Post from the Pagebound Club forum
I recently finished the Shepherd King Duology. Love, LOVE, the books. Can someone recommend me more dark fantasy? I don't mind anything without romance in them too!!
Post from the Pagebound Club forum
I need someone to enlighten me on what Dark and Light Academia books actually are. I always thought that merely having an academic setting doesn’t automatically make a book 'Academia,' dark or light. For me, it should use academia as a plot device, the core story should revolve around academic life, ideas, or development. So when books like The Picture of Dorian Gray or The Invisible Life of Addie LaRue are labeled as Academia, it doesn’t quite sit right with how I perceive the genre.
bluishreader commented on a post
It's like being plunged back into the parts of Asian culture I've spent years trying to unlearn. From the hyper-focus on appearances to the emotional suppression packaged as "respect," it mirrors everything I've found exhausting growing up in an Asian household. The worst part? It's not even challenged-it's just presented as inevitable, as if there's no other way to exist. I'm so close to wanting to DNF
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Dial A for Aunties (Aunties, #1)
Jesse Q. Sutanto
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The Goldfinch
Donna Tartt
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Post from the Two Twisted Crowns (The Shepherd King, #2) forum
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Feminine Rage 🐦🔥💣❤️🔥
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Hell hath no fury like a woman scorned.
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Supporting* Women's Wrongs 🔪💄🚬
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Whether you love to hate or hate to love 'em, these literary bad girls are anything but well-behaved. *Disclaimer: we do not literally support the illegal and oft cruel behavior of these protagonists (usually); we support the authors bold enough to write them (always).
bluishreader is interested in reading...

Sentimentalisme Calon Mayat
Sony Karsono
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Fourteen Days
Margaret Atwood
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Fear of Flying
Erica Jong
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How to Save Your Own Life
Erica Jong
bluishreader DNF'd a book

The Bear and the Nightingale (The Winternight Trilogy, #1)
Katherine Arden
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Two Twisted Crowns (The Shepherd King, #2)
Rachel Gillig
bluishreader commented on a post
I went into this expecting a story about identity crisis or a character completely detached from human emotions. But that’s not what I found. He actually understands people very well and knows exactly how they think and act. He can even fake or mask himself through a kind of performative humor. He isn’t lost because he can’t connect; he’s lost because he refuses to take responsibility for his own feelings, his own significance, and his place in the world.
It’s not that the book is bad, but it left me cold. I couldn’t feel any real sympathy for him, only frustration. Maybe that’s the point, but it still made for a tiring read.
Post from the The Catcher in the Rye forum