Trailblazing pop star, actor, and director, Hayley Kiyoko debuts her first novel, a coming-of-age romance based on her breakthrough hit song and viral video, GIRLS LIKE GIRLS. It’s summertime and 17-year-old Coley has found herself alone, again. Forced to move to rural Oregon after just losing her mother, she is in no position to risk her already fragile heart. But when she meets Sonya, the attraction is immediate. Coley worries she isn't worthy of love. Up until now, everyone she's loved has left her. And Sonya's never been with a girl before. What if she's too afraid to show up for Coley? What if by opening her heart, Coley's risking it all? They both realize that when things are pushed down, and feelings are forced to shrivel away, Coley and Sonya will be the ones to shrink. It’s not until they accept the love they fear and deserve most, that suddenly the song makes sense. Based on the billboard-charting smash hit song and viral music video GIRLS LIKE GIRLS, Hayley Kiyoko's debut novel is about embracing your truth and realizing we are all worthy of being loved back.

An utterly original celebration of that which binds humanity across battle lines and history. On the island of Sicily amid the Peloponnesian War, the Syracusans have figured out what to do with the surviving Athenians who had the gall to invade their city: they’ve herded the sorry prisoners of war into a rock quarry and left them to rot. Looking for a way to pass the time, Lampo and Gelon, two unemployed potters with a soft spot for poetry and drink, head down into the quarry to feed the Athenians if, and only if, they can manage a few choice lines from their great playwright Euripides. Before long, the two mates hatch a plan to direct a full-blown production of Medea. After all, you can hate the people but love their art. But as opening night approaches, what started as a lark quickly sets in motion a series of extraordinary events, and our wayward heroes begin to realize that staging a play can be as dangerous as fighting a war, with all sorts of risks to life, limb, and friendship. Told in a contemporary Irish voice and as riotously funny as it is deeply moving, Glorious Exploits is an unforgettable ode to the power of art in a time of war, brotherhood in a time of enmity, and human will throughout the ages.

A grandmother tells her granddaughter about her twisty, often surprising, journey to who she is now in this sweeping love story by USA Today bestselling author Jesse Q. Sutanto.Izzy Chen is dreading her family’s annual Chinese New Year celebration, where they all come together at a Michelin-starred restaurant to flaunt their status and successes in hopes to one up each other. So when her seventy-three-year-old glamorous and formidable grandmother walks in with a stunning woman on her arm and kisses her in front of everyone, it shakes Izzy to her core. She’d always considered herself the black sheep of the family for harboring similar feelings to the ones her Nainai just displayed.Seeing herself in her teenage granddaughter's struggles with identity and acceptance, Magnolia Chen tells Izzy her own story, of how as a teen she was sent by her Indo-Chinese parents from Jakarta to Los Angeles for her education and fell in love with someone completely forbidden to her by both culture and gender norms—Ellery, an American college student who became Magnolia's best friend and the love of her life. Stretching across decades and continents, Magnolia's star-crossed love story reveals how life can take unexpected turns but ultimately lead you to exactly who you're meant to be.

Following the "propulsive and mesmerizing" (New York Times Book Review) Things We Lost in the Fire comes a new collection of singularly unsettling stories, by an Argentine author who has earned comparisons to Shirley Jackson and Jorge Luis Borges. Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her next collection are as terrifying as they are socially conscious, and press into being the unspoken -- fetish, illness, the female body, the darkness of human history -- with unsettling urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can't let go of their idol; an entire neighborhood is cursed to death by a question of morality they fail to answer correctly. Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this new collection from one of Argentina's most exciting writers finds Enriquez at her most sophisticated, and most chilling.

It’s Supergirl like you’ve never seen her before, in a character-defining sci-fi/fantasy masterpiece from Mister Miracle writer Tom King and Wonder Woman artist Bilquis Evely! Kara Zor-El has seen some epic adventures over the years, but she now finds her life without meaning or purpose. Here she is, a young woman who saw her planet destroyed and was sent to Earth to protect a baby cousin who ended up not needing her. What was it all for? Wherever she goes, people only see her through the lens of Superman’s fame. Just when Supergirl thinks she’s had enough, everything changes. An alien girl seeks her out for a vicious mission. Her world has been destroyed, and the bad guys responsible are still out there. She wants revenge, and if Supergirl doesn’t help her, she’ll do it herself, whatever the cost. Now a Kryptonian, a dog, and an angry, heartbroken child head out into space on a journey that will shake them to their very core. This volume collects Supergirl: Woman of Tomorrow #1-8.

A grandmother tells her granddaughter about her twisty, often surprising, journey to who she is now in this sweeping love story by USA Today bestselling author Jesse Q. Sutanto.Izzy Chen is dreading her family’s annual Chinese New Year celebration, where they all come together at a Michelin-starred restaurant to flaunt their status and successes in hopes to one up each other. So when her seventy-three-year-old glamorous and formidable grandmother walks in with a stunning woman on her arm and kisses her in front of everyone, it shakes Izzy to her core. She’d always considered herself the black sheep of the family for harboring similar feelings to the ones her Nainai just displayed.Seeing herself in her teenage granddaughter's struggles with identity and acceptance, Magnolia Chen tells Izzy her own story, of how as a teen she was sent by her Indo-Chinese parents from Jakarta to Los Angeles for her education and fell in love with someone completely forbidden to her by both culture and gender norms—Ellery, an American college student who became Magnolia's best friend and the love of her life. Stretching across decades and continents, Magnolia's star-crossed love story reveals how life can take unexpected turns but ultimately lead you to exactly who you're meant to be.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A radiant novel of longing that blooms between two boys over the course of one summer—about family, desire, and what we inherit—from celebrated author Tash Aw. When his grandfather dies, a boy named Jay travels south with his family to the property he left them, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Still, Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the local son of the farm’s manager, different from him in every way except for one. Out in the fields, and on the streets into town, the charge between the boys intensifies. Inside the house, the other family members confront their own regrets, and begin to drift apart. Like the land around them, they are powerless to resist the global forces that threaten to render their lives obsolete. At once sweeping and intimate, The South is a story of what happens when private and public lives collide. It is the first in a quartet of novels that form Tash Aw’s masterful portrait of a family navigating a period of great change—a reimagined epic for our times.