antihero finished a book

Heart the Lover
Lily King
antihero started reading...

Heart the Lover
Lily King
antihero commented on a post
lowkey racist undertones? i never like when authors write dialect of non-native english speakers…and i especially don’t like when it’s a white author writing from the perspective of a white character who is frustrated with non-native english speakers. there’s a scene with an asian doorman that made me uncomfortable, especially with the casual way by which it’s mentioned that other workers blame the asian worker for things that go wrong. it had basically no impact to the story, too—i would have slashed it out if i were the editor.
in general, the passing nature by which the narrator refers to people of color is…weird. it feels like that scene in TSH where bunny (i think it was him?)goes on a racist rant that literally adds nothing to the story; richard doesn’t even react to it. so like…what’s the point of casual racism lmfao.
aside from that. this book is really wordy. like almost excessively so.
antihero TBR'd a book

Mrs Death Misses Death
Salena Godden
antihero wrote a review...
starts off as a fresh take on the zombie genre before turning into a one-note story about Reporters and The Truth and also Mysterious Bad Forces That Aren't Actually So Mysterious At All
as i mentioned before, this is NOT a zombie book. people who love the zombie genre - with all its stakes and blood and dead thins and horror - will probably not like this book. i picked this up because i wanted to forray into the world of zombies from multiple different avenues, including ones that did something a little different than the derivative survivalist take. the mixed media element was interesting, and i thought the choice to follow a presidential campaign - and all the meta commentary it would involve - was compelling.
the world-building is certainly robust and you can tell mira grant put a lot of passion into it, which i have to respect. however, i did feel like the story itself dragged copious amounts because of how much she crammed in. it is extremely self-indulgent. there's this article discussing how marketing and good writing are both like lingerie--giving enough to entice the reader/consumer, but hiding enough that you leave their imagination to fill in the blanks, which keeps them engaged. i have to agree on that philosophy. there is absolutely no reason why, 80% of the way into the book, the narrator needs to interject to provide backstory for the world. the world has been established! the plot is rolling! kill your darlings!!
speaking of the narrator, georgia mason is so insufferable that i literally rolled my eyes so many time reading this. you know that episode "the ember island players" in avatar: the last airbender, where the fire nation play depicts katara as a some lady who gives long winded speeches about hope? that's exactly what georgia mason is, except with The Truth. she is the boot-strapping, archetypal female character in 2000s-2010s YA who lacks depth/complexity but it's okay because she's not like other girls (in this case, reporters). her holier-than-thou attitude was fine until about 20% in when it became clear that her growth was not part of the story. she does not change in this story. she is just as flat by the end as she is at the beginning. she is unlikeable not because she's meant to be unlikeable. she's unlikeable because she's meant to be right all the freaking time, which pisses me off even more.
i made a comment about how many scenes play out like riverdale and i stand by it. there are way too many moments that are clearly intended to be mic drop moments. on a technical level, the writing isn't bad. it's really the narrator voice and the dialogue. the dialogue drove me NUTS. this goes to my next critique - this is in a weird spot between YA and adult fiction. between the depiction of georgia and her brother, shaun (who's immature and clearly serves as the generic comedic relief character), it's clear to me that this should have leaned into as YA. i can't even forgive the fact that the characters are 23-24 years old. they talk and act like riverdale teenagers.
plot-wise, we started off fairly strong (despite a lot of the set-up feeling contrived rather than earned), but the supporting characters are equally flat. the man running for president, his wife, their coworkers, the eventual villain...all one-note. not interesting. not complex. like i said, this could have fit a bit better in YA, which tends not to tackle villains with as much nuance as adult fiction (though there are certainly some YA books that have way more complex villains than this novel). the scenes that are supposed to be anxiety-inducing or increase stakes do not succeed at doing so because the flow of these scenes are interrupted either with poor dialogue or unnecessary worldbuilding. the ending is once again reminiscent of a CW show. the parts that are supposed to tug at your heart just made me roll my eyes because of the narrator voice.
overall, this was a meh read for me. i did enjoy some aspects but grew annoyed because it reads like someone who read one virology wikipedia article and decided to word-vomit as much as possible thinking it'll help convince you that this world is real (as someone who has taken graduate virology courses the science was just like. OK to me). a lot of my issues with this book could have been resolved with a tighter editorial hand - i think cutting out roughly 30% of it would have helped. i continued it because i liked that it was a unique angle on the zombie genre/trope, but i don't think i'll be continuing the series.
antihero finished a book

