Librarian note: This a previously-published edition of ISBN 9780571225378. In his highly acclaimed debut, A Pale View of Hills, Kazuo Ishiguro tells the story of Etsuko, a Japanese woman now living alone in England, dwelling on the recent suicide of her daughter. Retreating into the past, she finds herself reliving one particular hot summer in Nagasaki, when she and her friends struggled to rebuild their lives after the war. But then as she recalls her strange friendship with Sachiko - a wealthy woman reduced to vagrancy - the memories take on a disturbing cast.

Taukiri was born into sorrow. Auē can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his father’s. It spills out of the gang violence that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home. But Ārama is braver than he looks, and he has a friend and his friend has a dog, and the three of them together might just be strong enough to turn back the tide of sorrow. As long as there’s aroha to give and stories to tell and a good supply of plasters. Here is a novel that is both raw and sublime, a compelling new voice in New Zealand fiction. Haere mai, Becky Manawatu.

A centaur seeks illicit surgery in an alien bodily modification club. Two medieval monks react to their transformation and demonic pregnancy in very different ways. A resourceful trans teen destroys sports bigots through the power of pluckiness...and abundant body horror. A stellar cathedral crosses galaxies to dump the corpse of God into a star before the mission devolves into a panoply of psychedelic orgies. A doxxed teen falls victim to violent assault and dishes out some harrowing retribution of their own. Over thirty Trans and Gender Nonconforming creators unite to voice their rage, and the rules of conventional Horror go out the f$%&ing window in this collection featuring murderous pleasure-bots; proselytizing zombies; acid-filled alien cops; science run amok; sorcerers, ghouls, cannibals...and that barely scratches the grave-dirt.

A different look at heterosexuality in the twenty-first century A straight white girl can kiss a girl, like it, and still call herself straight—her boyfriend may even encourage her. But can straight white guys experience the same easy sexual fluidity, or would kissing a guy just mean that they are really gay? Not Gay thrusts deep into a world where straight guy-on-guy action is not a myth but a reality: there’s fraternity and military hazing rituals, where new recruits are made to grab each other’s penises and stick fingers up their fellow members’ anuses; online personal ads, where straight men seek other straight men to masturbate with; and, last but not least, the long and clandestine history of straight men frequenting public restrooms for sexual encounters with other men. For Jane Ward, these sexual practices reveal a unique social space where straight white men can—and do—have sex with other straight white men; in fact, she argues, to do so reaffirms rather than challenges their gender and racial identity. Ward illustrates that sex between straight white men allows them to leverage whiteness and masculinity to authenticate their heterosexuality in the context of sex with men. By understanding their same-sex sexual practice as meaningless, accidental, or even necessary, straight white men can perform homosexual contact in heterosexual ways. These sex acts are not slippages into a queer way of being or expressions of a desired but unarticulated gay identity. Instead, Ward argues, they reveal the fluidity and complexity that characterizes all human sexual desire. In the end, Ward’s analysis offers a new way to think about heterosexuality—not as the opposite or absence of homosexuality, but as its own unique mode of engaging in homosexual sex, a mode characterized by pretense, dis-identification and racial and heterosexual privilege. Daring, insightful, and brimming with wit, Not Gay is a fascinating new take on the complexities of heterosexuality in the modern era.

An intimate look at one of culture’s most enduring taboos: public sex. Park Cruising takes a long look at the men who cruise for sex in urban parks. Human rights lawyer Marcus McCann uses park cruising as a point of departure for discussions of consent, empathy, public health, municipal planning, and our relationship to strangers. Prompted by his work opposing a police sting in a suburban park, McCann’s ruminations go beyond targeted enforcement and police indifference to violence to examine cruising as a type of world-building. The result is a series of insightful and poetic walks through history, law, literature, and popular representations of cruising in search of the social value of sex. What McCann ultimately reveals is a world of connection, care, and unexpected lessons about the value of pleasure.

HEATED RIVALRY meets A KNIGHT'S TALE A NAMELESS KNIGHT. A CHAMPION'S FALL. A SQUIRE CAUGHT BETWEEN. When the mysterious Alaric challenges Ser Halden, an undefeated tournament champion who clawed his way up from nothing, their confrontation sparks more than rivalry. Halden's humiliating defeat leaves him keenly aware of the distance between noble and commoner and drives him toward a dangerous fixation on the man who unseated him. Caught in their orbit is Perrin, Halden’s loyal squire, who has spent years anticipating his knight’s every need. As tensions between the two men escalate, Perrin is torn between his loyalty and desires he can no longer ignore. First Tilt is a medieval fantasy romance where pride, power, and desire collide on and off the tournament field, and three men discover that some rivalries burn hottest when the armour comes off. Perfect for readers who love intense rivals-to-lovers romance and medieval-inspired spectacle.

Through six turbulent months of 1934, 17-year-old Cassandra Mortmain keeps a journal, filling three notebooks with sharply funny yet poignant entries about her home, a ruined Suffolk castle, and her eccentric and penniless family. By the time the last diary shuts, there have been great changes in the Mortmain household, not the least of which is that Cassandra is deeply, hopelessly, in love.