From ants scurrying under leaf litter to bees able to fly higher than Mount Kilimanjaro, insects are everywhere. Three out of every four of our planet’s known animal species are insects. In The Insect Crisis, acclaimed journalist Oliver Milman dives into the torrent of recent evidence that suggests this kaleidoscopic group of creatures is suffering the greatest existential crisis in its remarkable 400-million-year history. What is causing the collapse of the insect world?  Why does this alarming decline pose such a threat to us? And what can be done to stem the loss of the miniature empires that hold aloft life as we know it? With urgency and great clarity, Milman explores this hidden emergency, arguing that its consequences could even rival climate change. He joins the scientists tracking the decline of insect populations across the globe, including the soaring mountains of Mexico that host an epic, yet dwindling, migration of monarch butterflies; the verdant countryside of England that has been emptied of insect life; the gargantuan fields of U.S. agriculture that have proved a killing ground for bees; and an offbeat experiment in Denmark that shows there aren’t that many bugs splattering into your car windshield these days. These losses not only further tear at the tapestry of life on our degraded planet; they imperil everything we hold dear, from the food on our supermarket shelves to the medicines in our cabinets to the riot of nature that thrills and enlivens us. Even insects we may dread, including the hated cockroach, or the stinging wasp, play crucial ecological roles, and their decline would profoundly shape our own story. By connecting butterfly and bee, moth and beetle from across the globe, the full scope of loss renders a portrait of a crisis that threatens to upend the workings of our collective history. Part warning, part celebration of the incredible variety of insects, The Insect Crisis is a wake-up call for us all.

Two warriors shepherd an ancient god across a broken land to end the tyrannical reign of a royal family in this new epic fantasy from the author of The Vanished Birds.The people suffer under the centuries-long rule of the Moon Throne. The royal family—the despotic emperor and his monstrous sons, the Three Terrors—hold the countryside in their choking grip. They bleed the land and oppress the citizens with the frightful powers they inherited from the god locked under their palace.But that god cannot be contained forever.With the aid of Jun, a guard broken by his guilt-stricken past, and Keema, an outcast fighting for his future, the god escapes from her royal captivity and flees from her own children, the triplet Terrors who would drag her back to her unholy prison. And so it is that she embarks with her young companions on a five-day pilgrimage in search of freedom—and a way to end the Moon Throne forever. The journey ahead will be more dangerous than any of them could have imagined.Both a sweeping adventure story and an intimate exploration of identity, legacy, and belonging, The Spear Cuts Through Water is an ambitious and profound saga that will transport and transform you—and is like nothing you’ve ever read before.

Dr. Cliff Miyashiro arrives in the Arctic Circle to continue his recently deceased daughter's research, only to discover a virus, newly unearthed from melting permafrost. The plague unleashed reshapes life on earth for generations. Yet even while struggling to counter this destructive force, humanity stubbornly persists in myriad moving and ever inventive ways. Among those adjusting to this new normal are an aspiring comedian, employed by a theme park designed for terminally ill children, who falls in love with a mother trying desperately to keep her son alive; a scientist who, having failed to save his own son from the plague, gets a second chance at fatherhood when one of his test subjects-a pig-develops human speech; a man who, after recovering from his own coma, plans a block party for his neighbours who have also woken up to find that they alone have survived their families; and a widowed painter and her teenaged granddaughter who must set off on cosmic quest to locate a new home planet. From funerary skyscrapers to hotels for the dead, How High We Go in the Dark follows a cast of intricately linked characters spanning hundreds of years as humanity endeavours to restore the delicate balance of the world. This is a story of unshakable hope that crosses literary lines to give us a world rebuilding itself through an endless capacity for love, resilience and reinvention. Wonderful and disquieting, dreamlike and all too possible.

From the acclaimed author of Parakeet, Marie-Helene Bertino’s Beautyland is a wise, tender novel about a woman who doesn't feel at home on Earth. At the moment when Voyager 1 is launched into space carrying its famous golden record, a baby of unusual perception is born to a single mother in Philadelphia. Adina Giorno is tiny and jaundiced, but she reaches for warmth and light. As a child, she recognizes that she is different: She possesses knowledge of a faraway planet. The arrival of a fax machine enables her to contact her extraterrestrial relatives, beings who have sent her to report on the oddities of Earthlings. For years, as she moves through the world and makes a life for herself among humans, she dispatches transmissions on the terrors and surprising joys of their existence. Then, at a precarious moment, a beloved friend urges Adina to share her messages with the world. Is there a chance she is not alone? Marie-Helene Bertino’s Beautyland is a novel of startling originality about the fragility and resilience of life on our Earth and in our universe. It is a remarkable evocation of the feeling of being in exile at home, and it introduces a gentle, unforgettable alien for our times.

