The Cruel Prince meets Ninth House in this dangerously romantic dark academia fantasy, where a lost heiress must infiltrate an arcane society and live with the vampire she suspects killed her family and kidnapped her sister. It began long before my time, but something has always hunted our family. Orphaned heiress Kidan Adane grew up far from the arcane society she was born into, where human bloodlines gain power through vampire companionship. When her sister, June, disappears, Kidan is convinced a vampire stole her—the very vampire bound to their family, the cruel yet captivating Susenyos Sagad. To find June, Kidan must infiltrate the elite Uxlay University—where students study to ensure peaceful coexistence between humans and vampires and inherit their family legacies. Kidan must survive living with Susenyos—even as he does everything he can to drive her away. It doesn’t matter that Susenyos’s wickedness speaks to Kidan’s own violent nature and tempts her to surrender to a life of darkness. She must find her sister and kill Susenyos at all costs. When a murder mirroring June’s disappearance shakes Uxlay, Kidan sinks further into the ruthless underworld of vampires, risking her very soul. There she discovers a centuries-old threat—and June could be at the center of it. To save her sister, Kidan must bring Uxlay to its knees and either break free from the horrors of her own actions or embrace the dark entanglements of love—and the blood it requires.

The classic novel of spellbinding suspense, where evil wears the most innocent face of all Rosemary Woodhouse and her struggling actor husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and mostly elderly residents. Neighbors Roman and Minnie Castevet soon come nosing around to welcome the Woodhouses to the building, and despite Rosemary’s reservations about their eccentricity and the weird noises that she keeps hearing her husband takes a special shine to them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets’ circle is not what it seems . . .

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

The classic novel of spellbinding suspense, where evil wears the most innocent face of all Rosemary Woodhouse and her struggling actor husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and mostly elderly residents. Neighbors Roman and Minnie Castevet soon come nosing around to welcome the Woodhouses to the building, and despite Rosemary’s reservations about their eccentricity and the weird noises that she keeps hearing her husband takes a special shine to them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets’ circle is not what it seems . . .

TRUE BIZ (adj./exclamation; American Sign Language): really, seriously, definitely, real-talk True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history finals, and have politicians, doctors, and their parents stop telling them what to do with their bodies. This revelatory novel plunges readers into the halls of a residential school for the deaf, where they'll meet Charlie, a rebellious transfer student who's never met another deaf person before; Austin, the school's golden boy, whose world is rocked when his baby sister is born hearing; and February, the headmistress, who is fighting to keep her school open and her marriage intact, but might not be able to do both. As a series of crises both personal and political threaten to unravel each of them, Charlie, Austin, and February find their lives inextricable from one another's—and changed forever. This is a story of sign language and lip-reading, disability and civil rights, isolation and injustice, first love and loss, and, above all, great persistence, daring, and joy. Absorbing and assured, idiosyncratic and relatable, this is an unforgettable journey into the Deaf community and a universal celebration of human connection.

In Anthony Burgess's influential nightmare vision of the future, criminals take over after dark. Teen gang leader Alex narrates in fantastically inventive slang that echoes the violent intensity of youth rebelling against society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess’s introduction, “A Clockwork Orange Resucked.”

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

A young family moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.