driaaa started reading...

Mrs. Dalloway
Virginia Woolf
driaaa wrote a review...
A very thought-provoking and well written collection of letters from the point of view of a demon. I spent a lot of it thinking about how if I was Screwtape's nephew I'd be ashamed of my incompetence lol. It's no wonder he needs his uncle's help since he seems to be incredibly terrible at his literal one job. This book is a great read no matter your religion, and while there were a few parts that didn't sit right with me (an entire chapter on how the way women dress determines their personality and thus morality??) But C.S. Lewis is a great writer and overall I always really like his stuff. Highly recommend if you're into this kind of satirical religious fiction!
driaaa finished a book

The Screwtape Letters
C.S. Lewis
driaaa wrote a review...
Holy shit I didn't think it was possible for gay hockey to mean this much to me but this book is actually incredible. Shane and Ilya are such engaging characters, and I care about them and their relationship surprisingly deeply. I'm usually not a fan of sports romances, (including the first book of this series, Game Changer) but something about the story of Shane and Ilya hits different. It's great when a book can illicit a strong emotion from me, whether that is anger, sadness, or joy, and this one managed all three. I'm sure this book will stay with me for a long time, and I can't wait to read the last one in the series when it comes out.
driaaa finished a book

The Long Game
Rachel Reid
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The Long Game
Rachel Reid
driaaa commented on driaaa's update
driaaa wrote a review...
This book exists in a strange limbo. The plot is straight out of the 2010s post-hunger-games dystopian golden age, and I would have absolutely EATEN it up at 12 years old. But the smut, violence, and content warnings make it impossible for me to imagine reading it at that age. The writing is okay, full of great descriptive language and decent pacing plot-wise (for the most part). But the plot itself makes absolutely no sense if you think about it for more than half a second. No one who's graduated middle school could possibly take it seriously, yet no one younger than that should be allowed to touch this book.
Daggermouth deals with a lot of super sensitive topics, and contains a very strong moral against capitalism and sexism. Normally I enjoy these topics being explored through dystopian fiction, but this book did it in such a heavy-handed way that it felt almost mocking. There were so many speeches that basically boiled down to "rich bad" and "girl reclaiming power" that no real human would ever unironically say to another person. A lot of "and then they all clapped" moments for me in this, which took away from the strength of the messages the book was trying to send.
Do I recommend this book to others? No. But will I still read the sequel when it comes out? ...Maybe? Because while I didn't think this book was good, it was certainly fun, and that's worth something. Despite finding it impossible to suspend my disbelief for most of the plot, rolling my eyes at half the dialogue, and cringing at least once a chapter from the un-subtlety of the writing, I also had an absolute blast reading Daggermouth. The characters are interesting. The plot is VERY twisty and gripping. And the audiobook was excellent. I cannot in good conscience tell anyone else to read this, but if you do choose to, make sure to check the content warnings first and then buckle up for a very wild ride.
driaaa finished a book

Daggermouth
H.M. Wolfe
driaaa paused reading...

The Murder of Roger Ackroyd
Agatha Christie
driaaa commented on a post from the Pagebound Club forum
I had a conversations with friends a while ago that have been lingering in my mind.
Our book club had recently read both The Everlasting and Shield of Sparrows, and we were comparing them. I struggled to understand why the club rated Shield of Sparrows more highly. To me, The Everlasting felt beautifully written, carefully constructed, and emotionally rich. Shield of Sparrows was enjoyable enough, but I found it more predictable and familiar in its tropes, with prose that did not stand out to me as much.
My friend acknowledged that she also thought The Everlasting was the more technically accomplished book, but she compared it to visiting an art gallery, while Shield of Sparrows was like watching a television show. Even if the gallery offers a more artistically impressive experience, she would usually rather relax and binge the show.
I think that comparison helped me understand her perspective, but I am still trying to fully wrap my mind around it. I tend to evaluate books based on their characterization, prose, themes, emotional development, pacing, and overall construction. Other readers seem more comfortable separating technical quality from personal enjoyment, or simply valuing enjoyment much more heavily.
I have another friend who dislikes when I critique certain romantasy books too seriously because, in her words, “They’re just KU books. You can’t judge them like literary books.” That leaves me wondering whether I sometimes approach books with expectations they were never trying to meet. Is it unfair to expect every book to offer more than a pleasant, undemanding reading experience? Or is it reasonable to judge every book on elements like character development, internal logic, and emotional depth, regardless of genre or publishing platform?
Ratings are another area where I seem to think differently from some of my friends. After reading Metal Slinger, I gave it two stars (the lowest rating I have given a book this year) while a friend gave it four. She explained that she usually rates books very highly because she wants to support authors, so four stars actually represented significant disappointment within her personal system.
I understand the kindness behind that approach, especially when reviewing independent authors. At the same time, it makes ratings difficult to interpret when people use them for completely different purposes. Some readers are measuring enjoyment, some are assessing craft, some are reviewing within the expectations of a specific genre, and others are partly thinking about how the rating might affect the author.
I do not think any of these approaches are necessarily wrong. I am mostly trying to understand them better, and to understand why I am often the person in my book club who is bothered by elements that other readers either do not notice or do not consider important.
Sometimes I think I might be a happier reader if I could more easily enjoy a book for the experience it offers instead of constantly analyzing how well every element works. At the same time, thoughtful critique is a major part of how I engage with stories, and I am not sure I can, or should, completely turn that off.
How do you personally balance enjoyment, technical quality, genre expectations, and support for the author when rating a book? Do you hold every book to similar standards, or do your expectations change depending on what kind of experience the book is trying to provide?
Post from the Daggermouth forum
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Daggermouth
H.M. Wolfe
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Bury Our Bones in the Midnight Soil
Victoria Schwab