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caterpillaronalog

šŸ‡ØšŸ‡¦šŸ³ļøā€šŸŒˆ | vampires, witches and cannibalism my beloved šŸ“– | pro tomato šŸ…

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Level 4
Iconic Series
Fall 2025 Readalong
My Taste
Red Dragon (Hannibal Lecter, #1)
The Bell Jar
House of Leaves
Anatomy of a Murderer
Song of Solomon
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To Be or Not To Be: A Chooseable-Path Adventure
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Short Stories in French for Intermediate Learners: Read for pleasure at your level, expand your vocabulary and learn French the fun way! (Readers) (French Edition)
3%
The Crucible: A Play in Four Acts
31%
Chain-Gang All-Stars
70%
The Starving Saints
55%
Wuthering Heights
8%
Immortal Dark
63%
House of Leaves
29%

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Sourcebooks giveaway

How to Kill a Witch: The Patriarchy's Guide to Silencing Women

How to Kill a Witch: The Patriarchy's Guide to Silencing Women

Zoe Venditozzi & Claire Mitchell

Nothing brings people together like a common enemy, and witches were the greatest enemy of all. Scotland, 1563: Crops failed. People starved. And the Devil's influence was stronger than ever—at least, that's what everyone believed. If you were a woman living in Scotland during this turbulent time, there was a very good chance that you, or someone you knew, would be tried as a witch. During the chaos of the Reformation, violence against women was codified for the first time in the Witchcraft Act—a tool of theocratic control with one chilling to root out witches and rid the land of evil. What followed was a dark and misogynistic chapter in history that fanned the flames of witch hunts across the globe, including in the United States and beyond. In How to Kill a Witch, Zoe Venditozzi and Claire Mitchell, hosts of the popular Witches of Scotland podcast, unravel the grim yet absurdly bureaucratic process of identifying, accusing, trying, and executing women as witches. With sharp wit and keen feminist insight, they reveal the inner workings of a patriarchal system designed to weaponize fear and oppress women. This captivating (and often infuriating) account, which weaves a rich tapestry of trial transcripts, witness accounts, and the documents that set the legal grounds for the witch hunts, exposes how this violent period of history mirrors today's struggles for justice and equality. How to Kill a Witch is a powerful, darkly humorous reminder of the dangers of superstition, bias, and ignorance, and a warning to never forget the past… while raising the question of whether it could ever happen again.

print • 10 copies • US & Canada

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Chain-Gang All-Stars

Chain-Gang All-Stars

Nana Kwame Adjei-Brenyah

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Post from the Chain-Gang All-Stars forum

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  • Chain-Gang All-Stars
    Thoughts from 68% (End of "We the Enslaved")
    spoilers

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    Chain-Gang All-Stars

    Chain-Gang All-Stars

    Nana Kwame Adjei-Brenyah

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    Chain-Gang All-Stars

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    caterpillaronalog TBR'd a book

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    When We Lost Our Heads

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    Post from the Pagebound Club forum

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  • Morally Grey Characters (And Supporting Them)

    hey everyone!!

    so i've noticed a few things during discussions about characters in books, mainly on pagebound but also as well as in the wild and on social media. i have found that while it's very popular to like characters that are sort of "morally grey", especially in fantasy novels, there are a few guidelines they must follow. they have to be at least a little likeable, and a lot of that mainly revolves around their behaviour. how "bad" they are, how far their actions go to harm others.

    for example: many characters who are written as "evil" but have a turning point sometime in a book or series don't commit acts that we would consider too evil. they're always things you can come back from– insults, temporary harm, threats. and even with pure villains, when audiences like them, they're still more likely to simply have killed someone rather than be a serial torturer, or violent to groups of people, or partake in some huge betrayal.

    obviously i don't think any of those options should be things that make a character likeable, but it got me thinking: is there a point we draw a line? what actions are deemed "acceptable" for an antagonist or villain to do where they can still be redeemed or liked by a general audience, and what is too far? i would have thought murder to be across the line, because that's one of the worst things you can do in real life, but in books it seems to be much different.

    do you guys have any thoughts? what are your personal lines for when you find a character irredeemable?

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    Wuthering Heights

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    caterpillaronalog commented on a post from the Pagebound Club forum

    4w
  • Desert Island Books

    There's a radio show in the UK called Desert Island Discs. It's a bit of an institution and has been broadcasting since the 40s. The premise is as follows: Each week a guest, playfully referred to as a "castaway" during the programme, is asked to choose eight audio recordings (usually, but not always, music), a book and a luxury item that they would like to take if they were to be cast away on a desert island. The castaway often has a sentimental reason for their choices, and will discuss the significance of the selection with the presenter.*

    • N.B: as well as the book of their choice, they’re given The Complete Works Of Shakespeare and The Bible, or an alternative religious book of their choosing.

    SO, flipping the concept round to suit this community, my discussion prompt is: what would be your EIGHT books, ONE musical recording, and ONE luxury item to keep you company as you are castaway? As per the additional books in the original, I'm throwing in a "Complete Works" by an author of your choice (not forcing Shakespeare on everyone!!) and a religious text if you want them as free choices!!

    To go first, mine would be: Anthology of Twentieth-Century British and Irish Poetry, edited by Keith Tuna (this would keep me busy and remind me of home/family) The Expendable Man, by Dorothy B Hughes (one of my faves, would not get bored rereading) The Wind in the Willows, by Kenneth Grahame and illustrated by Inga Moore (sentiment) And Then There Were None, by Agatha Christie (one of my favourite authors, again wouldn't tire of rereading!) To The Lighthouse, by Virginia Woolf (never read it, but SO keen to and I believe it's one of her masterpieces!) Unwell Women, by Elinor Cleghorn (to remind me that despite being castaway many have suffered worse fates than I!) Pride and Prejudice, by Jane Austen (I've watched the 1992 BBC series so many times that reading this would be like having Alison Steadman with me on the island! Sentimental and entertainment!) I Who Have Never Known Men, by Jacqueline Harpman (I think rereading this in my new setting would strike new resonances!) I will take the Shakespeare complete works option!!

    My music choice would be 'The Lark Ascending', by Ralph Vaughan Williams (nostalgia, love and really could listen to this all day!)

    My luxury item would be a king-size patchwork quilt.

    Looking forward to seeing the books, recording and luxury choices!!

    P.S.: if you fancy a laugh, I do recommend looking at some of the luxury items that people request. You can find lists and lists on Wikipedia. My favourite was someone who requested the entire Victoria & Albert Museum (one of the best/biggest museums in London) which feels like a real cheat code!!

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