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asteriis

"no live organism can continue for long to exist sanely under conditions of absolute reality" đŸłïžâ€đŸŒˆđŸłïžâ€âš§ïž they/he i like weird fiction. bonus if there's lesbians

998 points

0% overlap
Sapphic Across Genres
From Bookshelf to TV
Level 4
My Taste
The Hunger Games (The Hunger Games, #1)
Our Wives Under the Sea
Convenience Store Woman
The Haunting of Hill House
Reading...
A Shocker on Shock Street (Goosebumps, #35)
28%
People From My Neighbourhood
20%
The Eyes Are the Best Part
8%
Nana, Vol. 3
43%
When Hitler Stole Pink Rabbit (Out of the Hitler Time, #1)
0%
Invisible Monsters
0%
Life Ceremony
26%
Hungerstone
0%
Small Things Like These
0%
Salt Slow
0%

asteriis commented on a post from the Pagebound Club forum

22h
  • what's your favorite color?

    and does that influence you to read a book? do you gravitate towards your favorites, or do other colors compel you more?

    personally, my favorite colors are green (sage, but really any muted, earthy green) and deep purples. i did buy the pretty green edition of Legends & Lattes over the standard cover because the color is gorgeous. i feel like i don't see much purple around—maybe i'm just not looking hard enough?

    but it's red and black covers that really catch my eye. separate or together, but mostly together; it's one of the most striking color combinations to me. my favorite example is Clown in a Cornfield (i promise this post isn't just another way for me to promote Clown in a Cornfield). maybe it's just because i read a lot of horror, but i feel like it's hard to make a red and black cover look bad. is that just me? does anyone else have any great combos?

    bonus question: would you buy a physical edition of a book you really didn't like if the color would look good with the aesthetic of your room/living space?

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  • asteriis commented on a post from the Pagebound Club forum

    1d
  • Tumblr post for your consideration

    I came across this Tumblr post and feel like it might also intrigue/entertain/disturb the people of Pagebound so here you go (all credits to Tumblr user bleekay and their dream imagination):

    had a fucked up dream i had a book that turned out could never be read again the same as the first time because each reread the characters became incrementally more aware that the events of the book had happened before and they were “reliving” it and i reread enough times that they became self aware, figured out they were in a book, acknowledged me as the reader, and some lost their minds or had existential crises, became violent to other characters or themselves, some begged me to never stop reading or they ceased to exist and others begged me to end it all stop reading and keeping them trapped in the endless loop of torment, and the literal only way to get the book back to its first run was to hand it off to someone else to read for the first time and for some reason i physically couldn’t tell anyone about it so i’d have to just hope whoever i gave it to would only read it once and i could never open the book again to check if they were okay and back to normal because i was terrified of fucking them all up again :(

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  • asteriis commented on Jake99's update

    asteriis commented on a post

    2d
  • welcome! recommendations (& more info) here!

    welcome to the monstrous feminine! here, you’ll find visions of both monstrosity and womanhood deconstructed and haphazardly tacked back together again.

    you can comment under this post to suggest works that you think would be a good fit for this quest. before you comment, though, here’s a little more information about how this quest was curated, and the research and intention behind it.


    WHAT IS THE MONSTROUS FEMININE?

    the phrase ‘monstrous feminine’ comes from barbara creed’s ‘the monstrous-feminine: film, feminism, psychoanalysis’. in creed’s hugely influential text, she interrogates the predominantly misogynistic portrayal of women in horror cinema, breaking the representation down into six categories: the archaic mother, the possessed monster, the monstrous womb, the vampire, the witch, the femme castratrice, and the castrating mother. the through-line? men finding monstrosity in how women fail to conform to gender expectations.

    since the publication of the monstrous-feminine in 1993, the term has been reclaimed, by creed herself, along with countless others. where the monstrous-feminine was once representative of patriarchal and bio-essentialist notions of womanhood, it is now expansive and elastic, often strange, surprising, and queer.

    NB: the monstrous-feminine was born of men reducing women to their perceived subservience and how well they performed femininity. there’s a tongue-in-cheek-ness to the term, as many monstrous feminine figures do not conform to these notion of femininity at all. monstrous feminine figures do not have to present as feminine.


    WHY WERE THE BOOKS IN THIS QUEST CHOSEN?

    the books in this quest use horror to redefine and reclaim the monstrous feminine. they are not just horror books featuring women; they use aesthetics of monstrosity in a way that challenges how women (and, in many cases, women of additional marginalisations) have historically been represented in horror and in life. sometimes this discussion around gender is at the forefront. in other places, it is subtler.

    some of these books critique notions of monstrosity entirely, using visions of the monstrous feminine in a way that rejects the demonisation of experiences and characteristics that we don’t understand or relate to (e.g. our wives under the sea and the gilda stories).

    in putting this quest together, i wanted to ask: what does it mean to be the monstrous feminine? who gets to reclaim the monstrous feminine, and who is forced into it? how can we use horror to redefine our relationships to gender, bodies, and desirability under patriarchy and cisheteronormativity?


    WHAT IS THE SELECTION CRITERIA FOR NEW ADDITIONS?

    • does this book contribute to a diversity of voices represented in the quest (i.e. is this a perspective that is over-represented?)
    • is this book perpetuating misogynistic and bio-essentialist notions of womanhood, or does it challenge/subvert/reckon with these expectations?
    • does this book tap into an interesting conversation, horror subgenre, style or thematic focus that isn’t already reflected in the list?
    • there are many non-horror books featuring ‘monstrous women’, but that’s not what this quest is for - is this book effectively utilising elements of horror?

    you’ll also notice that there are a decent amount of short story collections represented in this quest. some of the most famous monstrous-feminine figures have come from short stories, and i continue to believe that some of the most exciting work within this space is happening in short fiction. short story collections have been chosen based on the basis that the majority of short stories in the collection are monstrous-feminine texts. please don’t suggest short story collections that do not meet this criteria.


    feel free to ask any questions, otherwise: let’s get monstrous!

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  • asteriis finished a book

    2d
    Mayra

    Mayra

    Nicky Gonzalez

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    asteriis commented on a post from the Pagebound Club forum

    3d
  • bellasp
    Edited
    Graphic Novel Suggestions?!

    Hey there!

    I’m looking for some suggestions for graphic novels and comics to read and also to get suggestions on what kinds of graphic novels you would suggest to intro people into the genre/style! I’m planning to buy a few as gifts in the coming months so would love to be pointed in the direction of any and all that you’ve enjoyed for me to check out!

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  • asteriis is interested in reading...

    3d
    Grief Eater

    Grief Eater

    Emma Osborne

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