Pollution. Extinction. Warming. Sea level rise... Mother Nature heard our crimes and found us guilty. Field Notes from a Nightmare is an anthology of ecological horror, containing 18 stories from some of the strongest voices in indie horror. Edited by Alex Ebenstein; with a Foreword from New York Times-Bestselling author Tim Lebbon Cover art and interior illustrations by David Bowman Stories A.K. DennisAlexis DuBonJonathan Louis DuckworthEddie GenerousKC GrifantS.L. HarrisTim HoelscherTom JollyGwen C. KatzJoe KochCarter LappinNikki R. LeighJ.R. McConveyMatthew PrittEric RaglinSara TantlingerGordon B. WhiteAlex Woodroe

This World Belongs to Us is an anthology of horror stories about bugs, writ large-we're not scientists, so spiders and slugs and scorpions (oh my!) are in here too. A child pays for a thoughtless action for the rest of her life. A lothario mistreats the wrong woman. A hunter tracks a horrifying monster to the edge of reality. Space larvae learn to be human. An influencer hawks this year's most popular accessory. A prisoner in solitary makes a new friend. And more, and more. This collection will terrify you with nineteen stories about the creepy-crawlies that were here before us and will be here long after we're gone. Featuring stories by Bram Stoker Award winner Kealan Patrick Burke, Bram Stoker Award nominees Paula D. Ashe, Laurel Hightower, Cynthia Pelayo, and V. Castro, plus Octavia Cade, Felix I.D. Dimaro, Jaclyn Youhana Garver, Rowan Hill, C.B. Jones, Bitter Karella, Gwen Katz, R.M. Kidd, J.A. Prentice, Bert SG, David Simmons, Yvette Tan, and Kay Vaindal as well as a major rediscovery-John B.L. Goodwin's 1946 story "The Cocoon," one of the creepiest stories ever written but out of print for more than 40 years. Edited by Michael W. Phillips Jr.

For fans of Karen Russell and Carmen Maria Machado, The Age of Calamities is a genre-defying, mind-bending collection of absurdist, funny, and speculative short stories. In this bold and enchanting collection Senaa Ahmad takes license with history and its players, sending the reader on a thrilling ride. In “Let’s Play Dead,” Henry VIII wants Anne Boleyn gone, but there’s a tiny problem―she keeps coming back to life no matter what he does. “Choose Your Own Apocalypse” hurls readers back to 1945, where they assume the role of a technician for the Manhattan Project, surrounded by labyrinthine paths and harrowing outcomes. And “Inside the House of the Historian” invites us to a dinner party turned murder mystery full of figures like Nefertiti, Queen Victoria, John Adams, and Marilyn Monroe. These stories and others entice readers to confront the past, the present, and themselves all at once. Zany and haunting, inviting and brilliant, each poignant tale delves into surreal nature of today through the lens of yesterday, charting the tragicomic yet hopeful act of living. The Age of Calamities is an evocation of life and death on history’s unsteady margins, of how to reckon with the blunt-force trauma of ill-fated times. Fiercely clever and wildly inventive, this debut establishes Senaa Ahmad as a literary force.

In The Power the world is a recognizable place: There's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; and a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: They can cause agonizing pain and even death. With this small twist of nature, the world drastically resets.

In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma. Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard, cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility. So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

An alternative cover edition for this ISBN can be found here. A Black father. A white father. Two murdered sons. A quest for vengeance.Ike Randolph has been out of jail for fifteen years, with not so much as a speeding ticket in all that time. But a Black man with cops at the door knows to be afraid.The last thing he expects to hear is that his son Isiah has been murdered, along with Isiah’s white husband, Derek. Ike had never fully accepted his son but is devastated by his loss. Derek’s father Buddy Lee was almost as ashamed of Derek for being gay as Derek was ashamed his father was a criminal. Buddy Lee still has contacts in the underworld, though, and he wants to know who killed his boy.Ike and Buddy Lee, two ex-cons with little else in common other than a criminal past and a love for their dead sons, band together in their desperate desire for revenge. In their quest to do better for their sons in death than they did in life, hardened men Ike and Buddy Lee will confront their own prejudices about their sons and each other, as they rain down vengeance upon those who hurt their boys.Provocative and fast-paced, S.A. Cosby's Razorblade Tears is a story of bloody retribution, heartfelt change - and maybe even redemption.