Mrs. Dalloway is a novel about almost everything. The story of a single day in London after the First World War, it travels backward and forward in time and consciousness, venturing beyond the ordinary world into epic, mythic, and mystical modes. The novel is a work of extraordinary richness, as much for its interwoven webs of meaning as for its moral and psychological vision.Edward Mendelson explores the novel’s deepest questions, focusing on the core themes of medicine, empire, and love. He traces how Virginia Woolf thought and wrote, considering the complexities and resonances of her works. Mendelson casts Mrs. Dalloway as an extended protest against authorities that wield power over others and a defense of the equality of inner lives. He also examines the place of the book in literary history going back to Homer, Dante, and Shakespeare as well as its influence on later writers from Erich Auerbach through Zadie Smith. Both incisive and passionate, this book is at once a wide-ranging critical study of Virginia Woolf’s writing and a love letter to a great novel.

Dating to the ninth century B.C., Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace. Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.”

A princess with a mostly useless magical talent takes on horrible monsters, a dozen identical masked heroes, and a talking lion in a quest to save a kingdom—and herself—in this affectionate satire of the Grimm Brothers’ fairy tale The Twelve Huntsmen.Someone wants to murder Princess Melilot. This is sadly normal.Melilot is sick of being ordered to go on dangerous quests by her domineering stepmother. Especially since she always winds up needing to be rescued by her more magically talented stepsisters. And now, she's been commanded to marry a king she’s never met.When hideous spider-wolves attack her on the journey to meet her husband-to-be, she is once again rescued—but this time, by twelve eerily similar-looking masked huntsmen. Soon, she has to contend with near-constant attempts on her life, a talking lion that sets bewildering gender tests, and a king who can't recognize his true love when she puts on a pair of trousers. And all the while, she has to fight her growing attraction to not only one of the huntsmen, but also her fiancé’s extremely attractive sister.If Melilot can't unravel the mysteries and rescue herself from peril, kingdoms will fall. Worse, she could end up married to someone she doesn’t love.

Dating to the ninth century B.C., Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace. Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.”

Sophie has the great misfortune of being the eldest of three daughters, destined to fail miserably should she ever leave home to seek her fate. But when she unwittingly attracts the ire of the Witch of the Waste, Sophie finds herself under a horrid spell that transforms her into an old lady. Her only chance at breaking it lies in the ever-moving castle in the hills: the Wizard Howl's castle. To untangle the enchantment, Sophie must handle the heartless Howl, strike a bargain with a fire demon, and meet the Witch of the Waste head-on. Along the way, she discovers that there's far more to Howl—and herself—than first meets the eye. An alternative cover for this ISBN can be found here

With her virtuoso translation, classicist and bestselling author Caroline Alexander brings to life Homer’s timeless epic of the Trojan War Composed around 730 B.C., Homer’s Iliad recounts the events of a few momentous weeks in the protracted ten-year war between the invading Achaeans, or Greeks, and the Trojans in their besieged city of Ilion. From the explosive confrontation between Achilles, the greatest warrior at Troy, and Agamemnon, the inept leader of the Greeks, through to its tragic conclusion, The Iliad explores the abiding, blighting facts of war. Soldier and civilian, victor and vanquished, hero and coward, men, women, young, old—The Iliad evokes in poignant, searing detail the fate of every life ravaged by the Trojan War. And, as told by Homer, this ancient tale of a particular Bronze Age conflict becomes a sublime and sweeping evocation of the destruction of war throughout the ages. Carved close to the original Greek, acclaimed classicist Caroline Alexander’s new translation is swift and lean, with the driving cadence of its source—a translation epic in scale and yet devastating in its precision and power.

คอนเชตตา… ลูกค้าบอกจะเรียกหล่อนด้วยชื่อนั้น อีฟ เพย์น นักเขียนผู้หมองหม่นจดจ้องโสเภณีนางนั้น และมุ่งหมายจะจดจารหล่อนไว้ในเนื้อความอันลื่นไหล ภายใต้ผ้าเนื้อบางที่ร่นลงจนเห็นลายลูกไม้ ซึ่งปกปิดความอร่ามงดงาม หน้าอกของเธอราวยอดซิสทีนชาเปล แขนเปลือยเปล่าของเธอราวรูปสลักที่ตั้งท่าอันอ่อนช้อย ความเย้ายวนแห่งเธอหลั่งลื่นไหลราวน้ำพุเทรวี ซึ่งสะท้อนสีสดใสของท้องฟ้ากลางกรุงโรม คำเตือน เนื้อหาต่อไปนี้มีการกล่าวถึง หรืออาจตีความได้ถึง การจมน้ำ การแท้ง การฆ่าตัวตาย การสูญเสียคนรัก ภาวะเครียดจากการทำงานหนัก รวมถึงการบรรยายฉากการมีเพศสัมพันธ์

