'A story of radical gender-role reversal... the characters are forceful and still live on the page today, and the book is compulsively readable. It's a complicated and passionate story about family life, about the inner lives of parents, and also of children.' (New Yorker) First published in 1924 and an instant bestseller at the time, The Home-Maker by Dorothy Canfield Fisher is set in small-town New England. It is the moving story of Eva, who is almost literally dying of boredom as an obsessively house-proud mother and home-maker (a word that is in everyday use in America but not in Britain), and her husband Lester, who is miserable in his job and wishes he could spend more time with his children. When Lester falls off a roof and injures himself, the couple are forced to swap roles: he is wheelchair-bound at home and Eva goes to work in a department store. The rest of the novel explores the way their family life changes and develops in response to this very modern parenting arrangement. The children gradually blossom and all sorts of practical ruses are devised to help them and Lester, now a house-husband, get through the day. For example, in one memorable scene, a nosy neighbour demands to know how Lester copes with having to clean the kitchen floor every day, a task which had previously brought Eva close to despair. Lester’s solution? 'The attic was piled to the eaves with old newspapers. Every day [the older children] Helen or Henry brings down a fresh supply. We spread them around two or three thick, drop our grease on them with all the peace of mind in the world, whisk them up at night before Eva comes in, and have a spotless floor to show her. What’s the matter with that?' What's the matter indeed. In Lester, we see a Montessori Father being born (Dorothy Canfield Fisher was responsible for introducing the Montessori method to the U.S.). The scene where he surreptitiously watches his youngest child learning to use an egg-whisk is one of the great scenes in the literature of childhood, in what is 'a remarkable and brave novel' (Carol Shields).

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. When Ray turns up to visit his old university friends Charlie and Emily, he's given a special task: to be so much his useless self that he makes Charlie look good by comparison. But Ray has his own buried feelings to contend with. Decades earlier, he and Emily would listen to jazz when they were alone, and now, as Sarah Vaughan sings through the speakers, he struggles to control everything the sound brings with it. In Kazuo Ishiguro's hands, a snapshot of domestic realism becomes a miniature masterpiece of memory and forgetting. Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

In this essay, Orwell discusses the notion of nationalism, and argues that it causes people to disregard common sense and become more ignorant towards factuality. Orwell shows his concern for the social state of Europe, and in a broader sense, the entire world, due to an increasing amount of influence of nationalistic sentiment occurring throughout a large number of countries.

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

Glen Runciter está muerto. ¿O lo están todos los demás? Lo que es seguro es que alguien ha muerto en una explosión organizada por los competidores de Runciter. De hecho, sus empleados asisten a un funeral. Pero durante el duelo comienzan a recibir mensajes descorcentantes, e incluso morbosos, de su jefe. Y el mundo a su alrededor comienza a desmoronarse de un modo que sugiere que a ellos tampoco les queda mucho tiempo. Esta mordaz comedia metafísica de muerte y salvación (que podrá llevar un cómodo envase) es un tour de force de amenaza paranoica y comedia absurda, en la cual los muertos ofrecen consejos comerciales, compran su siguiente reencarnación y corren el riesgo continuo de volver a morir.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

Humanity has colonized the solar system—Mars, the Moon, the Asteroid Belt and beyond—but the stars are still out of our reach. Jim Holden is XO of an ice miner making runs from the rings of Saturn to the mining stations of the Belt. When he and his crew stumble upon a derelict ship, the Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for—and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why. Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money and money talks. When the trail leads him to the Scopuli and rebel sympathizer Holden, he realizes that this girl may be the key to everything. Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations—and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe.

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

Glen Runciter está muerto. ¿O lo están todos los demás? Lo que es seguro es que alguien ha muerto en una explosión organizada por los competidores de Runciter. De hecho, sus empleados asisten a un funeral. Pero durante el duelo comienzan a recibir mensajes descorcentantes, e incluso morbosos, de su jefe. Y el mundo a su alrededor comienza a desmoronarse de un modo que sugiere que a ellos tampoco les queda mucho tiempo. Esta mordaz comedia metafísica de muerte y salvación (que podrá llevar un cómodo envase) es un tour de force de amenaza paranoica y comedia absurda, en la cual los muertos ofrecen consejos comerciales, compran su siguiente reencarnación y corren el riesgo continuo de volver a morir.