Despite the inherently speculative premise (historical figures have returned to the modern day, including Harriet Tubman) it is vital to understand that this is not Science Fiction or Fantasy. The Return is never explained, and it doesn’t need to be, because the Return is not the point. The point is to explore Black history, as well as what it means to be Black in America, through the lens of Darnell (and the reader) interacting with Harriet and other former slaves. Because of this the characters are in many ways ciphers for different experiences of Blackness or vehicles to learn more about a time and place (Enslaved Black America circa mid 1800s) that is woefully obscured in US history courses. However, it is also true that the characters are lovable, charming, and personable as they exposit on their lives. Darnell is also personable and charming as he grapples with his Blackness and his relationship to Black history in the face of his personal idol Harriet Tubman. The plot largely revolves around this journey to self love and acceptance while acknowledging all the work that there is yet to do in a world of white supremacy. Bob the Drag Queen tackles a difficult and under-taught history with grace, humor, and readability—and that’s damn impressive. Also, if you’re not listening to the audiobook you’re doing it wrong.