Feed (Newsflesh, #1)
Mira Grant
antihero TBR'd a book

Disappoint Me
Nicola Dinan
antihero commented on antihero's update
antihero commented on antihero's review of Half His Age
this may very well be the most personal i’ll make a review, ever.
when i was 18, i dated a boy 6 years my senior. we fist met when i was 13; we became “friends” when i was 16. i remember being 17, and older peers—including him—commended how mature i was. he’d say that to me as we hung out with on pseudo dates, and i wanted so badly to cross that line of friendship. i was convinced that i loved him. i didn’t care if it seemed wrong. i wanted him, and when we finally began dating a week after my 18th birthday and i’d finally gotten what i wanted—him—i was over the moon.
only it was kind of miserable. he was moody and difficult and closed off, and his problems were always things i didn’t understand because i was too young, but my needs and my wants were never worth unloading onto him because i was mature enough to be independent. looking back on it now, he knew what he was doing was wrong. his patterns of behavior, the pulling away the radio silence—this was a man who knew that he shouldn’t be doing what he was doing. i didn’t want to admit that, though. i didn’t realize that he should have never entertained the thought of me in the first place. those times when his morals trumped his want for me made me all the more hungry for his attention. when we were together, i remember being riddled with anxiety that i had to be the perfect girlfriend so that he’d convince himself i was worth it. when we weren’t together, i remember being so deeply insecure that his lack of contact meant what i was no longer wanted.
those emotions came back viscerally in a rush while reading HALF HIS AGE. i am not waldo, and in fact i am not like her in any regard. waldo is cynical, crass, greedy, hungry, and she wants everything she knows the world won’t let her have. but i see her, and i understand her.
even if you have never had a relationship akin to waldo and her teacher, i am confident elements of this book will resonate with you. it’s pathetic, isn’t it? how women can relate to the spiraling desperation we encounter when we want just a little more attention, a little more desire, a little more love from someone, especially if it’s someone we, deep down, know should not be with. and the crushing defeat that suffocates us when we realize that whatever he has to offer is not enough. but it’s real, and just because it’s pathetic doesn’t mean it’s shameful.
mccurdy wields her writing like a knife, sharp and crass and brutally honest. this book does not pull punches. the way she writes about sex is vulgar and borderline gross, and even how she describes how waldo eats—it’s borderline animalistic, unrefined. she takes the ugliest parts of the human psyche and dissects it, lets you peer into the wriggling mass of flesh and blood. it’s engrossing but fascinating, sickening but recognizable. this book is not disturbing because it’s out-of-this-world horror. this book is disturbing because it takes all too familiar emotions that none of us want to admit to and forces you to sit with it.
i loved that waldo seeks to satiate her desires through instant gratification—food, sex, clothes, skincare, makeup, hair products. anything she can get her hands on to feel like she’s a little bit more valuable a bit more attractive. yet the gratification, while instant, is fleeting, and leaves her feeling more hollow than before. this isn’t just a story about a young girl pursuing her much older teacher. this is a story about a young girl trying so desperately to find who she is that she loses herself in the process.
i loved how waldo’s perspective on her teacher shifted. it’s quite clever that the parts of him she desired at first become the same things she grows to be disgusted by. this is NOT a romance. what’s fascinating is that waldo says she loves him, thinks she loves him, but there is absolutely zero compelling roamntic undertones. mccurdy’s writing is undercut with obsession, not romance, that we, the readers, see, but waldo herself does not.
it’s worth noting that waldo is an EXTREMELY UNRELIABLE narrator. she frames her coming onto her teacher as her pursuing him and her exerting power over him, she perceives him as a sad, lonely man who is overcome by desire for her. she does NOT see him as a groomer nor does she think he is wrong for being with a minor. as someone who has been in a similar situation, this feels like it could not possibly be more accurate when it comes to the psyche of a high schooler pursuing a much older man.
this is not the best written novel i’ve read; i consider jennette mccurdy to have a very simple, punchy writing style that favors voice over craft (i felt the same about her memoir). but i don’t mind it as long as the writing style serves its purpose, and in this one, it’s to give tangible personality to waldo rather that provide you with superfluous, pretty prose. i think it is effective, especially for a non-pretentious 17 year old girl.
this book is NOT gonna be for everyone, and that’s okay. the only reason this isn’t a perfect for me is because i felt like the ending felt a bit underbaked. i liked where the actual story was going in the final chapters and i thought the ending was fitting, but it felt a bit rushed. i also would have liked to see more with waldo’s mom—the arc with her had potential but fell a little bit flat. the story could have been a smidge richer, i think.
antihero commented on a post
Not sure how I feel about the main character yet… Like I like a complicated character but she is giving fuck boy vibes at the moment and that is not usually the sort of character I enjoy reading about.
antihero TBR'd a book

Pet Sematary
Stephen King
antihero TBR'd a book

The Girl with All the Gifts (The Girl With All the Gifts, #1)
M.R. Carey