Memory makes reality. That's what NYC cop Barry Sutton is learning, as he investigates the devastating phenomenon the media has dubbed False Memory Syndrome—a mysterious affliction that drives its victims mad with memories of a life they never lived. That's what neuroscientist Helena Smith believes. It's why she's dedicated her life to creating a technology that will let us preserve our most precious memories. If she succeeds, anyone will be able to re-experience a first kiss, the birth of a child, the final moment with a dying parent. As Barry searches for the truth, he comes face to face with an opponent more terrifying than any disease—a force that attacks not just our minds, but the very fabric of the past. And as its effects begin to unmake the world as we know it, only he and Helena, working together, will stand a chance at defeating it. But how can they make a stand when reality itself is shifting and crumbling all around them? At once a relentless pageturner and an intricate science-fiction puzzlebox about time, identity, and memory, Recursion is a thriller as only Blake Crouch could imagine it—and his most ambitious, mind-boggling, irresistible work to date.

An accessible, bold new vision for the future of intersectional trans feminism, called "one of the best books in trans studies in recent years" by Susan Stryker Why are trans women the most targeted of LGBT people? Why are they in the crosshairs of a resurgent anti-trans politics around the world? And what is to be done about it by activists, organizers, and allies? A Short History of Transmisogyny is the first book-length study to answer these urgent but long overdue questions. Combining new historical analysis with political and activist accessibility, the book shows why it matters to understand trans misogyny as a specific form of violence with a documentable history. Ironically, it is through attending to the specificity of trans misogyny that trans women are no longer treated as inevitably tragic figures. They emerge instead as embattled but tenacious, locked in a struggle over the meaning and material stakes of gender, labor, race, and freedom. The book travels across bustling port cities like New York, New Orleans, London and Paris, the colonial and military districts of the British Raj, the Philippines, and Hawai'i, and the lively travesti communities of Latin America. The book shows how trans femininity has become legible as a fault line of broader global histories, including colonial government, the sex work industry, the policing of urban public space, and the line between the formal and informal economy. This transnational and intersectional approach reinforces that trans women are not isolated social subjects who appear alone; they are in fact central to the modern social world.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

Rustic old Riddlesdale Lodge was a Wimsey family retreat filled with country pleasures and the thrill of the hunt -- until the game turned up human and quite dead. He lay among the chrysanthemums, wore slippers and a dinner jacket and was Lord Peter's brother-in-law-to-be. His accused murderer was Wimsey's own brother, and if murder set all in the family wasn't enough to boggle the unflappable Lord Wimsey, perhaps a few twists of fate would be -- a mysterious vanishing midnight letter from Egypt...a grieving fiancee with suitcase in hand...and a bullet destined for one very special Wimsey.

I have one thing to do before I die. And time is running out. I had it all: a fantastic husband, two great kids, an exciting career. And then, at the age of forty-three, I found out I would be dead before my next birthday. My mother also died at forty-three. I was seventeen, and she warned me that women would flock to my suddenly single father like stray cats to an overturned milk truck. They did. And one absolutely evil woman practically destroyed his life, mine, and my sister’s. I am not letting that happen to my family. I have three months, and I plan to spend every waking minute searching for the perfect woman to take my place as Alex’s wife, and mother to Kevin and Katie. You’re probably thinking, she’ll never do it. Did I mention that in high school I was voted “Most Likely to Kill Someone to Get What She Wants”? From thriller writer Marshall Karp (cocreator with James Patterson of the #1 New York Times bestselling NYPD Red series), and rich with Karp’s deft array of three-dimensional characters and his signature biting humor, Don’t Tell Me How to Die has so many twists and turns, you’d swear he wrote it with a corkscrew.

An elderly stroke victim dies without having arranged a will… Beautiful young Elinor Carlisle stood serenely in the dock, accused of the murder of Mary Gerrard, her rival in love. The evidence was damning: only Elinor had the motive, the opportunity and the means to administer the fatal poison. Yet, inside the hostile courtroom, only one man still presumed Elinor was innocent until proven guilty: Hercule Poirot was all that stood between Elinor and the gallows…

One woman is called upon to rebuild the future of humankind after a nuclear war, in this revelatory post-apocalyptic tale from the award-winning author of Parable of the Sower. When Lilith lyapo wakes from a centuries-long sleep, she finds herself aboard the vast spaceship of the Oankali. She discovers that the Oankali—a seemingly benevolent alien race—intervened in the fate of the humanity hundreds of years ago, saving everyone who survived a nuclear war from a dying, ruined Earth and then putting them into a deep sleep. After learning all they could about Earth and its beings, the Oankali healed the planet, cured cancer, increased human strength, and they now want Lilith to lead her people back to Earth—but salvation comes at a price. Hopeful and thought-provoking, this post-apocalyptic narrative deftly explores gender and race through the eyes of characters struggling to adapt during a pivotal time of crisis and change.

Margaret Atwood takes the art of storytelling to new heights in a dazzling novel that unfolds layer by astonishing layer and concludes in a brilliant and wonderfully satisfying twist. Told in a style that magnificently captures the colloquialisms and clichés of the 1930s and 1940s, The Blind Assassin is a richly layered and uniquely rewarding experience. It opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a-novel. Entitled The Blind Assassin, it is a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. When we return to Iris, it is through a 1947 newspaper article announcing the discovery of a sailboat carrying the dead body of her husband, a distinguished industrialist. For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The Blind Assassin proves once again that Atwood is one of the most talented, daring, and exciting writers of our time. Like The Handmaid's Tale, it is destined to become a classic.

A multiverse novel about two women who fall in love despite living in worlds that are five months apart, as they try to find a timeline that doesn’t end in disaster, in this debut novel by Annie Mare.Tressa Fay Robeson has never been shy, which is how she’s made a name for herself as an in-demand hairstylist and social media star. So she can admit that spending her days at her hair salon and her nights with her tight-knit group of friends (and one grumpy cat) is not the kind of exciting life she’d hoped for.When a misdirected text from a stranger leads to a flirty exchange, she surprises herself by suggesting an impulsive meetup. But the woman, Meryl, never shows. Tressa Fay brushes it off—until Meryl’s sister and friend show up at the salon demanding to know what’s going on. Because, you see, there’s no way Meryl could have texted her. Meryl has been missing for a month.Tressa Fay and her tight-knit group of friends soon discover they aren’t dealing with a catfish, but a temporal paradox. As they come to terms with the idea of parallel universes, they realize how many times their paths have crossed like this before. But even as they understand the multiverse more and more, nothing keeps Meryl from vanishing.As it draws closer to the moment of Meryl’s disappearance, there’s only one question Have they done enough to change the outcome, or have they done so much that none of them will make it past that fateful day in September?

No WiFi, no distractions. No way out…  Agatha's husband has bought her a first-class ticket on the scenic six-hour train from Toronto to Montreal as a gift—a one-day writing retreat so she can get some serious work done on her new book, a highly-anticipated follow-up to Agatha's runaway bestseller debut novel. The first-class car is the perfect place to be productive, with only a handful of other passengers, plenty of snacks and drinks, and beautiful views flying by outside the window.  But Agatha has other plans for her day out… plans that are unexpectedly derailed when the train breaks down in the middle of the frigid Canadian woods and one of Agatha's fellow passengers dies quietly in his seat. Soon, a pleasant morning in transit turns into a fight for survival against an unknown and unseen enemy. Will Agatha—or any of the passengers—make it out alive? From international bestselling author Eva Jurczyk, 6:40 to Montreal is a claustrophobic, deceivingly bloody thriller that twists and turns until the very last page.