A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality With a foreword by Thomas Pynchon With a foreword by Thomas Pynchon A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching View our feature on George Orwell s 1984 Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality This beautiful paperback edition features deckled edges and french flaps a perfect gift for any occasion Alternate cover edition can be found here.

With her newly completed PhD in astronomy in hand, twenty-eight-year-old Grace Porter goes on a girls’ trip to Vegas to celebrate. She is not the kind of person who goes to Vegas and gets drunkenly married to a woman whose name she doesn’t know…until she does exactly that. This one moment of departure from her stern ex-military father’s plans for her life has Grace wondering why she doesn’t feel more fulfilled from completing her degree. Staggering under the weight of her father’s expectations, a struggling job market and feelings of burnout, Grace flees her home in Portland for a summer in New York with the wife she barely knows. When reality comes crashing in, Grace must face what she’s been running from all along—the fears that make us human, the family scars that need to heal and the longing for connection, especially when navigating the messiness of adulthood.

Yadriel has summoned a ghost, and now he can’t get rid of him. When his traditional Latinx family has problems accepting his gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school’s resident bad boy, and Julian is not about to go quietly into death. He’s determined to find out what happened and tie up some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.

At the elite Catenan Academy, a young fugitive uncovers layered mysteries and world-changing secrets in this new fantasy series by internationally bestselling author of The Licanius Trilogy, James Islington. AUDI. VIDE. TACE. The Catenan Republic – the Hierarchy – may rule the world now, but they do not know everything. I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilised society in allowing my strength, my drive and my focus – what they call Will – to be leeched away and added to the power of those above me, as millions already do. As all must eventually do. I tell them that I belong, and they believe me. But the truth is that I have been sent to the Academy to find answers. To solve a murder. To search for an ancient weapon. To uncover secrets that may tear the Republic apart. And that I will never, ever cede my Will to the empire that executed my family. To survive, though, I will still have to rise through the Academy’s ranks. I will have to smile, and make friends, and pretend to be one of them and win. Because if I cannot, then those who want to control me, who know my real name, will no longer have any use for me. And if the Hierarchy finds out who I truly am, they will kill me.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

Remarkably Bright Creatures, an exploration of friendship, reckoning, and hope, tracing a widow's unlikely connection with a giant Pacific octopus. After Tova Sullivan's husband died, she began working the night shift at the Sowell Bay Aquarium, mopping floors and tidying up. Keeping busy has always helped her cope, which she's been doing since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago. Tova becomes acquainted with curmudgeonly Marcellus, a giant Pacific octopus living at the aquarium. Marcellus knows more than anyone can imagine but wouldn't dream of lifting one of his eight arms for his human captors--until he forms a remarkable friendship with Tova. Ever the detective, Marcellus deduces what happened the night Tova's son disappeared. And now Marcellus must use every trick his old invertebrate body can muster to unearth the truth for her before it's too late. Shelby Van Pelt's debut novel is a gentle reminder that sometimes taking a hard look at the past can help uncover a future that once felt impossible.

Nothing interferes with Shane Hollander’s game—definitely not the sexy rival he loves to hate. Pro hockey star Shane Hollander isn’t just crazy talented, he’s got a spotless reputation. Hockey is his life. Now that he’s captain of the Montreal Voyageurs, he won’t let anything jeopardize that, especially the sexy Russian whose hard body keeps him awake at night. Boston Bears captain Ilya Rozanov is everything Shane’s not. The self-proclaimed king of the ice, he’s as cocky as he is talented. No one can beat him—except Shane. They’ve made a career on their legendary rivalry, but when the skates come off, the heat between them is undeniable. When Ilya realizes he wants more than a few secret hookups, he knows he must walk away. The risk is too great. As their attraction intensifies, they struggle to keep their relationship out of the public eye. If the truth comes out, it could ruin them both. But when their need for each other rivals their ambition on the ice, secrecy is no longer an option…

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

For cynical twenty-three-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don’t exist, and the only smart way to go through life is alone. She can’t imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures. But then, there’s this gorgeous girl on the train. Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges and swoopy hair and soft smile, showing up in a leather jacket to save August’s day when she needed it most. August’s subway crush becomes the best part of her day, but pretty soon, she discovers there’s one big problem: Jane doesn’t just look like an old school punk rocker. She’s literally displaced in time from the 1970s, and August is going to have to use everything she tried to leave in her own past to help her. Maybe it’s time to start believing in some things, after all. Casey McQuiston’s One Last Stop is a magical, sexy, big-hearted romance where the impossible becomes possible as August does everything in her power to save the girl lost in time.

«Il libro più importante che sia mai stato scritto sulla resistenza tedesca al nazismo» (Primo Levi). Ognuno muore solo (uscito nel 1947) è basato su una storia vera, rielaborazione letteraria dell’inchiesta della Gestapo che portò alla decapitazione due coniugi berlinesi di mezz’età. Hans Fallada, massimo autore del neorealismo weimariano, ormai alcolizzato, dipendente da farmaci, ripetutamente incarcerato e rinchiuso in istituti psichiatrici, ricevette l’incartamento da autorità della ricostruzione e scrisse l’opera nel tardo 1946, in ventiquattro giorni, appena prima di morire. Eppure, questo ritratto raggelante, della Germania sotto la doppia angoscia del nazismo e della guerra, è rimasto dimenticato a lungo e vive solo oggi una nuova stagione anche grazie alla trionfale scoperta e pubblicazione in America. Ciò, malgrado possegga, oltre il valore letterario e storico, tutte le qualità che assicurano un’esperienza di lettura toccante. La tensione livida, paragonata al primo Le Carré. L’azione corale di un gran numero di personaggi mai stereotipati, benché più istintivamente gran parte di loro ispirerebbe o repulsione disgustata o eroico entusiasmo. La trasfigurazione, nel racconto oggettivo privo di ogni espressionismo, dell’esperienza ambientale di chi, forse unico tra gli scrittori antinazisti già affermati, non emigrò mai, continuando a respirare il potere totale hitleriano. Una spietata caccia all’uomo, con tanto di bandierine sulle carte, guidata da investigatori tanto tecnicamente capaci quanto irrazionalmente mossi da un fanatismo assurdamente sproporzionato agli scopi. E probabilmente le ragioni dell’oblio e della riscoperta stanno appunto nel fatto che è un romanzo sulla resistenza. Un romanzo sulla resistenza e sulla disperazione. Contrastante, quindi, con il luogo comune di un Hitler che non conobbe oppositori tra la gente ordinaria, unita nella colpa collettiva. Fallada racconta di poveri eroi. Anna e Otto Quangel, lui caporeparto lei casalinga, come tutti i loro pari soli e addormentati e poco prima ancora abbagliati dal Führer, conoscono un risveglio dopo la notizia della morte del figlio al fronte, e cominciano a riempire alcuni caseggiati della loro Berlino con cartoline vergate in modo incerto di appelli ingenui di ribellione. Lo fanno per comportarsi con decenza fino alla fine, ben sapendo che morranno e sicuri che nel vicino incontreranno più facilmente il delatore. L’autore li illumina, scorgendo in loro una specie di coscienza della nazione, rappresentata dai tanti volti intorno, espressioni di un popolo spaccato in due, chi odia e opprime e chi è sepolto nella sua paura.