In Andrea Gibson's latest collection, they continue their artful and nuanced looks at gender, romance, loss, and family. Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.

A thrilling book about the abounding queerness of the natural world that challenges our expectations of what is normal, beautiful, and possible.Growing up, Patricia Kaishian felt most at home in the swamps and culverts near her house in the Hudson Valley. A child who frequently felt out of place, too much of one thing or not enough of another, she found acceptance in these settings, among other amphibious beings. In snakes, snails, and, above all, fungi, she saw her own developing identities as a queer, neurodivergent person reflected back at her—and in them, too, she found a personal path to a life of science.In Forest Euphoria, Kaishian shows us this making of a scientist and introduces readers to the queerness, literal and otherwise, of all the life around us. Fungi, we learn, commonly have more than two biological sexes—and some as many as twenty-three thousand. Some intersex slugs mutually fire calcium carbonate “love darts” at each other during courtship. Glass eels are sexually undetermined until their last year of life, which stumped scientists once dubbed “the eel question.” Nature, Kaishian shows us, is filled with the unusual, the overlooked, and the marginalized—and they have lessons for us all.Wide-ranging, richly observant, and full of surprise, Forest Euphoria will open your eyes and change how you look at the world around you.

A sharp and timely book about the dark art of manipulation through weaponized storytelling Best-selling author Annalee Newitz traces the way disinformation, propaganda, and violent threats—the essential tool kit for psychological warfare—have evolved from military weapons used against foreign adversaries into tools used in domestic culture wars. Newitz delves into America’s deep-rooted history with psychological operations, beginning with Benjamin Franklin’s Revolutionary War–era fake newspaper and reaching its apotheosis with disinformation during twenty-first–century elections. The nation’s secret weapon has long been coercive storytelling, fashioned by operatives who drew on their experiences in the ad industry and as science-fiction writers. Now, through a weapons-transfer program long unacknowledged, it has found its way into the hands of culture warriors, in conflicts from school-board fights over LGBTQ+ students to campaigns against feminist viewpoints. Stories Are Weapons delivers a powerful counter-narrative, as Newitz highlights the process of psychological disarmament, speaking with Indigenous archivists preserving their histories in new ways, activist storytellers, and technology experts transforming social media.