Two young housemates embark on a road trip to discover themselves in a fractured America in this sparkling novel of love, friendship and chosen family, by the award-winning author of The Third Rainbow Girl What does it feel like, standing in the moments that will mark your life? When Bernie replies to Leah's ad for a new housemate in Philadelphia, the two begin an intense and defiantly uncategorizable friendship based on a mutual belief in their art, and one another. Both aspire to capture the world around them: Leah through her writing; Bernie through her photography. After Bernie's former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania, turning the jaunt into a road trip with an ambitious mission: to document America through words and photographs. What ensues is a three-week journey into the heart of the nation, bringing the aritsts into conversation with people from all walks of life—“the absurd dreamers and failures of this wide, wide country”—as they try to make sense of the times they are living in. Along the way, Leah and Bernie discover what it means to to pursue their own ideas and dreams, and to embrace what they are capable of both romantically and artistically. Housemates is a warm and insightful coming-of-age story of youth and freedom, a glorious celebration of queer life, and how art and love might save us all.

In Chinese, the word for America, Mei Guo, translates directly to “beautiful country.” Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian’s parents were professors; in America, her family is "illegal" and it will require all the determination and small joys they can muster to survive. In Chinatown, Qian’s parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly "shopping days," when Qian finds small treasures in the trash lining Brooklyn’s streets, and a magical Christmas visit to Rockefeller Center — confirmation that the New York City she saw in movies does exist after all. But then Qian’s headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor’s visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you’ve always lived here. Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light. The moving story of an undocumented child living in poverty in the richest country in the world — an incandescent debut from an astonishing new talent

Winner of the Strousse Award for Best Group of Poems (2002) In Rachel Zucker's re-imagining of the Greek myth, Persephone is a daughter struggling to become a woman. Unlike the classical portrait of a maiden kidnapped by a tyrant, Zucker's Persephone chooses to travel to the Underworld and assume her role as Hades' queen. Caught between worlds--light and dark, innocence and power, a mother's protection and a lover's appeal--Persephone describes the strangeness of the Underworld and the problems of transformation and transgression. The arrangement of Zucker's poems reflects Persephone's travels between the Underworld and the Surface. Both spare and lyrical, they are written as entries in Persephone's diary and as letters between Persephone, Demeter, and Hades. The language--strange, urgent, direct--is pulled and changed as Persephone journeys from one world to another revealing the struggle of unmaking and remaking the self.

From the New York Times best-selling author of Stiff and Fuzz, a rollicking exploration of the quest to re-create the impossible complexities of human anatomy. The body is the most complex machine in the world, and the only one for which you cannot get a replacement part from the manufacturer. For centuries, medicine has reached for what’s available—sculpting noses from brass, borrowing skin from frogs and hearts from pigs, crafting eye parts from jet canopies and breasts from petroleum by-products. Today we’re attempting to grow body parts from scratch using stem cells and 3D printers. How are we doing? Are we there yet? In Replaceable You, Mary Roach explores the remarkable advances and difficult questions prompted by the human body’s failings. When and how does a person decide they’d be better off with a prosthetic than their existing limb? Can a donated heart be made to beat forever? Can an intestine provide a workable substitute for a vagina? Roach dives in with her characteristic verve and infectious wit. Her travels take her to the OR at a legendary burn unit in Boston, a “superclean” xeno-pigsty in China, and a stem cell “hair nursery” in the San Diego tech hub. She talks with researchers and surgeons, amputees and ostomates, printers of kidneys and designers of wearable organs. She spends time in a working iron lung from the 1950s, stays up all night with recovery techs as they disassemble and reassemble a tissue donor, and travels across Mongolia with the cataract surgeons of Orbis International. Irrepressible and accessible, Replaceable You immerses readers in the wondrous, improbable, and surreal quest to build a new you.

