Explore real women’s tales of healthcare trauma and medical misogyny with this meticulously researched, in-depth examination of the women’s health crisis in America—and what we can do about it. When Anushay Hossain became pregnant in the US, she was so relieved. Growing up in Bangladesh in the 1980s, where the concept of women’s healthcare hardly existed, she understood how lucky she was to access the best in the world. But she couldn’t have been more wrong. Things started to go awry from the minute she stepped in the hospital, and after thirty hours of labor (two of which she spent pushing), Hossain’s epidural slipped. Her pain was so severe that she ran a fever of 104 degrees, and as she shook and trembled uncontrollably, the doctors finally performed an emergency C-section. Giving birth in the richest country on earth, Hossain never imagined she could die in labor. But she almost did. The experience put her on a journey to explore, understand, and share how women—especially women of color—are dismissed to death by systemic sexism in American healthcare. Following in the footsteps of feminist manifestos such as The Feminine Mystique and Rage Becomes Her , The Pain Gap is an eye-opening and stirring call to arms that encourages women to flip their “hysteria complex” on its head and use it to revolutionize women’s healthcare. This book tells the story of Hossain’s experiences—from growing up in South Asia surrounded by staggering maternal mortality rates to lobbying for global health legislation on Capitol Hill to nearly becoming a statistic herself. Along the way, she realized that a little fury might be just what the doctor ordered. Meticulously researched and deeply reported, this book explores real women’s traumatic experiences with America’s healthcare system—and empowers everyone to use their experiences to bring about the healthcare revolution women need.

“[A] powerful account of the sexism cooked into medical care ... will motivate readers to advocate for themselves.”— Publishers Weekly STARRED Review A groundbreaking and feminist work of investigative In Pain and Prejudice , acclaimed investigative reporter Gabrielle Jackson takes readers behind the scenes of doctor’s offices, pharmaceutical companies, and research labs to show that—at nearly every level of healthcare—men’s health claims are treated as default, whereas women’s are often viewed as a-typical, exaggerated, and even completely fabricated. The impacts of this bias? Women are losing time, money, and their lives trying to navigate a healthcare system designed for men.  Almost all medical research today is performed on men or male mice, making most treatments tailored to male bodies only. Even conditions that are overwhelmingly more common in women, such as chronic pain, are researched on mostly male bodies. Doctors and researchers who do specialize in women’s healthcare are penalized financially, as procedures performed on men pay higher. Meanwhile, women are reporting feeling ignored and dismissed at their doctor’s offices on a regular basis. Jackson interweaves these and more stunning revelations in the book with her own story of suffering from endometriosis, a condition that affects up to 20% of American women but is poorly understood and frequently misdiagnosed. She also includes an up-to-the-minute epilogue on the ways that Covid-19 are impacting women in different and sometimes more long-lasting ways than men.  A rich combination of journalism and personal narrative, Pain and Prejudice reveals a dangerously flawed system and offers solutions for a safer, more equitable future.

The fascinating history of women’s health as it’s never been told before. For as long as medicine has been a practice, women's bodies have been treated like objects to be practiced on: examined and ignored, idealized and sexualized, shamed, subjugated, mutilated, and dismissed. The history of women’s healthcare is a story in which women themselves have too often been voiceless—a narrative instead written from the perspective of men who styled themselves as authorities on the female of the species, yet uninformed by women’s own voices, thoughts, fears, pain and experiences. The result is a cultural and societal legacy that continues to shape the (mis)treatment and care of women. While the modern age has seen significant advancements in the medical field, the notion that female bodies are flawed inversions of the male ideal lingers on—as do the pervasive societal stigmas and lingering ignorance that shape women’s health and relationships with their own bodies. Memorial Sloan Kettering oncologist and medical historian Dr. Elizabeth Comen peels back the curtain on the collective medical history of women to reintroduce us to our whole bodies—how they work, the actual doctors and patients whose perspectives and experiences laid the foundation for today’s medical thought, and the many oversights that still remain unaddressed. With a physician’s knowledge and empathy, Dr. Comen follows the road map of the eleven organ systems to share unique and untold stories, drawing upon medical texts and journals, interviews with expert physicians, as well as her own experience treating thousands of women. Empowering women to better understand ourselves and advocate for care that prioritizes healthy and joyful lives—for us and generations to come—All in Her Head is written with humor, wisdom, and deep scientific and cultural insight. Eye-opening, sometimes enraging, yet always captivating, this shared memoir of women’s medical history is an essential contribution to a holistic understanding and much-needed reclaiming of women’s history and bodies.

