A moving and humane portrait of the abolitionist revolutionary Jean-Jacques Dessalines, who led Haiti's fight for independence from French colonial rule "My name has become a horror to all those who want slavery," declared Jean-Jacques Dessalines as he announced the independence of Haiti, the most radical nation-state during the Age of Revolution and the first country ever to permanently outlaw slavery. Enslaved for the first thirty years of his life, Dessalines (c. 1758-1806) joined the revolution that abolished slavery within the French colony. Then he became a general in the colonial army of the new French Republic. When it was discovered that France once again supported slavery, Dessalines declared war on his former allies. Fighting under the slogan "Liberty or Death," his army forced the French to evacuate in late 1803. At the start of the new year, Dessalines declared independence from France and became the leader of a free Haiti. A hero to Haitians for centuries, Dessalines is portrayed abroad as barbarous and violent. Yet this caricature derives not from facts--as Julia Gaffield demonstrates with extensive new research--but from the fears of contemporary enslavers. Showcasing the man behind the myths, Gaffield reveals Dessalines's deep suffering, warm friendships, and unwavering commitment to destroying slavery, racism, and colonialism, and his bold insistence on his people's right to liberty and equality.

From one of Africa's most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality. "Africa is the only continent you can love--take advantage of this... Africa is to be pitied, worshipped or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed." Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist, and a gatherer of literary communities. Before his tragic death in 2019 at the age of forty-seven, he won the Caine Prize for African Writing and was named one of Time's 100 Most Influential People. His wildly popular essay "How to Write About Africa," an incisive and unapologetic piece that exposed the harmfully racist ways Western media depicts Africa, with implicit bias and subjective clich�s, changed the game for African writers and helped set the stage for a new generation of authors, from Chimamanda Ngozi Adichie to Yaa Gyasi. When Wainaina published a "lost chapter" of his 2011 memoir as an essay called "I Am a Homosexual, Mum," which imagines coming out to his mother, he became a voice for the queer, African community as well, adding a new layer to how African sexuality is perceived. How to Write About Africa collects these powerful pieces in a lively and imaginative set of linked essays about sexuality, art, history, and contemporary Africa. Wainaina's writing is playful, robust, generous and full-bodied. He describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of a country and continent. These works present a portrait of a giant in African literature, who left a tremendous legacy.

Enter a new world of romantic fantasy from award-winning author N.E. Davenport—a journey of powerful magic, enemies-to-lovers, and political intrigue—as a warrior-princess and a vengeful king from rival fae courts form a fierce alliance to take down a merciless despot. Princess of the Aether Dominion, Kadeesha wants nothing to do with fae politics. She is a warrior, first and foremost, and believes her greatest strength is leading her squadron of elite winged serpent flyers to protect her homeland. But bound since infancy to be betrothed to the Hyperion High King, ruler of all Dominions, she has no choice but to do what men have chosen for her. Repulsed by the idea, she decides to spend one last night of freedom—in the arms of a dangerous stranger who takes her to sexual heights she’s never experienced before…but who is only using Kadeesha to set a trap for the High King. For the High King and the kings of his six Dominions were responsible for the decimation of the Apollyon Court, and its new king, Malachi, wants his pounds of flesh. On Kadeesha’s wedding day, Malachi and his special forces attack. Her father is killed, and Malachi wounds the High King, ultimately taking Kadeesha as hostage back to his land. But she is no true hostage. The two form a she will help lure the High King so Malachi can kill him once and for all, and he in turn will not harm Kadeesha or the Aether people. And as much as Kadeesha hates politics, she is now the Queen of her folk. Fae bonds are unbreakable…and so, perhaps, is the attraction Kadeesha and Malachi feel for each other. For even as they must publicly display their connection to provoke the High King’s jealousy, they struggle to resist the powerful allure between them in order to achieve their ultimate goals.

The shadows have risen, and the line is law. All Bree wanted was to uncover the truth behind her mother’s death. So she infiltrated the Legendborn Order, a secret society descended from King Arthur’s knights—only to discover her own ancestral power. Now, Bree has become someone new: A Medium. A Bloodcrafter. A Scion. But the ancient war between demons and the Order is rising to a deadly peak. And Nick, the Legendborn boy Bree fell in love with, has been kidnapped. Bree wants to fight, but the Regents who rule the Order won’t let her. To them, she is an unknown girl with unheard-of power, and as the living anchor for the spell that preserves the Legendborn cycle, she must be protected. When the Regents reveal they will do whatever it takes to hide the war, Bree and her friends must go on the run to rescue Nick themselves. But enemies are everywhere, Bree’s powers are unpredictable and dangerous, and she can’t escape her growing attraction to Selwyn, the mage sworn to protect Nick until death. If Bree has any hope of saving herself and the people she loves, she must learn to control her powers from the ancestors who wielded them first—without losing herself in the process.

Nothing brings people together like a common enemy, and witches were the greatest enemy of all. Scotland, 1563: Crops failed. People starved. And the Devil's influence was stronger than ever—at least, that's what everyone believed. If you were a woman living in Scotland during this turbulent time, there was a very good chance that you, or someone you knew, would be tried as a witch. During the chaos of the Reformation, violence against women was codified for the first time in the Witchcraft Act—a tool of theocratic control with one chilling to root out witches and rid the land of evil. What followed was a dark and misogynistic chapter in history that fanned the flames of witch hunts across the globe, including in the United States and beyond. In How to Kill a Witch, Zoe Venditozzi and Claire Mitchell, hosts of the popular Witches of Scotland podcast, unravel the grim yet absurdly bureaucratic process of identifying, accusing, trying, and executing women as witches. With sharp wit and keen feminist insight, they reveal the inner workings of a patriarchal system designed to weaponize fear and oppress women. This captivating (and often infuriating) account, which weaves a rich tapestry of trial transcripts, witness accounts, and the documents that set the legal grounds for the witch hunts, exposes how this violent period of history mirrors today's struggles for justice and equality. How to Kill a Witch is a powerful, darkly humorous reminder of the dangers of superstition, bias, and ignorance, and a warning to never forget the past… while raising the question of whether it could ever happen again.