A deeply dark academia novel from USA Today bestselling author Cassandra Khaw, perfect for fans of A Deadly Education and The Atlas Six who are hungry for something a little more diabolical.The Hellebore Technical Institute for the Gifted is the premier academy for the dangerously the Anti-Christs and Ragnaroks, the world-eaters and apocalypse-makers.Hellebore promises redemption, acceptance, and a normal life after graduation. At least, that’s what Alessa Li is told when she’s kidnapped and forcibly enrolled. But there’s more to Hellebore than meets the eye. On graduation day, the faculty go on a ravenous rampage, feasting on Alessa’s class. Only Alessa and a group of her classmates escape the carnage. Trapped in the school’s library, they must offer a human sacrifice every night, or else the faculty will break down the door and kill everyone.Can they band together and survive, or will the faculty eat its fill?Also by Cassandra Khaw:The Salt Grows HeavyNothing But Blackened TeethA Song for QuietHammers on BoneThe Dead Take the A Train (co-written with Richard Kadrey)At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A richly illustrated history of the Gothic across a wide range of media, including architecture, literature, and film The word Gothic conjures associations with the dark and melancholy, the weird and feared, and haunted places and people. In Gothic, Roger Luckhurst offers readers an unprecedented look at the ways this uncanny style has manifested itself through architecture, literature, film, art, video games, and more. From the works of Victor Hugo and E. T. A. Hoffmann to Southern Gothic, ancient folklore, and classic horror movies, Luckhurst explores how an aesthetic that began in the margins has been reinvented through the centuries to become part of mainstream global culture. Organizing his wide-ranging history by theme, Luckhurst begins with Gothic architecture and form, including such elements as the arch, the house, and ruins. He considers how the Gothic is depicted in rural and urban settings, as well as in the wilderness and borderlands. And he delves into Gothic traditions and settings around the world, from the sublime Alps and Australian outback to the Arctic wasteland, from the dark folkloric realm of the forest to the postindustrial landscapes of abandoned hospitals and asylums, and then beyond the bounds of the planet to unknowable cosmic horror. Luckhurst investigates the monsters that mirror ourselves and society, and demonstrates that as the Gothic has traveled across the globe and through time, it has morphed according to the shape of our changing fears and anxieties. Filled with a wealth of color illustrations, Gothic will enthrall anyone yearning to lift the veil on our fascination with the eerie, morbid, and supernatural.

This sequel to Adam Ellis’s New York Times bestselling Bad Dreams in the Night is packed with terrifying twists, haunted houses, urban legends, and delightfully horrifying stories—like your own personal campfire ghost stories packed into a graphic novel. Each story will make you scream for more! This brand-new collection of delightful horror comics includes nine new thrilling and terrifying stories that will keep readers on the edge of their seats and peering out their windows in fright. Adam Ellis, one of the biggest stars in webcomics, brings his unique blend of humor and horror to life with stunning illustrations and gripping narratives. Stories include Sleepwalker, about a terrifying and unexplained incident at a youth hostel, Old Machines, about receiving instant messages from a friend who has been dead for years, and Sunken Express, which chronicles a paranormal journey on a phantom subway car. Whether it’s a ghostly encounter, a creepy urban legend, or a supernatural mystery, Let Me In Your Window is guaranteed to give you the creeps.

The long-awaited new novel from the author of global sensation Tender Is the Flesh: a thrilling work of literary horror about a woman cloistered in a secretive, violent religious order, while outside the world has fallen into chaos. From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe. But when a stranger makes her way past the convent walls, joining the ranks of the unworthy, she forces the narrator to consider her long-buried past—and what she may be overlooking about the Enlightened. As the two women grow closer, the narrator is increasingly haunted by questions about her own past, the environmental future, and her present life inside the convent. How did she get to the Sacred Sisterhood? Why can’t she remember her life before? And what really happens when a woman is chosen as one of the Enlightened? A searing, dystopian tale about climate crisis, ideological extremism, and the tidal pull of our most violent, exploitative instincts, this is another unforgettable novel from a master of feminist horror.

The Holy Mountain meets Ratatouille in this X-rated fable by French provocateur Copi.. When pet rat Gouri finds himself locked out of his owner’s apartment, he has no choice but to strike out alone onto the pavements of Paris.But what begins as a strange and marvellous bedtime story - Gouri and his new friend Raka selling flour-coated worms to pigeons for spare change - soon spirals into an exhilarating whirlwind of murder, sex, unionised hamsters, courtroom drama, and, finally, Armageddon.Told through a series of letters from Gouri to Argentinian playwright Copi, City of Rats channels Copi’s lifelong fascination with society’s outcasts—queer people, immigrants, the homeless, and criminals—into a fiercely imaginative, unflinchingly provocative tale of a world hurtling into madness.

The long-awaited essay collection from one of the most influential voices in disability activism that detonates a bomb in our collective understanding of care and illness, showing us that sickness is a fact of life.In the wake of the 2014 Ferguson riots, and sick with a chronic condition that rendered them housebound, Johanna Hedva turned to the page to How do you throw a brick through the window of a bank if you can’t get out of bed? It was not long before this essay, “Sick Woman Theory”, became a seminal work on disability, because in reframing illness as not just a biological experience but a social one, Hedva argues that under capitalism—a system that limits our worth to the productivity of our bodies—we must reach for the revolutionary act of caring for ourselves and others.How to Tell When We Will Die expands upon Hedva’s paradigm-shifting perspective in a series of slyly subversive and razor-sharp essays that range from the theoretical to the personal—from Deborah Levy and Susan Sontag to wrestling, kink, mysticism, death, and the color yellow. Drawing from their experiences with America’s byzantine healthcare system, and considering archetypes they call The Psychotic Woman, The Freak, and The Hag in Charge, Hedva offers a bracing indictment of the politics that exploit sickness—relying on and fueling ableism—to the detriment of us all.With the insight of Anne Boyer’s The Undying and Leslie Jamison’s The Empathy Exams, and the wit of Samantha Irby, Hedva’s debut collection upends our collective understanding of disability. In their radical reimagining of a world where care and pain are symbiotic, and our bodies are allowed to live free and well, Hedva implores us to remember that illness is neither an inconvenience or inevitability, but an enlivening and elemental part of being alive.

Come meet The Liar, The Secret Keeper, The Crybaby, and the rest. Nine children travel with their families to their Grandfather's vacation property, where strange things begin to happen: eyes blink from the bottom up, mushrooms ooze blood, people's faces don't hang right anymore-except they do, once you look more closely. Transformations warp the children's sense of time and place, the very land itself seeming to encroach upon them. As The Liar watches the children succumb one by one to an unknown fate, she must make sense of absent stars in the night sky, vials of amber liquid that taste of milk, a funny little rope tied in knots. She's faced with a choice: join or resist, only the choice is not so simple. Set in The Grandfather's Lake House as he continues to extend his property lines and told in the eerie we of the children, Root Rot explores predatory family dynamics, the boundaries of bodies and home, and how individuals choose to participate in or push back against structures that would harm them.