A classic science fiction novel by one of the greatest writers of the genre, set in a future world where one man's dreams control the fate of humanity. In a future world racked by violence and environmental catastrophes, George Orr wakes up one day to discover that his dreams have the ability to alter reality. He seeks help from Dr. William Haber, a psychiatrist who immediately grasps the power George wields. Soon George must preserve reality itself as Dr. Haber becomes adept at manipulating George's dreams for his own purposes. The Lathe of Heaven is an eerily prescient novel from award-winning author Ursula K. Le Guin that masterfully addresses the dangers of power and humanity's self-destructiveness, questioning the nature of reality itself. It is a classic of the science fiction genre.

When Kim Hyun Sook started college in 1983 she was ready for her world to open up. After acing her exams and sort-of convincing her traditional mother that it was a good idea for a woman to go to college, she looked forward to soaking up the ideas of Western Literature far from the drudgery she was promised at her family’s restaurant. But literature class would prove to be just the start of a massive turning point, still focused on reading but with life-or-death stakes she never could have imagined. This was during South Korea's Fifth Republic, a military regime that entrenched its power through censorship, torture, and the murder of protestors. In this charged political climate, with Molotov cocktails flying and fellow students disappearing for hours and returning with bruises, Hyun Sook sought refuge in the comfort of books. When the handsome young editor of the school newspaper invited her to his reading group, she expected to pop into the cafeteria to talk about Moby Dick, Hamlet, and The Scarlet Letter. Instead she found herself hiding in a basement as the youngest member of an underground banned book club. And as Hyun Sook soon discovered, in a totalitarian regime, the delights of discovering great works of illicit literature are quickly overshadowed by fear and violence as the walls close in. In Banned Book Club, Hyun Sook shares a dramatic true story of political division, fear-mongering, anti-intellectualism, the death of democratic institutions, and the relentless rebellion of reading.

Whether you want to criticise, kill, or use AI, you have to get through the hype and uncover the real story. Start with labour: in automation theory, a centaur is a person who chooses to use technology to help them do the things that matter to them. A reverse centaur is a person who has been conscripted to serve as a helper for a machine, at an inhuman, machine pace: a driver made to deliver all day long, nonstop; a warehouse worker made to work without food or bathroom breaks; a programmer made to crank out impossible amounts of code. As Doctorow says: it's not enough to ask what the technology does - we have to understand who it's doing it for and who it's doing it to. The intended audience for AI hype isn't the people who are forced to use AI. The AI show is a performance staged for bosses and investors. . Investment bankers claim AI will to be worth more than $16 trillion: a number that only makes sense if AI replaces vast swathes of the wage-earning human workforce. To justify that level of "value," every story about AI must be presented as inevitable, world-changing disruption. Even the tales of the robot apocalypse are a calculated attempt to bolster the fearsome power of AI. Anything that can't go on forever eventually stops. When the AI bubble bursts, what will we salvage? Is there something in the wreckage that everyday people will find useful? In The Reverse Centaur's Guide to Life After AI - as he so successfully did in Enshittification - Doctorow recounts both how we found ourselves in this dire situation and how we can get through it, to a life "after" AI in which the tools work for us, not the other way around.

From one of the most original and dazzling voices in speculative fiction comes an intergalactic tale of conspiracy, war and the fall of empires. My name is Mawukana na-Vdnaze, and I am a very poor copy of myself. In telling my story, there are certain things I should perhaps lie about. I should make myself a hero. Pretend I was not used by strangers and gods, did not leave people behind. Here is one out there in deep-space, in the pilot's chair, I died. And then, I was reborn. I became something not quite human, something that could speak to the infinite dark. And I vowed to become the scourge of the world that wronged me. This is the story of the supernova event that burned planets and felled civilizations. This is also the story of the many lives I've lived since I died for the first time. Are you listening?Discover this thrilling and breathtakingly imaginative space opera from the multi-award-winning Claire North, perfect for fans of Ann Leckie, Adrian Tchaikovsky and Arkady Martine.