A definitive and surprising exploration of the history of Black horror films, after the rising success of Get Out , Candyman , and Lovecraft Country from creators behind the acclaimed documentary, Horror Noire. The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-read for cinema and horror fans alike.

One night, Jess, a struggling actress, finds a five-year-old runaway hiding in the bushes outside her apartment. After a violent, bloody encounter with the boy's father, she and the boy find themselves running for their lives. As they attempt to evade the boy's increasingly desperate father, horrifying incidents of butchery follow them. At first, Jess thinks she understands what they're up against, but she's about to learn there's more to these surreal and grisly events than she could've ever imagined. And that when the wolf finally comes home, none will be spared.

Leila Taylor takes us into the dark heart of the American gothic, analysing the ways it relates to race in America in the twenty-first century.Haunted houses, bitter revenants and muffled heartbeats under floorboards -- the American gothic is a macabre tale based on a true story. Part memoir and part cultural critique, Darkly: Blackness and America's Gothic Soul explores American culture's inevitable gothicity in the traces left from chattel slavery. The persistence of white supremacy and the ubiquity of Black death feeds a national culture of terror and a perpetual undercurrent of mourning. If the gothic narrative is metabolized fear, if the goth aesthetic is romanticized melancholy, what does that look and sound like in Black America?

As the horrors close in around us, we turn to story to process our fears, our desires, and our futures. In An Anthology of Reproductive Fiction, nineteen writers whose reproductive rights are under threat explore the stories of those who, like them, have had their choices stolen from The horror of being forced to carry a child you don't want. The catharsis of taking revenge on a man who stole your right to choose. The tragedy of being threatened by the world for having a baby you do want because you're "the wrong gender". The pride of knowing you fought for a better future, even if that future claimed your life. These stories serve as a reminder of the power of choice and the importance of fighting for every human's right to choose their own future.

NATURE IS CALLING—but they shouldn't have answered. Travel journalist and mountaineer Nick Grevers awakes from a coma to find that his climbing buddy, Augustin, is missing and presumed dead. Nick’s own injuries are as extensive as they are horrifying. His face wrapped in bandages and unable to speak, Nick claims amnesia—but he remembers everything. He remembers how he and Augustin were mysteriously drawn to the Maudit, a remote and scarcely documented peak in the Swiss Alps. He remembers how the slopes of Maudit were eerily quiet, and how, when they entered its valley, they got the ominous sense that they were not alone. He remembers: something was waiting for them... But it isn’t just the memory of the accident that haunts Nick. Something has awakened inside of him, something that endangers the lives of everyone around him… It’s one thing to lose your life. It’s another to lose your soul. FROM THE INTERNATIONAL BESTSELLING SENSATION THOMAS OLDE HEUVELT comes a thrilling descent into madness and obsession as one man confronts nature—and something even more ancient and evil answers back.

“PERHAPS TOMORROW I WILL WAKE UP ANOTHER PERSON. PERHAPS TOMORROW I WILL WAKE UP NOT A PERSON AT ALL.” From the “master of literary horror” (GQ) comes a collection of new stories tracing the limits and consequences of artificial intelligence and “post-human” relationships. Populated by twins stepping into worlds of absence, bears who lick their cubs into creation, and artificial beings haunted by their less-than-human nature, each page sketches a world where our all-too-real feelings of isolation and ecological dread take on an otherworldly tinge. In Good Night, Sleep Tight, Brian Evenson deftly weaves ethical dilemmas, maternal warmth, and echoes of apocalypse into his most tender, disquieting book yet.

Poetry. African American Studies. LGBT Studies. Through a combination of lyric, narrative, & fractured essay, SYMPATHETIC LITTLE MONSTER attempts to make a space & a shape for the little girl who haunts our cultural/ personal narratives about blackness & transmasculinity. As a trans coming-of-age text the work is intensely inward- focused, but it resists the imperative of linear autobiography. Instead, it uses the personal as a tool to explore what kind of thing a "self" is, its relation to trauma & objectification, & its capacity to be multiple.

A group of friends reunite after one of them has returned from a mysterious two-year disappearance in this edgy and haunting debut. Julie is missing, and no one believes she will ever return—except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her.  Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong—she’s emaciated, with sallow skin and odd appetites. And as the weekend unfurls, it becomes impossible to deny that the Julie who vanished two years ago is not the same Julie who came back. But then who—or what—is she?