One of the great mavericks of French literature, Georges Bernanos combined raw realism with a spiritual focus of visionary intensity. Mouchette stands with his celebrated Diary of a Country Priest as the perfection of his singular art. “Nothing but a little savage” is how the village school-teacher describes fourteen-year-old Mouchette, and that view is echoed by every right-thinking local citizen. Mouchette herself doesn’t bother to contradict it; ragged, foulmouthed, dirt-poor, a born liar, and loser, she knows herself to be, in the words of the story, “alone, completely alone, against everyone.” Hers is a tale of “tragic solitude” in which despair and salvation appear to be inextricably intertwined. Bernanos uncompromising genius was a powerful inspiration to Flannery O’Connor, and Mouchette was the source of a celebrated movie by director Robert Bresson.

A young girl clings fiercely to the damaged love of her mother—a taciturn farmworker cast out by her family and scorned by her village after giving birth out of wedlock—in this devastating and lyrically rendered novel from a French-Italian maverick.Marie lives with her mother, Genie, in a ramshackle house by a willow-lined river in rural France, among farms, vineyards, and wheatfields. Her grandparents’ house is nearby, beyond a hill of white sand overrun by foxes, but she and her mother are not welcome there. Every morning, Genie walks to the neighboring farms and houses to do what work there is to be done—pruning vines, husking corn, feeding livestock, making sausages and preserves. When farmers and villagers greet the woman, she says nothing, and keeps walking.Once, she was lighthearted, a lovely girl from one of the best families in the valley; but now they all call her “Crazy Genie.” While her mother works, Marie waits at the edge of the fields, or in the corners of dark kitchens, yearning for her mother to turn from her work and notice her; longing for the moment when they will be back in their lonely house by the river.  “I wanted to love her every minute of my life, so that she would want me,” Marie thinks. “I followed her everywhere. She would ‘Get out of my hair.’ But me, I wanted to love her, to always be near her.”Crazy Genie, told in Marie’s ingenuous, straightforward voice—first as a child and later as hopeful, emotionally wounded young woman—is the second novel by the French author Inès Cagnati, who grew up in poverty in rural France in the 1940s, the child of Italian immigrant agricultural workers. Rich in observation, color and detail, and devastating in its portrayal of a child’s unconditional love and of society’s callous prejudices, Crazy Genie won the Prix des Deux Magots in 1977. Her first novel, Free Day, won the Prix Roger Nimier in 1973. Together these books cement Cagnati’s astonishing power as a writer to convey the experience of people literature has overlooked, awakening compassion and giving a voice to the voiceless.

Feminine rage, cancel culture, and suffocating societal pressure—a cutting and brazen thriller about two Asian American women on a quest for revenge after a public shaming pushes them to the limit, for fans of Yellowface and Counterfeit. When a conflict with a fellow passenger on the subway spirals into a humiliating breakdown, Shelley Hu’s life is over. The incident goes viral, costing Shelley her prestigious Manhattan law firm internship, her spot at Columbia Law, and her plan to build a better life for herself and her mother. Months later, Shelley is back in Kissimmee, Florida, working the night shift at a kitschy motel near Disney World—the very same job she held in high school. Shelley’s life is a black hole until, one night, the beautiful, enigmatic Sophia Moon checks in with her husband and young son. But Sophia’s appearance is far from random. It turns out that, once upon a time, Sophia suffered her own episode of public shaming. Since then, Sophia has rebuilt a new life, and she promises to help Shelley do the same. More importantly, Sophia vows to help Shelley enact revenge on the three people responsible for the worst day of her life with a precise set of plans. Shelley returns to New York with a new identity and plans that start off well. But when the situation soon spirals out of control, Shelley is forced to reckon with Sophia’s unspeakably dark side—though it may be too late.

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

Every story has two sides. Every relationship has two perspectives. And sometimes, it turns out, the key to a great marriage is not its truths but its secrets. At the core of this rich, expansive, layered novel, Lauren Groff presents the story of one such marriage over the course of twenty-four years. At age twenty-two, Lotto and Mathilde are tall, glamorous, madly in love, and destined for greatness. A decade later, their marriage is still the envy of their friends, but with an electric thrill we understand that things are even more complicated and remarkable than they have seemed.