Mare of Easttown meets The Outsider in this spine-tingling and twisty debut about a series of disappearances in a small, fundamentalist town and what one broken family must do to remain together as dark forces close in. After losing her young son in an accident, Rachel Kennan throws herself into her career as police chief of a small Virginia town to avoid focusing on her grief. Meanwhile, her husband, Finn, a washed-up writer whose alcoholism led to the devastating tragedy that changed everything, struggles to redeem himself before his family completely falls apart. Their two daughters are the only things keeping Rachel and Finn together, but the girls have demons of their own. At the same time, a disturbing crime rocks their tightknit, religious community, sending Rachel chasing leads in a place that does not take kindly to outsiders. When an ominous force in the forest starts calling to the children, fear spawns hate among the townspeople, placing the Kennan family directly in the line of fire. Left with no choice but to rely on each other, Rachel and Finn must come together to face threats inside and out. A haunting family saga and a disquieting horror debut, Nowhere draws from Appalachian folklore to caution us that true terror is what we bury in our own hearts.

Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He's tasked with determining whether six dangerous magical children are likely to bring about the end of the world. Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light. The House in the Cerulean Sea is an enchanting love story, masterfully told, about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours.

I am Dracula. And I bid you welcome to my house’ He is deathly pale. His fingernails are cut to sharp points. His teeth protrude menacingly from his mouth in clouds of rancid breath… Yet even Count Dracula’s unnerving appearance and the frightened reaction of the local peasants fail to warn Jonathan Harker, a young man from England, about his host. Little does Jonathan know that this is a land where babies are snatched for their blood and wolves howl menacingly from the forest, where reality is far more frightening than superstition. What’s more, it’s going to be up to him to stop the world’s most bloodthirsty predator… Bram Stoker’s Dracula is an epistolary novel - it’s made up of letters, diaries, telegrams, newspaper clippings - and every part of it has a date. The whole story happens between May 3 and November 10. So: Dracula Daily will post a newsletter each day that something happens to the characters, in the same timeline that it happens to them. Now you can read the book via email, in small digestible chunks - as it happens to the characters.

A young royal from the far north is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for. At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.

After their return from the Underworld, Vincent, Henry, and their pack find themselves with a new mission: break open the portals to Heaven and Hell, so every spirit can find their way to a peaceful afterlife. The catch: figuring out how to do it without a human sacrifice. The second catch: Vincent’s hellhound kin also have a new mission–to hunt him down, and kill anyone who gets in their way. With hellhounds and Shadowhand closing in fast, they need all the help they can get–even from some old friends they would rather have left behind. But together, they might be able to carve out one last chance to right the wrongs of history. To do it, they must travel across the ruins of Heaven, back through the depths of Hell, and even to the deepest crevices in the mind of a vengeful god. But they may just find that the doorway to saving mortalkind resides not in the mind, but the heart…and Vincent and Henry’s love could be the only key.

"Brujas, Witches of Color are ancestral magical beings and the world we live in has tried to silence our voices. . . . This book is such a beautiful tribute to the different stories and experiences we go through as brujas. . . . Amplify the voice of Witches of Color by reading their stories."   — Juliet Diaz, author of Witchery and Plant Witchery There is a new kind of witch emerging in our cultural the bruja . Witchcraft has made a comeback in popular culture, especially among feminists. A growing subculture of BIPOC witches, led by Afro-Caribbean immigrants, Indigenous Americans, and other witches of color, is reclaiming their ancestral traditions and contributing their voices to the feminist witchcraft of today.  Brujas  chronicles the magical lives of these practitioners as they develop their healing arts, express their progressive politics, and extend their personal rituals into community activism. They are destigmatizing the “witch” of their ancestries and bringing persecuted traditions to the open to challenge cultural appropriation and spiritual consumerism. Part memoir, part ritual guide,  Brujas  empowers readers to decolonize their spiritual practices and connect with their own ancestors. Brujas reminds us that witchcraft is more than a trend—it’s a movement.

A fresh cultural analysis of female monsters from Greek mythology, and an invitation for all women to reclaim these stories as inspiration for a more wild, more “monstrous” version of feminism The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds—who are angry or greedy or ambitious, who are overtly sexual or not sexy enough—aren’t just outside the norm. They’re unnatural. Monstrous. But maybe, the traits we’ve been told make us dangerous and undesirable are actually our greatest strengths. Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match. Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we’re told fall outside the bounds of natural femininity. But monsters also get to do what other female characters—damsels, love interests, and even most heroines—do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us—harassed, shut out, and ruled by predators—women have never been more ready to become repellent, fearsome, and ravenous.

A lively, stimulating and engaging retelling of pūrākau - Maori myths - by contemporary Māori writers. Ka mua, ka muri . . .Ancient Māori creation myths, portrayals of larger-than-life heroes and tales of engrossing magical beings have endured through the ages. Some hail back to Hawaiki, some are firmly grounded in New Zealand and its landscape. Through countless generations, the stories have been reshaped and passed on. This new collection presents a wide range of traditional myths that have been retold by some of our best Māori wordsmiths. The writers have added their own creativity, perspectives and sometimes wonderfully unexpected twists, bringing new life and energy to these rich, spellbinding and significant taonga.Take a fresh look at Papatūānuku, a wild ride with Māui, or have a creepy encounter with Ruruhi-Kerepo, for these and many more mythical figures await you.Explore the past, from it shape the future . . . The contributors are: Jacqueline Carter, David Geary, Patricia Grace, Briar Grace-Smith, Whiti Hereaka, Keri Hulme, Witi Ihimaera, Kelly Joseph, Hēmi Kelly, Nic Low, Tina Makereti, Kelly Ana Morey, Paula Morris, Frazer Rangihuna, Renee, Robert Sullivan, Apirana Taylor, Ngahuia Te Awekotuku, Clayton Te Kohe, Hone Tuwhare, Briar Wood.

A propulsive and nostalgic coming-of-age novel about the relationship between two teammates on a rural high school basketball team, from the author of I Keep My Exoskeletons to Myself.Star point guard Mack Morris’s senior year of high school begins with twin the death of her father and the arrival of transfer student Liv Cooper. On the court, Mack and Liv discover an exhilarating, game-winning chemistry; off the court, they fall into an equally intoxicating more-than-friendship that is out of bounds for their small Pennsylvania town in 2004, and especially, for Liv’s conservative mother. As Mack’s desire and grief collide with drugs, sex, and the looming college signing deadline, she is forced to reckon with the disconnects between her past and her future—and fight for the life she wants for herself, whether or not Liv will be on the court beside her.Written with the lush longing of Andre Aciman’s Call Me By Your Name and the obsessive attention of Jean Kyoung Frazier’s Pizza Girl, and with all the romance and feeling of the beloved 2000 movie Love & Basketball, Crane’s sophomore novel is a voice-driven, literary treatment of the big feelings of first love, intimacy, heartbreak, grief, and of course, sports.