For fans of The Ministry of Time and The Midnight Library, a sweeping, unforgettable novel moving from pre-WWII Germany to Cold War-era America to the mysterious time space, a library filled with books containing the memories of those who bore witness to history. Nuremberg, 1938: On the night of Kristallnacht, eleven-year-old Lisavet Levy is hidden by her father from approaching forces in a mysterious place called the time space, a library where all the memories of the past are stored inside of books. When her father doesn’t return for her, she becomes trapped, spending her adolescence walking through the memories of those who lived before. When she discovers that living timekeepers are entering the time space to destroy memories and maintain their preferred version of history, Lisavet sets about trying to salvage the past, creating her own book of lost memories. Until one day in 1949, when she meets an American timekeeper named Ernest Duquesne, who is intent on keeping her from her task. What ensues sets her on a course to change history and the time space itself forever. Boston, 1965: Amelia Duquesne is mourning the death of her uncle and guardian, Ernest, when she’s approached by Moira, the enigmatic head of the CIA’s highly secretive Temporal Reconnaissance Program. Moira tells her about the existence of the time space—accessed only by specially designed watches whose intricate mechanisms have been lost to time—and enlists her help in recovering a strange book her uncle had once sought. But Amelia quickly realizes that the past—and the truth—are not as straightforward as Moira would like her to believe. A sweeping, cinematic love story, this feat of imagination explores memory, time, and the lengths we will go to in order to protect the existence of those we love.

A magical theater atop a cobblestone path alters what a couple knows about themselves—and each other—in this scintillating debut brimming with nostalgia and life-affirming wonder. At the end of a fog-covered alley, glitters a glamorous cinema. It’s nearly impossible to find. When Ellie and her fiancé, Drake, stumble upon it during a late-night walk, they’re shocked to discover what’s playing inside the red-velvet their formative memories. Drake fears what the cinema might reveal, but eventually gives in when Ellie insists they return for more viewings. She’s haunted by a night from her past that she doesn’t fully remember. This is her opportunity to piece the story back together. But as the memories displayed on screen inch closer to the present, they realize they’re both keeping secrets from each other. With their wedding on the horizon, Ellie and Drake must decide if seeing their pasts changes their plans for a future together. Filled with warmth, hope, and a dash of magic, The Second Chance Cinema is both an enchanting escape and a thought-provoking examination of how our memories shape who we are.

“This is your country, this is your world, this is your body, and you must find some way to live within the all of it.” In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden?  Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?

Mariam is only fifteen when she is sent to Kabul to marry the troubled and bitter Rasheed, who is thirty years her senior. Nearly two decades later, in a climate of growing unrest, tragedy strikes fifteen-year-old Laila, who must leave her home and join Mariam's unhappy household. Laila and Mariam are to find consolation in each other, their friendship to grow as deep as the bond between sisters, as strong as the ties between mother and daughter. With the passing of time comes Taliban rule over Afghanistan, the streets of Kabul loud with the sound of gunfire and bombs, life a desperate struggle against starvation, brutality and fear, the women's endurance tested beyond their worst imaginings. Yet love can move people to act in unexpected ways, lead them to overcome the most daunting obstacles with a startling heroism. In the end it is love that triumphs over death and destruction. A Thousand Splendid Suns is a portrait of a wounded country and a story of family and friendship, of an unforgiving time, an unlikely bond, and an indestructible love.

A compassionate and hopeful romantic comedy, Passion Project is a reminder that love is waiting for us to let it in If your twenties are supposed to be the best years of your life, Bennet Taylor is failing miserably . . . with a big emphasis on the miserable. Where’s that zest she keeps hearing about? She’s a temp worker in New York City with no direction, no future, and no social life. And at the painful center of this listlessness is grief over the death of her first love. When Bennet runs into Henry Adams just hours after standing him up for a first date, she makes an alcohol-fueled confession: She’s not ready to date. In fact, it’s been years since she felt passion for something. Not even pottery, or organized sports—not anything. Rather than leaving her to ruminate, Henry jumps at the opportunity for adventure: Bennet needs to find a passion for life, and Henry will help her find it. Every Saturday, they’ll try something new in New York City. As friends, of course. As their “passion project” continues, the pair tackle everything from carpentry to tattooing to rappelling off skyscrapers, and Bennet feels her guarded exterior ebbing away. But as secrets surface, Bennet has to decide what she wants, and if she’s truly ready to move on. With emotional resonance and sparkling banter, Passion Project is a fun, flirty, thoughtful story of finding a spark—and igniting happiness.

