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Final Cut
Olivia Worley
asteriis commented on a post from the Pagebound Club forum
and does that influence you to read a book? do you gravitate towards your favorites, or do other colors compel you more?
personally, my favorite colors are green (sage, but really any muted, earthy green) and deep purples. i did buy the pretty green edition of Legends & Lattes over the standard cover because the color is gorgeous. i feel like i don't see much purple aroundâmaybe i'm just not looking hard enough?
but it's red and black covers that really catch my eye. separate or together, but mostly together; it's one of the most striking color combinations to me. my favorite example is Clown in a Cornfield (i promise this post isn't just another way for me to promote Clown in a Cornfield). maybe it's just because i read a lot of horror, but i feel like it's hard to make a red and black cover look bad. is that just me? does anyone else have any great combos?
bonus question: would you buy a physical edition of a book you really didn't like if the color would look good with the aesthetic of your room/living space?
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Fangs
Sarah Andersen
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Time Is a Mother
Ocean Vuong
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The Vegetarian
Han Kang
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On Earth As It Is Beneath
Ana Paula Maia
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Kappa
Ryƫnosuke Akutagawa
asteriis commented on a post from the Pagebound Club forum
I came across this Tumblr post and feel like it might also intrigue/entertain/disturb the people of Pagebound so here you go (all credits to Tumblr user bleekay and their dream imagination):
had a fucked up dream i had a book that turned out could never be read again the same as the first time because each reread the characters became incrementally more aware that the events of the book had happened before and they were ârelivingâ it and i reread enough times that they became self aware, figured out they were in a book, acknowledged me as the reader, and some lost their minds or had existential crises, became violent to other characters or themselves, some begged me to never stop reading or they ceased to exist and others begged me to end it all stop reading and keeping them trapped in the endless loop of torment, and the literal only way to get the book back to its first run was to hand it off to someone else to read for the first time and for some reason i physically couldnât tell anyone about it so iâd have to just hope whoever i gave it to would only read it once and i could never open the book again to check if they were okay and back to normal because i was terrified of fucking them all up again :(
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Reality is overrated! These surreal and absurd fiction books remove logic to reveal their truths. Here the impossible is inevitable, the strange is necessary, and Kafkaesque is only the beginning.
asteriis commented on breaklikeafish's update
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The Summer Hikaru Died, Vol. 7
Mokumokuren
asteriis commented on Jake99's update
asteriis commented on a post


welcome to the monstrous feminine! here, youâll find visions of both monstrosity and womanhood deconstructed and haphazardly tacked back together again.
you can comment under this post to suggest works that you think would be a good fit for this quest. before you comment, though, hereâs a little more information about how this quest was curated, and the research and intention behind it.
WHAT IS THE MONSTROUS FEMININE?
the phrase âmonstrous feminineâ comes from barbara creedâs âthe monstrous-feminine: film, feminism, psychoanalysisâ. in creedâs hugely influential text, she interrogates the predominantly misogynistic portrayal of women in horror cinema, breaking the representation down into six categories: the archaic mother, the possessed monster, the monstrous womb, the vampire, the witch, the femme castratrice, and the castrating mother. the through-line? men finding monstrosity in how women fail to conform to gender expectations.
since the publication of the monstrous-feminine in 1993, the term has been reclaimed, by creed herself, along with countless others. where the monstrous-feminine was once representative of patriarchal and bio-essentialist notions of womanhood, it is now expansive and elastic, often strange, surprising, and queer.
NB: the monstrous-feminine was born of men reducing women to their perceived subservience and how well they performed femininity. thereâs a tongue-in-cheek-ness to the term, as many monstrous feminine figures do not conform to these notion of femininity at all. monstrous feminine figures do not have to present as feminine.
WHY WERE THE BOOKS IN THIS QUEST CHOSEN?
the books in this quest use horror to redefine and reclaim the monstrous feminine. they are not just horror books featuring women; they use aesthetics of monstrosity in a way that challenges how women (and, in many cases, women of additional marginalisations) have historically been represented in horror and in life. sometimes this discussion around gender is at the forefront. in other places, it is subtler.
some of these books critique notions of monstrosity entirely, using visions of the monstrous feminine in a way that rejects the demonisation of experiences and characteristics that we donât understand or relate to (e.g. our wives under the sea and the gilda stories).
in putting this quest together, i wanted to ask: what does it mean to be the monstrous feminine? who gets to reclaim the monstrous feminine, and who is forced into it? how can we use horror to redefine our relationships to gender, bodies, and desirability under patriarchy and cisheteronormativity?
WHAT IS THE SELECTION CRITERIA FOR NEW ADDITIONS?
youâll also notice that there are a decent amount of short story collections represented in this quest. some of the most famous monstrous-feminine figures have come from short stories, and i continue to believe that some of the most exciting work within this space is happening in short fiction. short story collections have been chosen based on the basis that the majority of short stories in the collection are monstrous-feminine texts. please donât suggest short story collections that do not meet this criteria.
feel free to ask any questions, otherwise: letâs get monstrous!
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Embracing the body and reclaiming otherness, these books use horror to redefine notions of womanhood and monstrosity.
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Mayra
Nicky Gonzalez
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I like my castles cold, my moors windswept, and my heroines swooning.
asteriis commented on a post from the Pagebound Club forum
Hey there!
Iâm looking for some suggestions for graphic novels and comics to read and also to get suggestions on what kinds of graphic novels you would suggest to intro people into the genre/style! Iâm planning to buy a few as gifts in the coming months so would love to be pointed in the direction of any and all that youâve enjoyed for me to check out!
asteriis commented on breaklikeafish's update
breaklikeafish finished a book

Project Hail Mary
Andy Weir
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Grief Eater
Emma Osborne