The definitive graphic novel adaptation of Dune, the groundbreaking science-fiction classic by Frank Herbert. Dune, Frank Herbert’s epic science-fiction masterpiece set in the far future amidst a sprawling feudal interstellar society, tells the story of Paul Atreides as he and his family accept control of the desert planet Arrakis. A stunning blend of adventure and mysticism, environmentalism, and politics, Dune is a powerful, fanstastical tale that takes an unprecedented look into our universe, and is transformed by the graphic novel format. Brian Herbert and Kevin J. Anderson’s adaptation retains the integrity of the original novel, and Raúl Allén and Patricia Martín’s magnificent illustrations, along with cover art by Bill Sienkiewicz, bring the book to life for a new generation of readers.

Gris Grimly, the New York Times bestselling artist and creator of the beloved Edgar Allan Poe's Tales of Mystery and Madness, has long considered Mary Shelley's classic tale of terror to be one of his greatest inspirations. He is now paying homage to it with a lavishly illustrated full-length adaptation, the first of its kind in this or any format. The tale of the hubris of Victor Frankenstein, the innocence of his monstrous creation, and the darkest desires of the human heart have never been more vividly represented on the page. Using an abridged version of the original text, Gris has created an experience that is part graphic novel, part prose novel, and all Gris Grimly: a bold sewing-together of elements both classic and contemporary. Beautifully terrifying and terrifyingly beautiful, this is Frankenstein as you've never seen it before.

When mysterious faeries from other realms appear at her university, curmudgeonly professor Emily Wilde must uncover their secrets before it’s too late, in this heartwarming, enchanting second installment of the Emily Wilde series. Emily Wilde is a genius scholar of faerie folklore who just wrote the world’s first comprehensive encyclopaedia of faeries. She’s learned many of the secrets of the Hidden Ones on her adventures . . . and also from her fellow scholar and former rival Wendell Bambleby. Because Bambleby is more than infuriatingly charming. He’s an exiled faerie king on the run from his murderous mother and in search of a door back to his realm. And despite Emily’s feelings for Bambleby, she’s not ready to accept his proposal of marriage: Loving one of the Fair Folk comes with secrets and dangers. She also has a new project to focus on: a map of the realms of faerie. While she is preparing her research, Bambleby lands her in trouble yet again, when assassins sent by his mother invade Cambridge. Now Bambleby and Emily are on another adventure, this time to the picturesque Austrian Alps, where Emily believes they may find the door to Bambleby’s realm and the key to freeing him from his family’s dark plans. But with new relationships for the prickly Emily to navigate and dangerous Folk lurking in every forest and hollow, Emily must unravel the mysterious workings of faerie doors and of her own heart.

Crown Prince, the elf Silvyr Quilen is the family disappointment. His father, High King Keryth Quilen of Athowen, wanted a son to follow in his image. A warlord who rules with no regard for those around him and will do anything to maintain his power, the king finds Silvyr's desire to spend his days in the flowers and libraries to be pathetic and useless. Even so, Silvyr strives to receive his father's approval. On a diplomatic journey to Xeatia, where he was meant to collect taxes and return with a report on their financial situation, Silvyr is suddenly forced to confront the consequences of his fathers actions when the Orcs of Ghizol attack his caravan. Chief Brokil of the Ghizol Orcs has been tasked with leading and protecting his people. For years he sacrificed and waged war to ensure the people who voted for him to lead could live in peace. For that reason, the risk was worth the reward. With the approval of the Ghizol council of Elders, Brokil executes his plan: Kidnap the Prince of Athowen, Silvyr Quilen, and send their ultimatum to the King. Leave Ghizol alone, or have his heir be killed. Keeping Silvyr as his ward, Brokil finds that while the prince was the most annoying person he's ever met, he is also nothing like his father who carries the name Tyrant King. Absolutely bewildered and exhilarated, Silvyr and Brokil are forced to confront themselves and each other while the looming threat of Ghizol's demands hang over them.