What fuels and sustains activism and organizing when it feels like our worlds are collapsing? Doing Justice is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the COVID-19 pandemic, including the convergence of mass protest and mass formations of mutual aid, and consider what this confluence of power can teach us about a future that will require mass acts of care, rescue and defense, in the face of both state violence and environmental disaster. The book is an assemblage of co-authored reflections, interviews and questions that are intended to aid and empower activists and organizers as they attempt to map their own journeys through the work of justice-making. It includes insights from a spectrum of experienced organizers, including Sharon Lungo, Carlos Saavedra, Ejeris Dixon, Barbara Ransby, and Ruth Wilson Gilmore about some of the difficult and joyous lessons they have learned in their work.

(Alternate cover edition of ISBN 1551527251 / 9781551527253.) "You're gonna need a rock and a whole lotta medicine" is a mantra that Jonny Appleseed, a young Two-Spirit/Indigiqueer, repeats to himself in this vivid and utterly compelling novel. Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams.

A groundbreaking global history of gender nonconformity   Today’s narratives about trans people tend to feature individuals with stable gender identities that fit neatly into the categories of male or female. Those stories, while important, fail to account for the complex realities of many trans people’s lives.     Before We Were Trans  illuminates the stories of people across the globe, from antiquity to the present, whose experiences of gender have defied binary categories. Blending historical analysis with sharp cultural criticism, trans historian and activist Kit Heyam offers a new, radically inclusive trans history, chronicling expressions of trans experience that are often overlooked, like gender-nonconforming fashion and wartime stage performance. Before We Were Trans  transports us from Renaissance Venice to seventeenth-century  Angola, from Edo Japan to early America, and looks to the past to uncover new horizons for possible trans futures.  

Forty years ago, the world nearly ended. Be is an old robot who was there, and doesn’t want to think about what happened, or what role they played in that conflict. They have settled into a life of isolation in the abandoned ruins of an old mill in the former New York Botanical Gardens, disinterested in what has happened in the outside world since they stepped away from the war. Someone out there, though, has not forgotten about them, and when they are attacked, their person vandalized, and one of their leg stolen, they set out to find the thief accompanied by a cyborg dog and a human mechanic. The world has changed, but the recovery from the war is uneven and faltering, and Be begins to suspect a malicious hand trying to rekindle the old conflict and finish what was started. In order to stop them, Be needs to come to terms with both their own past and who they have become, and how everything and everyone else they knew has changed in their absence. Being left alone is no longer an option, and peace may be impossible. This is a story about coming to terms with your past, with who you’ve become and who you still want to be: a tale of resilence and hope, an ode to those struggling to become whole in a world half-broken.

Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs. Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti's stellar travel will bring her within their deadly reach. If Binti hopes to survive the legacy of a war not of her making, she will need both the the gifts of her people and the wisdom enshrined within the University, itself -- but first she has to make it there, alive.

In this sly and dazzling contemporary fantasy, the most notorious nine-tailed fox in Korea pairs up with a trickster god–turned–detective to track down a wrathful demon . . . before it can destroy the mortal world. Kim Hani has retired from a life of devouring souls. She is, simply put, too full. Once known as the infamous Scarlet Fox, she now spends her days working in a coffee shop and annoying a particularly irritating, if unfairly handsome, trickster god as often as she can. That god is Seokga the Fallen. Exiled from the heavenly kingdom of Okhwang, he now begrudgingly resides in the mortal realm, working toward his redemption and suffering through his interactions with the particularly infuriating, if sneakily charming, gumiho barista at his favorite café. But when a powerful demon escapes from the underworld and threatens to end all of humanity, Okhwang’s emperor offers Seokga an enticing bargain: Kill this rogue creature, as well as the legendary and elusive Scarlet Fox, and he will be reinstated as a god. Hani, however, has no intention of being caught. Seokga might be a trickster god, but she has a trick of her own that he’ll never see coming: teaming up. As Seokga’s assistant, Hani will undermine and sabotage his investigation right under his overly pointy nose. Sure, she’ll help him kill the demon, but she certainly won’t allow him to uncover her secret identity while they’re at it. As the bickering partners track their case down a path of mayhem and violence, the god and the gumiho find themselves inescapably drawn to each other. But will the unlikely couple stand together to prevent the apocalypse, or will they let their secrets tear them—and the world—apart?

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

From acclaimed author Makiia Lucier, a dazzling, romantic fantasy inspired by Pacific Island mythology. In the old tales, it is written that the egg of a seadragon, dragonfruit, holds within it the power to undo a person’s greatest sorrow. An unwanted marriage, a painful illness, and unpaid debt ... gone. But as with all things that promise the moon and the stars and offer hope when hope has gone, the tale comes with a warning. Every wish demands a price. Hanalei of Tamarind is the cherished daughter of an old island family. But when her father steals a seadragon egg meant for an ailing princess, she is forced into a life of exile. In the years that follow, Hanalei finds solace in studying the majestic seadragons that roam the Nominomi Sea. Until, one day, an encounter with a female dragon offers her what she desires most. A chance to return home, and to right a terrible wrong. Samahtitamahenele, Sam, is the last remaining prince of Tamarind. But he can never inherit the throne, for Tamarind is a matriarchal society. With his mother ill and his grandmother nearing the end of her reign. Sam is left with two to marry, or to find a cure for the sickness that has plagued his mother for ten long years. When a childhood companion returns from exile, she brings with her something he has not felt in a very long time - hope. But Hanalei and Sam are not the only ones searching for the dragonfruit. And as they battle enemies both near and far, there is another danger they cannot escape…that of the dragonfruit itself.