A lyrical, evocative horror about vampires from the Philippines . . . and a hunter on their tail. A brother and sister fight to protect their secrets, their community, and most of all, each other, in this evocative novel from the New York Times bestselling author of Patron Saints of Nothing. As Filipino vampires known as manananggal, Lily and her brother Caleb understand the value of a secret. After all, to hide is to survive. To lie is to live. They’d never harm another person—but people only believe their worst fears around creatures of myth. So the siblings stay quiet. They follow their community’s rules. Until a monster hunter turns up and kills a fellow manananggal, anyway. Until Caleb is marked as the hunter’s next prey. Suddenly, he and Lily realize there’s always been more at stake than the lives of their people. Because when doing everything "right" is still a death sentence, what can they take as truth? As the hunter nears, the siblings must decide if they’ll be driven from the only home they’ve ever known . . . or fight to protect a community that may already be lost.

Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.

One Thursday afternoon in the seniors' center, a decade-old cold case - their favorite kind - leads the "Thursday Murder Club" to a local news legend and a murder with no body and no answers. A new foe they call "Viking", wants Elizabeth to kill former KGB chief Viktor, or he will kill her sweet best friend Joyce. Activist marked for death Ron and psychiatrist Ibrahim chase clues for Viking's identity, and investigate mob-queen prisoner from last book. This third adventure in the "Thursday Murder Club" series ranges from a prison cell with espresso machine to a luxury penthouse with swimming pool high in the sky.

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past. A house is a precious thing... It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season. Eva is Isabel’s antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn’t. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house—a spoon, a knife, a bowl—Isabel’s suspicions begin to spiral. In the sweltering peak of summer, Isabel’s paranoia gives way to infatuation—leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva—nor the house in which they live—are what they seem. Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is a brilliantly plotted and provocative debut novel you won’t soon forget.