Can they stop hating each other long enough to fall in love? A commitment-phobe and a hopeless romantic clash over and over again--until heartbreak and unexpected chemistry bring them together in this clever enemies-to-friends-to-lovers debut romance. When Ari and Josh first meet, the wrong kind of sparks fly. They hate each other. Instantly. A free-spirited, struggling comedian who likes to keep things casual, Ari sublets, takes gigs, and she never sleeps over after hooking up. Born-and-bred Manhattanite Josh has ambitious plans: Take the culinary world by storm, find The One, and make her breakfast in his spotless kitchen. They have absolutely nothing in common . . . except that they happen to be sleeping with the same woman. Ari and Josh never expect their paths to cross again. But years later, as they're both reeling from ego-bruising breakups, a chance encounter leads to a surprising connection: friendship. Turns out, spending time with your former nemesis is fun when you're too sad to hate each other--and too sad for hate sex. As friends-without-benefits, they find comfort in late-night Netflix binges, swiping through each other's online dating profiles, and bickering across boroughs. It's better than romance. Until one night, the unspoken boundaries of their platonic relationship begin to blur. . . . With sharp observations and sizzling chemistry, You, Again explores the dynamics of co-ed friendship in this sparkling romantic comedy of modern love in all its forms.

An electric debut novel about the daughter of Afghan refugees and her year of nightclubs, bad romance, and self-discovery—a portrait of the artist as a young woman set in a Berlin that can't escape its history A girl can get in almost anywhere, even if she can’t get out. “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic . . . full of style and soul.”—Raven Leilani “Radiant with longing and beauty.”—Sarah Thankham Matthews In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

When childhood neighbours and best friends Florence Parker and Tom Sinclair were on the precipice of graduating college, they made a pact they hoped would link them every year at their families' lavish New Year's Eve party, they'd each write five secret predictions about the other's year ahead. Whoever got the most guesses correct would make one big life decision for the other. So it went for nearly a decade-until the final year, when one letter shattered their friendship. Now, Tom and Florence are home for the holidays and haven't spoken in over a year. To keep up appearances, they're forced to plan the New Year's Eve party together. But hidden in the tense silences and charged interactions is a wealth of history they can't escape, and feelings they've never spoken aloud. It's their last opportunity to make amends before Florence moves away, but are they willing to take a chance on a future they can't predict?

This heartwarming and swoon-worthy second chance romance about childhood friends reconnecting as adults is the highly anticipated debut novel from BookTok icon Haley Pham. Blair and Declan were inseparable growing up—best friends who knew each other better than anyone else. But when an impulsive kiss took them from friends to something more, everything changed. Just as quickly as their romance started, one moment shattered it all, leaving them with nothing but heartbreak and silence. Now, four years later, Blair is back in their coastal hometown of Seabrook to support her mom and care for her great-aunt Lottie as her health declines. To make ends meet, Blair applies to work at a coffee shop—only to discover it’s managed by none other than Declan. The boy she loved. The boy she lost. The boy who still makes her heart race. As Blair’s path keeps crossing with Declan’s, old wounds resurface, secrets are revealed, and sparks reignite. But could their future ever be free of their past? Told in dual timelines that unravel the magic and pain of first love, Just Friends is a moving, romantic story about second chances, the weight of dreams, and finding your way back to the people who feel like home.

A memoir about growing up Korean American, losing her mother, and forging her own identity. Michelle Zauner tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band—and meeting the man who would become her husband—her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother’s diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

On the island of Zakynthos, nothing is more powerful than Desire―love itself, bottled and sold to the highest bidder by Leandros, a power-hungry descendent of the god Eros. Eirene and her beloved twin sister, Phoebe, have always managed to escape Desire’s thrall. Until Leandros’ wife dies mysteriously and he sets his sights on Phoebe. Determined to keep her sister safe, Eirene strikes a bargain with Leandros: if she can complete the four elaborate tasks he sets her, he will find another bride. But it soon becomes clear that the tasks are part of something bigger; something related to Desire and Lamia, the strange, neglected daughter Leandros keeps locked away. Lamia knows her father hides her for her own protection, though as she and Eirene grow closer, she finds herself longing for the outside world. But the price of freedom is high, and with something deadly―something hungry―stalking the night, that price must be paid in blood . . .

The story of the recent uprisings that sought to change the world - and what comes next   From 2010 to 2020, more people participated in protests than at any other point in human history. Yet we are not living in more just and democratic societies as a result. IF WE BURN is a stirring work of history built around a single, vital question: How did so many mass protests lead to the opposite of what they asked for?   From the so-called Arab Spring to Gezi Park in Turkey, from Ukraine’s Euromaidan to student rebellions in Chile and Hong Kong, acclaimed journalist Vincent Bevins provides a blow-by-blow account of street movements and their consequences, recounted in gripping detail. He draws on four years of research and hundreds of interviews conducted around the world, as well as his own strange experiences in Brazil, where a progressive-led protest explosion led to an extreme-right government that torched the Amazon.   Careful investigation reveals that conventional wisdom on revolutionary change is gravely misguided. In this groundbreaking study of an extraordinary chain of events, protesters and major actors look back on successes and defeats, offering urgent lessons for the future.

An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion—his sense of smell—leads to murder. In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

From the author of the “vibrantly, brilliantly alive” (James Frankie Thomas) Still Life, a haunted family reenacts the violent night their lives changed forever. Exactly 19 years ago, in May of 1992, 17-year-old Roland St. Cloud fatally stabbed his twin sister Edna’s three best friends. The slaying became instant tabloid fodder leading to a bestselling true-crime book and horror movie franchise. Each year on the anniversary of her family’s undoing, Edna stages a ritualized reenactment of the murders. She is joined by her husband, Roger, true crime author extraordinaire; her younger sister Calla, a failed playwright who spends her days lost in virtual reality; her younger brother James and his girlfriend Heather; and her teenage daughter Wren. Together, the St. Cloud family seals the windows and doors of the house and light a grim candle. Thus begins their macabre theater of memory. All Us Saints is a literary family drama packaged as a two-act play, in whose intermission we glimpse the painful childhood Roland faced as a closeted transwoman in the early 90s, when queer and trans people were cast as monsters worthy only of shame and vitriol. All Us Saints is a story of life after trauma and a scathing commentary on the cisgender gaze.