A fascinating, revelatory memoir revealing the author’s struggle to come to terms with her own sociopathy and shed light on the often maligned and misunderstood mental disorder. Patric Gagne realized she made others uncomfortable before she started kindergarten. Something about her caused people to react in a way she didn’t understand. She suspected it was because she didn’t feel things the way other kids did. Emotions like fear, guilt, and empathy eluded her. For the most part, she felt nothing. And she didn’t like the way that “nothing” felt. She did her best to pretend she was like everyone else, but the constant pressure to conform to a society she knew rejected anyone like her was unbearable. So Patric stole. She lied. She was occasionally violent. She became an expert lock-picker and home-invader. All with the goal of replacing the nothingness with...something. In college, Patric finally confirmed what she’d long suspected. She was a sociopath. But even though it was the very first personality disorder identified—well over 200 years ago—sociopathy had been neglected by mental health professionals for decades. She was told there was no treatment, no hope for a normal life. She found herself haunted by sociopaths in pop culture, madmen and evil villains who are considered monsters. Her future looked grim. But when Patric reconnects with an old flame, she gets a glimpse of a future beyond her diagnosis. If she’s capable of love, it must mean that she isn’t a monster. With the help of her sweetheart (and some curious characters she meets along the way) she embarks on a mission to prove that the millions of Americans who share her diagnosis aren’t all monsters either. This is the inspiring story of her journey to change her fate and how she managed to build a life full of love and hope.

Liberal civilisation is in crisis—now is a time of monstersThe rise of the new far-right has left the world grappling with a profound misunderstanding. While the spotlight often shines on the actions of charismatic leaders like Donald Trump, Jair Bolsonaro, and Rodrigo Duterte, the true peril lies elsewhere. They are but the political manifestations of a potent force - disaster nationalism. This mass cultural phenomenon, propelled through the vast networks of social media and fueled by far-right influencers, emerges from a reservoir of societal despair, fear, and isolation.At its core, disaster nationalism fixates on images of catastrophe - the 'Great Replacement,' Satanic 'cabals' - as explanations for its discontent. It yearns for an 'end of days,' a reckoning, a 'storm' as the QAnon faithful call it, to bring an end to its suffering. This yearning is only heightened by the relentless onslaught of real-world disasters, from economic recessions to global pandemics and ecological collapse.Within this seething cauldron, we witness not only the surge of far-right political movements but also the sparks of individual and collective violence against perceived enemies, from 'lone wolf' killers to terrifying pogroms. Should a new fascism emerge, it will coalesce from these very elements. This is disaster nationalism.In Disaster Nationalism, Richard Seymour delves deep into this alarming phenomenon, dissecting its roots, its influencers, and the threats it poses. With meticulous analysis and compelling storytelling, this book offers a stark warning and a call to action. The battle against disaster nationalism is not just political; it is a struggle for our collective soul and the future of civilization itself.

Borderline personality disorder, autism, narcissism, psychosis, Asperger's: All of these syndromes have one thing in common--lack of empathy. In some cases, this absence can be dangerous, but in others it can simply mean a different way of seeing the world. In The Science of Evil Simon Baron-Cohen, an award-winning British researcher who has investigated psychology and autism for decades, develops a new brain-based theory of human cruelty. A true psychologist, however, he examines social and environmental factors that can erode empathy, including neglect and abuse. Based largely on Baron-Cohen's own research, The Science of Evil will change the way we understand and treat human cruelty.

Growing up in a housing estate in Glasgow, Mungo and James are born under different stars--Mungo a Protestant and James a Catholic--and they should be sworn enemies if they're to be seen as men at all. Yet against all odds, they become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they fall in love, they dream of finding somewhere they belong, while Mungo works hard to hide his true self from all those around him, especially from his big brother Hamish, a local gang leader with a brutal reputation to uphold. And when several months later Mungo's mother sends him on a fishing trip to a loch in Western Scotland with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to try to get back to a place of safety, a place where he and James might still have a future. Imbuing the everyday world of its characters with rich lyricism and giving full voice to people rarely acknowledged in the literary world, Young Mungo is a gripping and revealing story about the bounds of masculinity, the divisions of sectarianism, the violence faced by many queer people, and the dangers of loving someone too much.

An up-close and striking look at modern beauty culture―from Botox and Instagram filters to lip flips and editing apps―and the realities of coming of age online We live in a new age of beauty. With advancements in cosmetic surgery, walk-in treatments, augmented-reality face filters, photo-editing apps, and exposure to more images than ever, we have the ability to craft the image we want everyone to see. We pinch, pull, squeeze, tweeze, smooth, and slice ourselves beyond recognition. But is modern beauty culture truly empowering? Are we really in control? In Pixel Flesh, Ellen Atlanta holds a mirror up to our modern beauty ideal and the pressure to present a perfect image, to live in an age of constant comparison and curated feeds. She weaves in her personal story with others’ to reconfigure our obsession with the cult of beauty and to explore the reality of living in a world of paradoxes: We know our standards are unhealthy, but following them helps us succeed. We resent social media but continue to scroll. We know digital beauty is artificial, yet we strive for it. From Love Island to lip filler, "blackfishing" to the "beauty tax," Pixel Flesh exposes what young women face under a dominant industry. Nuanced, unflinching, and razor sharp, it unmasks the absurdities of the standards we suddenly find ourselves upholding and acts as a rallying cry and a refusal to suffer in silence.

Nearly every night on every major network, “unscripted” (but carefully crafted) “reality” TV shows routinely glorify retrograde stereotypes that most people would assume got left behind 35 years ago. In Reality Bites Back, media critic Jennifer L. Pozner aims a critical, analytical lens at a trend most people dismiss as harmless fluff. She deconstructs reality TV’s twisted fairytales to demonstrate that far from being simple “guilty pleasures,” these programs are actually guilty of fomenting gender-war ideology and significantly affecting the intellectual and political development of this generation’s young viewers. She lays out the cultural biases promoted by reality TV about gender, race, class, sexuality, and consumerism, and explores how those biases shape and reflect our cultural perceptions of who we are, what we’re valued for, and what we should view as “our place” in society. Smart and informative, Reality Bites Back arms readers with the tools they need to understand and challenge the stereotypes reality TV reinforces and, ultimately, to demand accountability from the corporations responsible for this contemporary cultural attack on three decades of feminist progress.

A shocking, hilarious and strangely tender novel about a young woman’s experiment in narcotic hibernation, aided and abetted by one of the worst psychiatrists in the annals of literature. Our narrator has many of the advantages of life, on the surface. Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? This story of a year spent under the influence of a truly mad combination of drugs, designed to heal us from our alienation from this world, shows us how reasonable, even necessary, that alienation sometimes is. Blackly funny, both merciless and compassionate – dangling its legs over the ledge of 9/11 – this novel is a showcase for the gifts of one of America’s major young writers working at the height of her powers.