When two young rival journalists find love through a magical connection, they must face the depths of hell, in a war among gods, to seal their fate forever. After centuries of sleep, the gods are warring again. But eighteen-year-old Iris Winnow just wants to hold her family together. Her mother is suffering from addiction and her brother is missing from the front lines. Her best bet is to win the columnist promotion at the Oath Gazette. To combat her worries, Iris writes letters to her brother and slips them beneath her wardrobe door, where they vanish―into the hands of Roman Kitt, her cold and handsome rival at the paper. When he anonymously writes Iris back, the two of them forge a connection that will follow Iris all the way to the front lines of battle: for her brother, the fate of mankind, and love. Shadow and Bone meets Lore in this epic enemies-to-lovers fantasy novel filled with hope and heartbreak, and the unparalleled power of love.

What fuels and sustains activism and organizing when it feels like our worlds are collapsing? Doing Justice is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the COVID-19 pandemic, including the convergence of mass protest and mass formations of mutual aid, and consider what this confluence of power can teach us about a future that will require mass acts of care, rescue and defense, in the face of both state violence and environmental disaster. The book is an assemblage of co-authored reflections, interviews and questions that are intended to aid and empower activists and organizers as they attempt to map their own journeys through the work of justice-making. It includes insights from a spectrum of experienced organizers, including Sharon Lungo, Carlos Saavedra, Ejeris Dixon, Barbara Ransby, and Ruth Wilson Gilmore about some of the difficult and joyous lessons they have learned in their work.

From an electrifying new voice in epic fantasy comes The Raven Scholar, a masterfully woven and playfully inventive tale of imperial intrigue, cutthroat competition, and one scholar’s quest to uncover the truth. Let us fly now to the empire of Orrun, where after twenty-four years of peace, Bersun the Brusque must end his reign. In the dizzying heat of mid-summer, seven contenders compete to replace him. They are exceptional warriors, thinkers, strategists—the best of the best. Then one of them is murdered. It falls to Neema Kraa, the emperor’s brilliant, idiosyncratic High Scholar, to find the killer before the trials end. To do so, she must untangle a web of deadly secrets that stretches back generations, all while competing against six warriors with their own dark histories and fierce ambitions. Neema believes she is alone. But we are here to help; all she has to do is let us in. If she succeeds, she will win the throne. If she fails, death awaits her. But we won’t let that happen. We are the Raven, and we are magnificent.

Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass, a city to which Nahri is irrevocably bound. In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say be careful what you wish for...

From the New York Times bestselling author of Bad Feminist: a searingly honest memoir of food, weight, self-image, and learning how to feed your hunger while taking care of yourself. “I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I was because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere. . . . I was trapped in my body, one that I barely recognized or understood, but at least I was safe.” In her phenomenally popular essays and long-running Tumblr blog, Roxane Gay has written with intimacy and sensitivity about food and body, using her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. As a woman who describes her own body as “wildly undisciplined,” Roxane understands the tension between desire and denial, between self-comfort and self-care. In Hunger, she explores her past—including the devastating act of violence that acted as a turning point in her young life—and brings readers along on her journey to understand and ultimately save herself. With the bracing candor, vulnerability, and power that have made her one of the most admired writers of her generation, Roxane explores what it means to learn to take care of yourself: how to feed your hungers for delicious and satisfying food, a smaller and safer body, and a body that can love and be loved—in a time when the bigger you are, the smaller your world becomes.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

Myung and Laleh are keepers of the whale of babel. They roam within its cosmic chambers, speak folktales of themselves, and pray to an enigmatic figure they know only as 'Great Wisa'. To Laleh, this is everything. For Myung, it is not enough. When Myung flees the whale, she stumbles into a new universe where shapeshifting islands and ancient maps hold sway. There, she sets off on an adventure that is both tragic and transformative, for her and Laleh. For at the heart of her quest lies a mystery that has confounded scholars for centuries: the truth about the mad sisters of Esi. Fables, dreams and myths come together in this masterful work of fantasy by acclaimed author Tashan Mehta, sweeping across three landscapes, and featuring a museum of collective memory and a festival of madness. At its core, it asks: In the devastating chaos of this world, where all is in flux and the truth ever-changing, what will you choose to hold on to?

This is the way the world ends. Again. Three terrible things happen in a single day. Essun, a woman living an ordinary life in a small town, comes home to find that her husband has brutally murdered their son and kidnapped their daughter. Meanwhile, mighty Sanze -- the world-spanning empire whose innovations have been civilization's bedrock for a thousand years -- collapses as most of its citizens are murdered to serve a madman's vengeance. And worst of all, across the heart of the vast continent known as the Stillness, a great red rift has been torn into the heart of the earth, spewing ash enough to darken the sky for years. Or centuries. Now Essun must pursue the wreckage of her family through a deadly, dying land. Without sunlight, clean water, or arable land, and with limited stockpiles of supplies, there will be war all across the Stillness: a battle royale of nations not for power or territory, but simply for the basic resources necessary to get through the long dark night. Essun does not care if the world falls apart around her. She'll break it herself, if she must, to save her daughter.

Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?