A trailblazing conversation-starting history of women's health--from Ancient Greece to hormones and autoimmune diseases--brought together in a fascinating sweeping narrative In thirteenth-century Europe, Roman Catholicism decreed that menstruation was the curse of Eve, part of the punishment issued by God to all earthly women. In the 1860s, female circumcision was considered a respective cure for misunderstood diseases including endometriosis and epilepsy. At the University of Oklahoma School of Medicine, between 1950 and 1954, three women aged twenty-eight, thirty-two, and forty-three and identified only as housewives, underwent prefrontal lobotomies as cures for ulcerative colitis. Initial clinical trials of birth control were conducted in Puerto Rico, on some of the poorest residents of the United States. Of those who participated in the trial, many suffered debilitating side effects and three died--but their deaths were never reported in the subsequent release of the pill. In Unwell Women, Elinor Cleghorn explores this almost unbelievable history of how medicine has failed women, and shows how the legacy of disenfranchisement and discrimination is alive and well in the contemporary relationship between women and sickness. When Cleghorn was finally correctly diagnosed with an autoimmune disease after years of being told her symptoms were anything from psychosomatic to a possible pregnancy, she was inspired to unpack the roots of the perpetual misunderstanding, mystification, and misdiagnosis of women's bodies. The result is an authoritative and groundbreaking history of the relationship between women and medical practice, from the wandering womb of Ancient Greece to the rise of witch trials across Europe, and from the dawn of hysteria as a catchall for difficult-to-diagnose disorders to the first forays into autoimmunity and the shifting understanding of hormones, menstruation, and menopause. Packed with character studies and case histories of women who have suffered, challenged, and rewritten medical orthodoxy--and the men who controlled their fate--this is a revolutionary examination of the relationship between women, illness, and medicine. With these case histories, Elinor pays homage to the women whose bodies were sacrificed to make strides in this still-evolving area of medicine and to show how far we still have to go in terms of understanding the female body.

Concrete Botany is a gritty, kick-in-the-guts look at the ecological disturbance humans have caused and the resilience of the plants living amongst it. Delivered in his raw and unapologetic yet botanically accurate tone, Joey Santore—the unforgettable host of Crime Pays but Botany Doesn’t—offers an often unsettling view of human-caused ecological destruction and its impact on the natural ecosystems our very lives depend on. The choices of modern civilization have led to a f***ed-up planet, scraped bare and covered in concrete and invasive species. We’ve wiped out entire ecosystems, moved invasive plants to new continents where they don’t belong, and, in a few hundred years, we’ve managed to muck up the intricate balance of a planet that has been evolving for eons. The consequences of our actions are now at our doorstep, ready to strike a match. But not all is lost. In this groundbreaking examination of plants and their role in the Anthropocene (the age of human disturbance), we see light through the cracks in the concrete and learn that humanity’s course correction starts with an understanding of plant ecology. With this knowledge comes the realization that the lives of humans and plants are interconnected in ways humans cannot live without. Plants are the base of every terrestrial ecosystem on the planet, and their presence can heal the damage humanity has caused. Our willingness to restore native plant communities and the biodiversity they support (starting in our immediate surroundings) is an essential first step in the right direction. While returning every abandoned brownfield and old rail corridor into a native plant–filled, fully restored ecosystem may be out of reach for the average citizen, fostering the native ecology and biodiversity of our own backyards is not. Concrete Botany is ultimately about how the choices we make as individuals can help ensure humanity’s survival on a very disturbed and rapidly changing planet.

A REIMAGINING OF THE WORLD-FAMOUS INDIAN EPIC, THE MAHABHARAT—TOLD FROM THE POINT OF VIEW OF AN AMAZING WOMAN. Relevant to today’s war-torn world, The Palace of Illusions takes us back to a time that is half history, half myth, and wholly magical. Narrated by Panchaali, the wife of the legendary Pandavas brothers in the Mahabharat, the novel gives us a new interpretation of this ancient tale. The Palace of Illusions traces the princess Panchaali's life, beginning with her birth in fire and following her spirited balancing act as a woman with five husbands who have been cheated out of their father’s kingdom. Panchaali is swept into their quest to reclaim their birthright, remaining at their side through years of exile and a terrible civil war involving all the important kings of India. Meanwhile, we never lose sight of her strategic duels with her mother-in-law, her complicated friendship with the enigmatic Krishna, or her secret attraction to the mysterious man who is her husbands' most dangerous enemy. Panchaali is a fiery female redefining for us a world of warriors, gods, and the ever-manipulating hands of fate.

Sarai has lived and breathed nightmares since she was six years old. She believed she knew every horror and was beyond surprise. She was wrong. In the wake of tragedy, neither Lazlo nor Sarai are who they were before. One a god, the other a ghost, they struggle to grasp the new boundaries of their selves as dark-minded Minya holds them hostage, intent on vengeance against Weep. Lazlo faces an unthinkable choice—save the woman he loves, or everyone else?—while Sarai feels more helpless than ever. But is she? Sometimes, only the direst need can teach us our own depths, and Sarai, the Muse of Nightmares, has not yet discovered what she's capable of. As humans and godspawn reel in the aftermath of the citadel's near fall, a new foe shatters their fragile hopes, and the mysteries of the Mesarthim are resurrected: Where did the gods come from, and why? What was done with thousands of children born in the citadel nursery? And most important of all, as forgotten doors are opened and new worlds revealed: Must heroes always slay monsters, or is it possible to save them instead? Love and hate, revenge and redemption, destruction and salvation all clash in this astonishing and heart-stopping sequel to the New York Times bestseller, Strange the Dreamer.

