Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicenter of the break. The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T.S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

Ariane Hendriks en Ingrid Vledder hebben beiden als familierechtadvocaat talloze vrouwen bijgestaan die slachtoffer zijn van intieme terreur. In Met liefde heeft het niets te maken bundelen ze kennis en ervaring om daarmee hulp en handvatten te bieden aan slachtoffers en professionals.In Nederland wordt elke 2 weken een vrouw vermoord door haar (ex)-partner. In de meeste gevallen gaat intieme terreur hieraan vooraf, een vorm van huiselijk geweld dat jaarlijks tienduizenden vrouwen en kinderen treft in alle lagen van de samenleving. Dit boek legt uit wat intieme terreur is en waarom het zo vaak onzichtbaar blijft. Aan de hand van vele voorbeelden laat het zien wat vrouwen tijdens en na relaties met plegers meemaken en geeft het waardevol advies aan slachtoffers en hun naasten om intieme terreur te herkennen en te stoppen.Een pleger van intieme terreur probeert vanaf het begin van de relatie macht en controle over zijn partner te krijgen. Eerst subtiel door love bombing, daarna door manipulatie, gaslighting, dwang, intimidatie en isolatie. Probeert de vrouw de relatie te verbreken, dan volgt soms fysiek geweld, in sommige gevallen met fatale afloop door femicide.Met liefde heeft het niets te maken biedt handvatten voor slachtoffers en hun omgeving om intieme terreur te signaleren en escalatie te voorkomen.

When Mr. Earnshaw, master of Wuthering Heights, returns from a trip with an unkempt orphan in tow, he announces that the child, Heathcliff, is now a member of the family. While young Catherine Earnshaw becomes close with Heathcliff, her older brother, Hindley, sinks into bitter resentment. As Catherine and Heathcliff mature, and their affection blossoms into desire, Hindley’s resentment boils over into hatred, setting the stage for a tragic drama whose aftermath will shake the foundations of their world.

Herfst 1928: een jonge Surinaamse student trekt in Den Haag als kostganger in bij een gescheiden Hollandse vrouw met vier kinderen. Als ze een half jaar later zwanger van hem blijkt, is het schandaal niet te overzien. Ondanks armoede en discriminatie slaagt het stel er in de jaren die volgen in een gelukkig en ook voorspoedig bestaan op te bouwen met hun zoontje Waldy, alias Sonny Boy. Dan breekt de Tweede Wereldoorlog uit en besluiten ze joden in huis te nemen - met alle consequenties van dien. Dit boek is een cadeau van de openbare bibliotheek ter gelegenheid van Heel Nederland Leest, november 2023. Samen een goed boek lezen – dat brengt gesprekken op gang en verbindt mensen met elkaar. En als iederéén hetzelfde boek leest, wil je dat niet missen! Daarom heet Nederland Leest voortaan Heel Nederland Leest. In november geeft de Bibliotheek de bestseller Sonny Boy van Annejet van der Zijl cadeau aan leden én bezoekers. 62e druk, met toestemming van Hollands Diep, 2023

“If you struggle with that screensaver type of anxiety that’s always on…this book will feel like coming up for air. Read it and get free.” —Katherine Morgan Schafler, psychotherapist and author of The Perfectionist’s Guide to Losing Control From psychotherapist and social media star Meg Josephson, a groundbreaking exploration of people-pleasing as an under-recognized but common trauma response, that also offers a compassionate and actionable path for healing. Are you... - Constantly worried about what people think of you, if they like you, if they’re mad at you? - Anxious, a perfectionist, or an overachiever? - Always overextending yourself (and then resentful)? - Someone who avoids conflict at all costs? - Fearful of getting into trouble or being seen as “bad”? - Silencing your needs for the comfort and happiness of everyone else? - Prone to overexplain or over apologize? - Eternally obsessing over why someone texted with a period instead of an exclamation point? It’s time to stop surviving and start thriving. Meg Josephson, MSW, will tell you how. In Are You Mad at Me?, Josephson explodes the idea that people-pleasing is a personality trait. Instead, she illuminates how it’s actually a common trauma response (also known as “fawning”): an instinct often learned in childhood to become more appealing to a perceived threat in order to feel safe. Yet many people are stuck in this way of being for their whole lives. Meg weaves her own moving story, fascinating patient case studies, and thought-provoking exercises to show readers how to: - Identify all the roles you might play—from peacekeeper to performer to caretaker to perfectionist to lone wolf to chameleon—that keep you far from yourself. - Stop fearing your thoughts and emotions, even if they’re unpleasant. - Rethink conflict and boundaries as an opening for deeper connection. - Practice “leaning back” in relationships.

Lou is 12, Eva 36, Elsie 42, Casper 46 en Jos 71. Vijf mensen, met elkaar verbonden, vertellen hun verhaal. Over onverwacht geluk dat de dingen moeilijk maakt, over geheimen die te groot lijken, over de complexe kunst van het jong zijn, over obstakels die bergen worden, amper te beklimmen, over blijven proberen, tot waar geen mens meer verder kan. In Vele hemels boven de zevende vechten vijf uiteenlopende figuren meer met zichzelf dan met elkaar in dit bestaan dat belachelijk mooi en geweldig lastig is, allemaal tegelijk.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.