Euripides I contains the plays “Alcestis,” translated by Richmond Lattimore; “Medea,” translated by Oliver Taplin; “The Children of Heracles,” translated by Mark Griffith; and “Hippolytus,” translated by David Grene. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

PERSONAL DEMON Shin looks like an ordinary high school boy, but he has a terrible secret: an alien parasite has infected his body. This mysterious creature is ruthless, deadly, and utterly indifferent to human suffering...and it is beginning to assert itself over Shin. As Shinji fights for control of his body, can he also hold on to his humanity?

From ants scurrying under leaf litter to bees able to fly higher than Mount Kilimanjaro, insects are everywhere. Three out of every four of our planet’s known animal species are insects. In The Insect Crisis, acclaimed journalist Oliver Milman dives into the torrent of recent evidence that suggests this kaleidoscopic group of creatures is suffering the greatest existential crisis in its remarkable 400-million-year history. What is causing the collapse of the insect world?  Why does this alarming decline pose such a threat to us? And what can be done to stem the loss of the miniature empires that hold aloft life as we know it? With urgency and great clarity, Milman explores this hidden emergency, arguing that its consequences could even rival climate change. He joins the scientists tracking the decline of insect populations across the globe, including the soaring mountains of Mexico that host an epic, yet dwindling, migration of monarch butterflies; the verdant countryside of England that has been emptied of insect life; the gargantuan fields of U.S. agriculture that have proved a killing ground for bees; and an offbeat experiment in Denmark that shows there aren’t that many bugs splattering into your car windshield these days. These losses not only further tear at the tapestry of life on our degraded planet; they imperil everything we hold dear, from the food on our supermarket shelves to the medicines in our cabinets to the riot of nature that thrills and enlivens us. Even insects we may dread, including the hated cockroach, or the stinging wasp, play crucial ecological roles, and their decline would profoundly shape our own story. By connecting butterfly and bee, moth and beetle from across the globe, the full scope of loss renders a portrait of a crisis that threatens to upend the workings of our collective history. Part warning, part celebration of the incredible variety of insects, The Insect Crisis is a wake-up call for us all.

SILENT INVASION: They arrive in silence and darkness. They descend from the skies. They have a hunger for human flesh. They are everywhere. They are parasites, alien creatures who must invade-and take control of-a human host to survive. And once they have infected their victims, they can assume any deadly form they choose: monsters with giant teeth, winged demons, creatures with blades for hands. But most have chosen to conceal their lethal purpose behind ordinary human faces. So no one knows their secret-except an ordinary high school student. Shin is battling for control of his own body against an alien parasite, but can he find a way to warn humanity of the horrors to come?

SILENT INVASION: They arrive in silence and darkness. They descend from the skies. They have a hunger for human flesh. They are everywhere. They are parasites, alien creatures who must invade-and take control of-a human host to survive. And once they have infected their victims, they can assume any deadly form they choose: monsters with giant teeth, winged demons, creatures with blades for hands. But most have chosen to conceal their lethal purpose behind ordinary human faces. So no one knows their secret-except an ordinary high school student. Shin is battling for control of his own body against an alien parasite, but can he find a way to warn humanity of the horrors to come?

In his fifth work of nonfiction, Mark Kurlansky turns his attention to a common household item with a long and intriguing history: salt. The only rock we eat, salt has shaped civilization from the very beginning, and its story is a glittering, often surprising part of the history of humankind. A substance so valuable it served as currency, salt has influenced the establishment of trade routes and cities, provoked and financed wars, secured empires, and inspired revolutions. 

Sussex, 1912. In a churchyard, villagers gather on the night when the ghosts of those who will die in the coming year are thought to be seen. Here, where the estuary leads out to the sea, superstitions still hold sway. Standing alone is the taxidermist's daughter. At 17, Constantia Gifford lives with her father in a decaying house: it is all that is left of Gifford's once world-famous museum of taxidermy. The stuffed animals that used to grace every parlour are out of fashion, leaving Gifford a disgraced and bitter man. The bell begins to toll and all eyes are fixed on the church. No one sees the gloved hand pick up a flint. As the last notes fade into the dark, a woman lies dead. While the village braces itself against rising waters and the highest tide of the season, Connie struggles to discover who is responsible, but finds herself under suspicion. Is Constantia who she seems - is she the victim of circumstances or are more sinister forces at work? And what is the secret that lies at the heart of Gifford House, hidden among the bell jars of her father's workshop? Told over one summer, The Taxidermist's Daughter is the haunting new novel from the bestselling author of Labyrinth, Sepulchre, Citadel and The Winter Ghosts.