translation, synthesizes the themes and personalities that illuminate such dramas as Six Characters in Search of an Author. Vitangelo Moscarda ``loses his reality'' when his wife cavalierly informs him that his nose tilts to the right; suddenly he realizes that ``for others I was not what till now, privately, I had imagined myself to be,'' and that, consequently, his identity is evanescent, based purely on the shifting perceptions of those around him. Thus he is simultaneously without a self--``no one''--and the theater for myriad selves--``one hundred thousand.'' In a crazed search for an identity independent of others' preconceptions, Moscarda careens from one disaster to the next and finds his freedom even as he is declared insane. It is Pirandello's genius that a discussion of the fundamental human inability to communicate, of our essential solitariness, and of the inescapable restriction of our free will elicits such thoroughly sustained and earthy laughter.

Joan Didion is revealed at last in this outrageously provocative and profoundly moving new work on the mutual attractions—and mutual antipathies—of Didion and Didion’s fellow literary titan, Eve Babitz.“Could you write what you write if you weren’t so tiny, Joan?” —Eve Babitz, in a letter to Joan Didion, 1972 Eve Babitz died on December 17, 2021. Found in a closet in the back of an apartment full of wrack, ruin, and filth was a stack of boxes packed by her mother decades before. These boxes were pristine, the seals of duct tape unbroken. journals, photos, scrapbooks, manuscripts, letters. inside a lost world. This world turned for a certain number of years in the late sixties and early seventies, and was centered on a two-story house rented by Joan Didion and her husband, writer John Gregory Dunne, in a down-at-heel section of Hollywood. 7406 Franklin Avenue, a combination salon-hotbed-living end where writers and artists mixed with movie stars, rock n’ rollers, drug trash. 7406 Franklin Avenue was the making of one great American Joan Didion, cool and reserved behind her oversized sunglasses and storied marriage, a union as tortured as it was enduring. 7406 Franklin Avenue was the breaking and then the remaking—and thus the true making—of another great American Eve Babitz, goddaughter of Igor Stravinsky, nude of Marcel Duchamp, consort of Jim Morrison (among many, many others), who burned so hot she finally almost burned herself alive. The two formed a complicated a friendship that went bad, amity turning to enmity; a friendship that was as rare as true love, as rare as true hate. Didion, in spite of her confessional style, her widespread fame, is so little known or understood. She’s remained opaque, elusive. Until now. With deftness and skill, journalist Lili Anolik uses Babitz—Babitz’s brilliance of observation, Babitz’s incisive intelligence, and, most of all, Babitz’s diary-like letters—as the key to unlocking the mighty and mysterious Didion.

A new masterpiece of modern queer fiction, Wife & Wife is a sharply observed and deeply moving story of love, discovery, and defiance told through the eyes of two women who meet as housewives in the 1950s and triumphantly marry in 2011. It is 1955 in the sedate, affluent suburb of Pearl’s Cove, New York. Twenty-five-year-old housewife and mother of two Ruth Wolf is a glamorous platinum blonde who secretly devours lesbian pulp fiction shoplifted from the local drugstore. But nothing about her clandestine reading has prepared her for what will happen when she meets Sylvie Fein, a socialite who pours her energy into making art while her children are at school. Their connection is electric and instantly threatens to upend their dutiful, traditional lives. Dazzled and in love, Ruth and Sylvie struggle to find a way to be together for more than half a century, wrestling with the expectations of their families and neighbors and the undeniable force of their desire for one another. From the stifling suburban kitchens of the 50s to the triumphant coming of gay marriage in 2011, this is a sharpy observed, wryly funny and deeply moving journey through time and the human heart. Wife & Wife transforms a single love affair between two ordinary women into a sweeping narrative of discovery and reinvention, mirroring the profound cultural upheavals that redefined marriage and family in America.

The first woman ever admitted to a prestigious order of mages unravels a secret conspiracy that could change the practice of magic forever, in this standalone dark fantasy from the author of The Sword of Kaigen. For twenty years, Sciona has devoted every waking moment to the study of magic, fueled by a mad desire to achieve the impossible: to be the first woman ever admitted to the High Magistry at the University of Magics and Industry. When Sciona finally passes the qualifying exam and becomes a highmage, she finds her challenges have just begun. Her new colleagues are determined to make her feel unwelcome—and, instead of a qualified lab assistant, they give her a janitor. What neither Sciona nor her peers realize is that her taciturn assistant was not always a janitor. Ten years ago, he was a nomadic hunter who lost his family on their perilous journey from the wild plains to the city. But now he sees the opportunity to understand the forces that decimated his tribe, drove him from his homeland, and keep the privileged in power. At first, mage and outsider have a fractious relationship. But working together, they uncover an ancient secret that could change the course of magic forever—if it doesn’t get them killed first.

The corporate "yes man," the wife-beater, the hot-shot male junior executive and the emotionally distant father are all boys pretending to be men, observe the authors of this liberating guide to self-transformation. Writing within a Jungian framework, they perceive symptoms of "Boycaps per book psychology" all around us--in men's abusive behaviors, passivity and inability to act creatively. To help males become more nurturing and mature, Moore and Gillette identify four archetypes of masculine energies from myth and literature: the Lover, brimming with vitality and sensitivity; the Magician, guider of the processes of inner and outer transformation; the selfless and wise King identified with Adam or primordial man; and the Warrior, whose energies often go awry in destructive activity. Dream analysis, meditation, Jungian "active imagination" and ritual processes are among the tools set forth in a clear, concise map to territories of masculine selfhood.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.