A lush and immersive queer “Sleeping Beauty” retelling about escapism, grief, and dreaming of a better world, as imagined by YouTube star Cindy Pham100 years have passed since the last heir of Gyldan fell into eternal slumber and doomed the once-mighty kingdom into poverty and invasion. At least, that’s what the fairy tales claim. Corin is a jaded thief who doesn’t believe in fables, even when she searches Gyldan’s underground tunnels to find her younger sister, Elly, who ran away to find the sleeping princess in hopes of a better life. Corin's conviction is challenged when she discovers the ruins of the ancient castle, maintained by beings from the kingdom's golden age, who protect a hidden portal into princess Amelia's subconscious. Following Elly’s voice, Corin jumps in the portal and seals the entry behind her.Inside the lush world of Amelia's dreams, the sisters reunite for a new adventure as they meet Briar Rose, Amelia’s whimsical alter ego, and Malicine, a sharp-tongued demon with a gift for magic. But as they explore ice castles, sunflower mazes, and star-filled oceans, Corin suspects Briar Rose is hiding darker secrets behind her "perfect" paradise – and that there are some things their subconscious can’t bury forever.

Suffolk, 1937. As the English countryside swelters in a historic heat wave, preparations for a party at Snare House are in full swing. The Winthers’ only daughter, Joanie, is returning from a summer in Europe, a flying visit before she leaves for university in Oxford. Only Margaret, long-time ward of the family and Joanie’s closest friend, knows the Joanie won’t be going to Oxford. Instead, the two will be leaving the stultifying society they know to live together in London, as lovers.Then the pair is discovered, and everything goes wrong. Banished to a cabin in the nearby woods, Margaret is alone with her estranged father. As summer curdles into fall and magpies throng the forest, Margaret begins to lose herself. Her dreams turn dark and terrifying, and she wakes from them with dirt on her soles and scratches on her back. Everything suggests that a perverse power is awakening within her—perhaps the very one which led to her mother’s ostracism and eventual death. If she can harness it, Margaret may be able to secure an approximation of the love she’s always craved—but at what cost?Little Wild is at once a feminist fairy tale, a haunting meditation on the dangers of desire, and a gripping debut from a talented new voice.

From the USA Today bestselling author of The Book Eaters comes The Girl with a Thousand Faces, a Gothic tale set in a historical Hong Kong that meshes ancient myths and local legends into a haunting story of ghosts, grief, and women who will not forgive. When Mercy Chan washed up on the shores of Hong Kong with no family, no money, and no memories, she was thrust into the horrors of World War II. She only survived by hiding in Kowloon Walled City, an infamous, ghost-infested slum full of lost and traumatized civilians. Since the end of the war, she has rebuilt her life and found work with the local triad as a ghost-talker, dealing with the angry and bitter spirits who haunt this place. These days, the filthy gutters and cramped alleyways of Kowloon feel like home. But the past she can’t remember won’t let her go. An unusually powerful ghost has infested Kowloon’s waterways, drowning innocents and threatening the district. Unnervingly, it claims to know Mercy―and her forgotten childhood. As Mercy is drawn into a deadly cat-and-mouse game with this malignant spirit, she begins to realize that the monster she fights within these walls may well be one of her own making. 33 years before, mere days ahead of the Japanese invasion, Sung Siu Yin and her mother flee Hong Kong, intending to hide out on her mother's ancestral island home. It’s beautiful, tranquil, and remote. . . but also inhabited by ghosts ever since the entire village drowned in a storm many years ago. Still, it’s better than living under occupation. But as the war drags on and isolation sets in, Siu Yin is increasingly drawn into the island's grim past―a past that may still have a hold on the present. There is a darkness lurking beneath that idyllic ocean, and it has been waiting many years for someone to return. "The Girl With a Thousand Faces confirms Sunyi Dean as one of the most interesting voices in genre fiction.”―Gareth Brown, USA Today bestselling author of The Book of Doors

Aboard the Titanic, Lobster watches Angelina devour his father, before being plucked out of the aquarium himself. Just as he is put in the boiling pot, the ship hits the iceberg and the pot is thrown to the floor. Lobster survives, with some changes: he finds himself sexually attracted not only to a human, but to the very human who ate his father. He gives her one life-changing orgasm before their tragic separation, following an ugly incident in one of the lifeboats. Thus begins a love story like no other. But this is not only a surreal concept. Lecasble's rich symbolism — about the shells we build to protect ourselves, the difficulty of communication, and the profound changes engendered by love — is further enhanced by powerfully erotic, vivid prose.

Bram Stoker Award–nominee and USA Today bestseller Johanna van Veen unveils a sapphic folk-horror tour de force—perfect for fans of The VVitch and The Salt Grows Heavy. A skull's grin is eternal… The year is 1635. Sister Ursula, a young nun fleeing the ruins of her convent, and Elsebeth, a sharp-witted peasant, escape a band of marauding soldiers and disappear into the Bavarian forest. War scorches the land, and no one survives it alone. Amid the devastation, they find something in the arms of a dying the gilded skull of a saint. It is said that if you reunite the saint's skull with her body, a wish will be granted. Desperate for salvation, and each with secret desires of their own, Ursula and Elsebeth follow a ragged map across the blighted countryside. But darkness follows them. A necromancer, drawn to the relic's power. The saint herself, whispering at night. And as the lines between blessing and curse blur, the women must face a harrowing the magic they seek comes at a cost. At the journey's end, they'll face an impossible choice—one that could tear apart everything they know… or bind them to each other forever.

