First Person Fiction is dedicated to the immigrant experience in modern America. In "Behind the Mountains" Edwidge Danticat tells the story of Celiane and her family's struggles in Haiti and New York.It is election time in Haiti, and bombs are going off in the capital city of Port-au-Prince. During a visit from her home in rural Haiti, Celiane Espérance and her mother are nearly killed. Looking at her country with new eyes, Celiane gains a fresh resolve to be reunited with her father in Brooklyn, New York. The harsh winter and concrete landscape of her new home are a shock to Celiane, who witnesses her parents' struggle to earn a living, her brother's uneasy adjustment to American society, and her own encounters with learning difficulties and school violence.

A revolutionary feminist case for child liberation, a utopian project that helps us imagine ways to build insurgent, collective forms of care. We live in a world that is profoundly against children—evident in the genocide in Palestine, the fascist targeting of trans children, and the blatant disregard for the lives of migrant children crossing borders and oceans. It is a world in which climate catastrophe has become the new normal, in which children’s futures are by no means assured.What we need, feminist writer and scholar Madeline Lane-McKinely argues, is a politics of solidarity with children, one that sees children as comrades in our struggle for a better future. Blending personal and political reflection with cultural analysis, Lane-McKinley examines the history of childhood as a system of private property in capitalism, showing how the idea of the child has been weaponized in the service of white supremacy and empire. She disentangles motherhood from the act of caregiving, tracing the possibilities of revolutionary mothering. And she critiques the parents’ rights movement and imagines what education might look like outside schools, considering how we might center children as we challenge the strictures of the nuclear family. Elegantly written and provocative, Solidarity with Children is a book for anyone who cares about children and the struggle for a better world.

Talia Hibbert returns with another charming romantic comedy about a young woman who agrees to fake date her friend after a video of him “rescuing” her from their office building goes viral... Danika Brown knows what she wants: professional success, academic renown, and an occasional roll in the hay to relieve all that career-driven tension. But romance? Been there, done that, burned the T-shirt. Romantic partners, whatever their gender, are a distraction at best and a drain at worst. So Dani asks the universe for the perfect friend-with-benefits—someone who knows the score and knows their way around the bedroom. When brooding security guard Zafir Ansari rescues Dani from a workplace fire drill gone wrong, it’s an obvious sign: PhD student Dani and ex-rugby player Zaf are destined to sleep together. But before she can explain that fact, a video of the heroic rescue goes viral. Now half the internet is shipping #DrRugbae—and Zaf is begging Dani to play along. Turns out, his sports charity for kids could really use the publicity. Lying to help children? Who on earth would refuse? Dani’s plan is simple: fake a relationship in public, seduce Zaf behind the scenes. The trouble is, grumpy Zaf’s secretly a hopeless romantic—and he’s determined to corrupt Dani’s stone-cold realism. Before long, he’s tackling her fears into the dirt. But the former sports star has issues of his own, and the walls around his heart are as thick as his... um, thighs. Suddenly, the easy lay Dani dreamed of is more complex than her thesis. Has her wish backfired? Is her focus being tested? Or is the universe just waiting for her to take a hint?

In Art on My Mind, bell hooks, a leading cultural critic, responds to the ongoing dialogues about producing, exhibiting, and criticizing art and aesthetics in an art world increasingly concerned with identity politics. Always concerned with the liberatory black struggle, hooks positions her writings on visual politics within the ever-present question of how art can be an empowering and revolutionary force within the black community.