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ElerinnaStudio

đŸłïžâ€đŸŒˆ She/Her. French author, chaotic reader, I like fantasy the most but I also enjoy romance and thriller. I'm part of the Iceland Noir Team, a literature festival in Reykjavik.

2438 points

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Dark Academia
Pride 2026
Made for the Movies
My Taste
A Game of Thrones
The Da Vinci Code (Robert Langdon, #2)
Eragon (The Inheritance Cycle, #1)
The Hunger Games
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Le couple et l'argent
55%
The Hobbit
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ElerinnaStudio finished a book

1w

Yesteryear

Yesteryear

Caro Claire Burke

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

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ElerinnaStudio started reading...

5w

Yesteryear

Yesteryear

Caro Claire Burke

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

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ElerinnaStudio started reading...

7w

Le couple et l'argent

Le couple et l'argent

Titiou Lecoq

Enfants, les filles reçoivent moins d’argent de poche que les garçons et ne bĂ©nĂ©ficient souvent d’aucune Ă©ducation financiĂšre. En couple, leur salaire est affectĂ© le plus souvent aux dĂ©penses courantes, alors que celui des hommes s’investit dans les biens durables (logement, travaux, voiture). Au supermarchĂ©, les mĂȘmes objets sont jusqu’à 15% plus chers quand ils sont destinĂ©s aux femmes:on appelle cela la «taxe rose»! AprĂšs chaque grossesse, l’inĂ©galitĂ© salariale triple, passant de 7% Ă  23 %. La notion de mĂ©nage fiscal leur est souvent dĂ©favorable
 RĂ©sultat : en France, entre 1998 et 2015, l’inĂ©galitĂ© de patrimoine entre femmes et hommes est passĂ©e de 9 % Ă  16 % alors mĂȘme que si l’on additionne leur travail salariĂ© et leur travail domestique, elles travaillent pourtant beaucoup plus que les hommes
 Tout au long de la vie d’une femme, les inĂ©galitĂ©s financiĂšres et Ă©conomiques s’installent et se creusent inexorablement. Pour mieux comprendre le rapport des femmes Ă  l’argent, les mĂ©canismes toujours Ă  l’Ɠuvre dans leur appauvrissement et proposer des clĂ©s pour les dĂ©jouer, Titiou Lecoq remonte l’Histoire qui les a si longtemps exclues des mondes de l’argent et s’appuie sur de nombreuses Ă©tudes Ă©conomiques contemporaines et des analyses d’experts. Avec son art de la pĂ©dagogie, mĂȘlant l’anecdote personnelle et l’enquĂȘte mĂ©ticuleuse, Titiou Lecoq nous rappelle ainsi que l’argent n’est pas encore neutre mais qu’il doit le devenir pour qu’un euro gagnĂ© par une femme devienne l’équivalent d’un euro gagnĂ© par un homme. Une Ă©ducation financiĂšre indispensable pour tous !

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