In a time of chaos, after enduring the pain of losing his father and brothers, Wei Shao dedicated himself to the responsibilities of his family. As he led his clan to avenge the past atrocities of the city’s slaughter, he discovered that what the common people truly needed was not revenge or warfare, but peace. To secure the livelihoods of the people, he extended a marriage alliance to the Qiao family, who had betrayed the Wei family. The youngest daughter, Qiao Man, was forced into marriage. Rumors portrayed Wei Shao as a ruthless conqueror, and Qiao Man understood that her marriage was merely a temporary measure. She lived in the Wei household with caution, treading carefully. After navigating numerous crises, Qiao Man and Wei Shao gradually became drawn to each other’s intelligence, strategy, and open-mindedness. However, the enmity between their families loomed over them, creating a barrier in their relationship. When the Wei family faced a life-and-death crisis, Qiao Man vowed to defend the city at all costs, ultimately winning the hearts of the Wei clan and Wei Shao. In the end, the two genuinely fell in love, using their mutual understanding to resolve family conflicts and together restore peace and stability to the people.

The past is past, but it does leave clues, and Thomas Halliday has used cutting-edge science to decipher them more completely than ever before. In Otherlands, Halliday makes sixteen fossil sites burst to life on the page. This book is an exploration of the Earth as it used to exist, the changes that have occurred during its history, and the ways that life has found to adapt―or not. It takes us from the savannahs of Pliocene Kenya to watch a python chase a group of australopithecines into an acacia tree; to a cliff overlooking the salt pans of the empty basin of what will be the Mediterranean Sea just as water from the Miocene Atlantic Ocean spills in; into the tropical forests of Eocene Antarctica; and under the shallow pools of Ediacaran Australia, where we glimpse the first microbial life.  Otherlands also offers us a vast perspective on the current state of the planet. The thought that something as vast as the Great Barrier Reef, for example, with all its vibrant diversity, might one day soon be gone sounds improbable. But the fossil record shows us that this sort of wholesale change is not only possible but has repeatedly happened throughout Earth history. Even as he operates on this broad canvas, Halliday brings us up close to the intricate relationships that defined these lost worlds. In novelistic prose that belies the breadth of his research, he illustrates how ecosystems are formed; how species die out and are replaced; and how species migrate, adapt, and collaborate. It is a breathtaking a surprisingly emotional narrative about the persistence of life, the fragility of seemingly permanent ecosystems, and the scope of deep time, all of which have something to tell us about our current crisis.

What if Atlantis wasn't a myth but an early precursor to a new age of great flooding? Across the globe, scientists and civilians alike are noticing rapidly rising sea levels and higher and higher tides pushing more water directly into the places we live, from our most vibrant, historic cities to our last remaining traditional coastal villages. With each crack in the great ice sheets of the Arctic and Antarctica, and each tick upwards of Earth's thermometer, we are moving closer to the brink of broad disaster. By century's end, hundreds of millions of people will be retreating from the world's shores as our coasts become inundated and our landscapes transformed. From island nations to the world's major cities, coastal regions will disappear. Engineering projects to hold back the water are bold and may buy some time. Yet despite international efforts and tireless research, there is no permanent solution--no barriers to erect or walls to build--that will protect us in the end from the drowning of the world as we know it. The Water Will Come is the definitive account of the coming water, why and how this will happen, and what it will all mean. As he travels across twelve countries and reports from the front lines, acclaimed journalist Jeff Goodell employs fact, science, and first-person, on-the-ground journalism to show vivid scenes from what already is becoming a water world.

A deeply-reported examination of why "doing what you love" is a recipe for exploitation, creating a new tyranny of work in which we cheerily acquiesce to doing jobs that take over our lives. You're told that if you "do what you love, you'll never work a day in your life." Whether it's working for "exposure" and "experience," or enduring poor treatment in the name of "being part of the family," all employees are pushed to make sacrifices for the privilege of being able to do what we love.In Work Won't Love You Back, Sarah Jaffe, a preeminent voice on labor, inequality, and social movements, examines this "labor of love" myth -- the idea that certain work is not really work, and therefore should be done out of passion instead of pay. Told through the lives and experiences of workers in various industries -- from the unpaid intern, to the overworked nurse, to the nonprofit worker and even the professional athlete -- Jaffe reveals how all of us have been tricked into buying into a new tyranny of work. As Jaffe argues, understanding the trap of the labor of love will empower us to work less and demand what our work is worth. And once freed from those binds, we can finally figure out what actually gives us joy, pleasure, and satisfaction.