From the "terrifyingly talented" (The Times, UK) author of The Curious Incident of the Dog in the Night-Time and The Porpoise, eight mesmerizingly imaginative, deeply-humane stories that use Greek myths and contemporary dystopian narratives to examine mortality, moral choices and the many variants of loveGreek myths have fascinated people for millennia, seeing in them lessons about fate and hubris and the contingency of existence. Mark Haddon digs into the heart of these ancient fables and sees them anew.In "The Quiet Limit of the World" Haddon imagines Tithonus' life as he slowly ages over thousands of years, turning the cautionary tale of tempting the gods into a spellbinding meditation on witnessing death from the outside, and ultimately, how carnal love evolves into something richer and more poignant with time. In "The Mother’s Story," Haddon takes the myth of the minotaur in his labyrinth, in which the beast is the spawn of the monstrous lust of the king's wife Pasiphae, and turns it into a wrenching parable of maternal love for a damaged child, and the more real monstrosities of patriarchy. In "D.O.G.Z." the story of Actaeon, who was turned into a stag after glimpsing the naked goddess Diana and torn to pieces by his hunting dogs, becomes a visceral metaphor about the continuum of human and animal behavior.Other stories play with contemporary mythic tropes—genetic engineering, trying to escape the future, the viciousness of adolescent ostracism—to showcase how modern humans are subject to the same capriciousness that obsessed the Greeks. Haddon's tales cover a vast range, from the mythic to the domestic, from ancient Greece to the present day, from stories about love to stories about cruelty, from battlefields to bed and breakfasts, from dogs in space to doors between worlds—all of them bound together by a profound sympathy and an understanding of how human beings act and think and feel when pushed to the very edge. Throughout Haddon's supple prose, he showcases his astonishing powers of observation, of both the physical world and the workings of the psyche. His vision is clear-eyed, but always resolutely empathetic.

Chichikov, a mysterious stranger, arrives in a provincial town and visits a succession of landowners to make each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying taxes on them, and to use these 'souls' as collateral to re-invent himself as a gentleman. In this ebullient masterpiece, Gogol created a grotesque gallery of human types, from the bear-like Sobakevich to the insubstantial fool Manilov, and, above all, the devilish con man Chichikov. Dead Souls, Russia's first major novel, is one of the most unusual works of nineteenth-century fiction and a devastating satire on social hypocrisy. In his introduction to this new translation, Robert A. Maguire discusses Gogol's life and literary career, his depiction of Russian society, and the language and narrative techniques employed in Dead Souls. This edition also includes a chronology, further reading, appendices, a glossary, map and notes.

Even though Ivan Goncharov wrote several books that were widely read and discussed during his lifetime, today he is remembered for one novel, Oblomov, published in 1859, an indisputable classic of Russian literature, the artistic stature and cultural significance of which may be compared only to other such masterpieces as Nikolai Gogol's Dead Souls, Leo Tolstoy's Anna Karenina, and Fyodor Dostoevsky's Brothers Karamazov. Stephen Pearl's new translation, the first major English-language publication of Oblomov in more than fifty years, succeeds exquisitely to introduce this astonishing and endearing novel to a new generation of readers.

Suffolk, 1937. As the English countryside swelters in a historic heat wave, preparations for a party at Snare House are in full swing. The Winthers’ only daughter, Joanie, is returning from a summer in Europe, a flying visit before she leaves for university in Oxford. Only Margaret, long-time ward of the family and Joanie’s closest friend, knows the Joanie won’t be going to Oxford. Instead, the two will be leaving the stultifying society they know to live together in London, as lovers.Then the pair is discovered, and everything goes wrong. Banished to a cabin in the nearby woods, Margaret is alone with her estranged father. As summer curdles into fall and magpies throng the forest, Margaret begins to lose herself. Her dreams turn dark and terrifying, and she wakes from them with dirt on her soles and scratches on her back. Everything suggests that a perverse power is awakening within her—perhaps the very one which led to her mother’s ostracism and eventual death. If she can harness it, Margaret may be able to secure an approximation of the love she’s always craved—but at what cost?Little Wild is at once a feminist fairy tale, a haunting meditation on the dangers of desire, and a gripping debut from a talented new voice.

A dark and utterly original literary horror debut, following a priest whose bloodthirsty life has extended far longer than any mere human's—and is upended when a stranger comes to town Stutley Tillinghast lives a solitary life, ostensibly as the minister of a remote rural parish in Rhode Island. For many decades now, what little human contact he’s allowed himself has been brief, frenzied and bloody, and has always ended in a shallow grave in his cellar. There’s a name for what he is, but he prefers not to use it is simple enough that he has his needs, and that when they become unbearable, he fulfils them. In his long and lonely life, he has met only one other like him—the woman he still yearns for, the one who made him what he is. Then a girl arrives, searching for him. She has his last name, and bears an uncanny resemblance to that woman, awakening memories Tillinghast had long suppressed; the connection he feels for her is immediate and overwhelming. She’s also sick, very sick, with symptoms Tillinghast recognizes all too well...and only he knows how to cure her. Inspired by the real events of the New England vampire panic of the nineteenth century, Tillinghast is a novel to sink your teeth at once a gripping, atmospheric horror that turns the classic monster narrative on its head; a literary work of exceptional prose about giving into--or resisting--our impulses; and a remarkably moving father-daughter story that will leave you unexpectedly hopeful—and rooting, despite your every instinct, for the killers.