Oscar Wilde’s only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.

During the 1936 Arab Revolt in Mandatory Palestine, a young man gains renown as a magician of a revolutionary sort, traveling across the country and seemingly performing Christ-like miracles—meanwhile evading the British colonialist forces who seek to destroy him and the resistance he represents.Set in Mandatory Palestine during the 1936 Arab Revolt against the British colonial authorities, The Lord is the story of Tareq, a young man from Jaffa who is capable, or so it seems, of performing Christ-like miracles. It is also the story of Miss Alice Rhodes, an English missionary who teaches Tareq as a boy, and who recounts Tareq's life to a journalist in the 1982 Israeli invasion of Lebanon.Considered an unremarkable student by his teachers, Tareq is nevertheless something of a magician. After leaving school, he travels and performs across the country, and soon rumors fly of his incredible feats, from walking through walls to averting storms of locusts to curing olives trees barren of fruit.Tareq’s performances become increasingly defiant of the British administration as he urges his fellow Palestinians to rise up against their oppressors. This draws the attention of the British chief of intelligence, Challis, who will stop at nothing to crush Tareq and the resistance he stands for. With The Lord, Soraya Antonius recreates the extraordinary richness and vivacity of Palestinian life before the Nakba, painting a portrait of Palestinian society at once panoramic and intimate. A clear-eyed examination of a chapter of British colonial history that laid the groundwork for the conflicts that continue to rack the Middle East, The Lord remains as timely and poignant now as ever.

From the nationally bestselling author of The Luminous Dead and The Death of Jane Lawrence, a transfixing, intensely atmospheric fever dream of medieval horror. Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.

SPINNING SILVER meets HOWL'S MOVING CASTLE in this beautiful debut Slavic folklore fantasy. Marisha's life is not going as she expected. With the sleeping plague only a few months away, she's as desperate for money as she is to escape her aunt's torturous marriage prospects. Leaving all that she's known behind, Marisha accepts a job working with the notorious koldunya, Baba Zima in her house that glides on chicken feet through the snow. But Baba Zima is renowned for being both clever and cruel. And most difficult of all is her current apprentice, Olena, who wants nothing to do with Marisha. Despite her fears and Olena's cold demeanour, Marisha finds herself drawn into the magical world of koldunry and delves further into Olena's research - a cure for the sleeping plague. Accompanying Olena on an increasingly dangerous, seemingly impossible search for a cure, she finds hidden connections between the sleeping plague, her own family's history, and her bizarre, recurring dreams: dreams of a masked ball where the deep sleepers are trapped endlessly dancing - and a monstrous beaked man haunts her every step . . .

Once upon a time, the kingdoms of Wales were rife with magic and conflict, and eighteen-year-old Mererid “Mer” is well-acquainted with both. She is the last living water diviner and has spent years running from the prince who bound her into his service. Under the prince’s orders, she located the wells of his enemies, and he poisoned them without her knowledge, causing hundreds of deaths. After discovering what he had done, Mer went to great lengths to disappear from his reach. Then Mer’s old handler returns with a proposition: use her powers to bring down the very prince that abused them both. The best way to do that is to destroy the magical well that keeps the prince’s lands safe. With a motley crew of allies, including a fae-cursed young man, the lady of thieves, and a corgi that may or may not be a spy, Mer may finally be able to steal precious freedom and peace for herself. After all, a person with a knife is one thing…but a person with a cause can topple kingdoms. The Drowned Woods—set in the same world as The Bone Houses but with a whole new, unforgettable cast of characters—is part heist novel, part dark fairy tale.

Books are dangerous things in Collins's alternate universe, a place vaguely reminiscent of 19th-century England. It's a world in which people visit book binders to rid themselves of painful or treacherous memories. Once their stories have been told and are bound between the pages of a book, the slate is wiped clean and their memories lose the power to hurt or haunt them. After having suffered some sort of mental collapse and no longer able to keep up with his farm chores, Emmett Farmer is sent to the workshop of one such binder to live and work as her apprentice. Leaving behind home and family, Emmett slowly regains his health while learning the binding trade. He is forbidden to enter the locked room where books are stored, so he spends many months marbling end pages, tooling leather book covers, and gilding edges. But his curiosity is piqued by the people who come and go from the inner sanctum, and the arrival of the lordly Lucian Darnay, with whom he senses a connection, changes everything.