An award-winning writer and illustrator follows the story of her grandfather’s involvement in a freewheeling group of Jewish revolutionaries to question whether the world was ready for their vision of multiracial solidarity—and whether we are today.Molly Crabapple first discovered the story of the Jewish Bund when her mother showed her a trove of her grandfather's old paintings and letters. Sam Rothman was a rough-and-tumble kid who worked at a tannery deep in the Pale of Settlement in 19th century Russia. He discovered that he was an artist--a brilliant interpreter of life in his Jewish village--and soon after that he was a revolutionary, enlisted in the strikes, street fights, and study groups of the Jewish Bund. Molly saw herself not just in his career but in his revolutionary inclinations--Molly spent much of her life in revolutionary enclaves around the world, marching in the streets and dancing till morning. In the Bund, she discovered a movement of artists, philosophers, working people, and street fighters who had a utopian vision for the world. As Jews--a people always on the margins--they understood themselves as a people who needed special protection. But as Marxist revolutionaries, they also saw themselves as part of an international solidarity that rejected all forms of ethnonationalism. They fought for this vision in the parlors, cafes, battlefields and prison camps. Their ideas sparked the Russian Revolution, which soon swept them aside. They fought with the emerging nationalist movements sweeping Europe. And they battled Zionists over the destiny of the Jewish people, believing that Jews could never find peace by becoming colonizers themselves. Their last stand was against the Nazis--they led the largest Jewish resistance movement, culminating in the Warsaw Ghetto Uprising, a dramatic and tragic climax to their story. In retelling the history of the Bund and its extraordinary cast of characters during one of the most politically and culturally vibrant moments in European history, Molly is also exploring her own revolutionary life. Her narration is tinged with an almost desperate need to understand whether the Bund failed because their idea was unworkable--or if the world failed the Bund, whose movement could've saved us from the violence of Russian Communism, Nazism, and Zionism. This dynamic, tragic story, is driven by that urgent question--and offers a new lens through which to see our contemporary struggles for solidarity in the face of tribalism.

East Village, summer of 1984. Renata is a young dyke-about-town who happens to have the ability to see ghosts, which has been happening more and more frequently as her friends have started dying of what has recently been named AIDS.So, when her best friend Mark dies, she assumes she'll see him again. There's no way Mark wouldn't give her a chance to say goodbye, would he? But to her disappointment - and increasingly, her concern - Mark doesn't appear.Renata has other problems, too. There's something strange happening in her advertisements for paranormal 'exterminators' who promise to clear out bad energy keep showing up. At first, she's sure they're scam artists, but it becomes clear they're actually trapping ghosts as part of a city-wide gentrification plot to make downtown safe for Reaganites.Told with humour and pathos, Waiting on a Friend is a genre-bending retelling of Queer history that manages to be both heartbreaking and healing.

Throughout her life Sybil Van Antwerp has used letters to make sense of the world and her place in it. Most mornings around half past ten Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has. A mother, grandmother, wife, divorcée, distinguished lawyer, she has lived a full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

In this wildly funny and heartwarming office comedy, an admin worker accidentally gains access to her colleagues’ private emails and DMs and decides to use this intel to save her job—a laugh-till-you-cry debut novel you’ll be eager to share with your entire list of contacts, perfect for fans of Anxious People and Eleanor Oliphant Is Completely Fine. As far as Jolene is concerned, her interactions with her colleagues should start and end with her official duties as an admin for Supershops, Inc. Unfortunately, her irritating, incompetent coworkers don’t seem to understand the importance of boundaries. Her secret to survival? She vents her grievances in petty email postscripts, then changes the text colour to white so no one can see. That is, until one of her secret messages is exposed. Her punishment: sensitivity training (led by the suspiciously friendly HR guy, Cliff) and rigorous email restrictions. When an IT mix-up grants her access to her entire department’s private emails and DMs, Jolene knows she should report it, but who could resist reading what their coworkers are really saying? And when she discovers layoffs are coming, she realizes this might just be the key to saving her job. The plan is simple: gain her boss’s favour, convince HR she’s Supershops material and beat out the competition. But as Jolene is drawn further into her coworker’s private worlds and secrets, her carefully constructed walls begin to crumble—especially around Cliff, who she definitely cannot have feelings for. Soon she will need to decide if she’s ready to leave the comfort of her cubicle, even if it means coming clean to her colleagues. Crackling with laugh-out-loud dialogue and relatable observations, I Hope This Finds You Well is a fresh and surprisingly tender comedy about loneliness and love beyond our computer screens. This sparkling debut novel will open your heart to the everyday eccentricities of work culture and the undeniable human connection that comes with it.

For readers of Saidiya Hartman and Jeanette Winterson, Lesbian Love Story is an intimate journey into the archives—uncovering the romances and role models written out of history and what their stories can teach us all about how to love When Amelia Possanza moved to Brooklyn to build a life of her own, she found herself surrounded by queer stories: she read them on landmark placards, overheard them on the pool deck when she joined the world’s largest LGBTQ swim team, and even watched them on TV in her cockroach-infested apartment. But these stories rarely featured lesbians who could become her role models, in romance as in life. This is the story of Possanza’s journey into the archives to recover the stories of lesbians in the 20th Century: who they were, how they loved, why their stories were destroyed, and where their memories echo and live on. Centered around seven love stories for the ages, Possanza’s hunt takes readers from a Drag King show in Bushwick to the home of activists in Harlem and then across the ocean to Hadrian’s Library, where she searches for traces of Sappho in the ruins. Along the way, she discovers her own love—for swimming, for community, for New York City—and adds her own record to the archive. At the heart of this riveting, inventive history, Possanza asks: How could lesbian love help us reimagine care and community? What would our world look like if we replaced its foundation of misogyny with something new, with something distinctly lesbian?