Lucille Clifton, one of America's most important and distinguished poets, employs brilliantly honed language, stunning images, and sharp rhythms to address the whole of human experience. Hers is a poetry that is passionate and wise, not afraid to confront our most salient issues. "Although her work is often spare and simple, it is always beautifully and painstakingly crafted into poems that tell the truth, poems that insist on residing within the reader, poems by a poet who seeks and achieves the ability to be a vehicle for those who may not otherwise speak." —Web Del Sol Review of Books

Brilliantly honed language, sharp rhythms and striking syntax empower Lucille Clifton's personal and artistic odyssey. Hers is poetry of birth, death, children, community, history, sexuality and spirituality, and she addresses these themes with passion, humor, anger and spiritual awe.

Finalist for the 1988 Pulitzer Prize for Poetry A landmark collection by one of America's major black poets, Good Woman: Poems and a Memoir 1969-1980 includes all of Lucille Clifton's first four published collections of extraordinary vibrant poetry— Good Times, Good News About the Earth, An Ordinary Woman, and Two-Headed Woman —as well as her haunting prose memoir, Generations.

Lucille Clifton’s poetry carries her deep concerns for the world’s children, the stratification of American society, those people lost or forgotten amid the crushing race of Western materialism and technology. In turns sad, troubled and angry, her voice has always been one of great empathy, knowing, as she says, “the only mercy is memory.” In this, her 12th book of poetry, the National Book Award-winner speaks to the tenuous relationship between mothers and daughters, the debilitating power of cancer, the open wound of racial prejudice, the redemptive gift of story-telling. “September Song,” a sequence of seven poems, featured on National Public Radio, presents a modern-day Orpheus who, through her grief, attempts to heart-intelligently respond to the events of September 11th. The last sequence of poems—a tightly-woven fabric of caveats and prayers—was initially written in the 1970s, then revised and reshaped in the last few years. Lucille Clifton is an award-winning poet, fiction writer and author of children’s books. Her most recent poetry book, Blessing the New and Selected Poems 1969–1999 (BOA), won the 2000 National Book Award for Poetry. Two of Clifton’s BOA poetry collections, Good Poems and a Memoir 1969–1980 and New Poems , were chosen as finalists for the Pulitzer Prize in 1988, while Clifton’s The Terrible Stories (BOA) was a finalist for the 1996 National Book Award. Clifton has received fellowships from the NEA, an Emmy Award from the American Academy of Television Arts and Sciences, the Shelley Memorial Prize and the Charity Randall Citation. She is a Distinguished Professor of Humanities as St. Mary’s College in Maryland. She was appointed a Fellow of The American Academy of Arts and Sciences, and elected as Chancellor of The Academy of American Poets in 1999. She lives in Columbia, MD.

Edited with a Foreword by Aracelis Girmay, How to Carry Water: Selected Poems of Lucille Clifton celebrates famous poems and shines light on lesser-known poems by poet―and national treasure―Lucille Clifton (1936–2010). Lucille Clifton’s poetry defined strength through adversity focusing particularly on African-American experience and family life. Clifton’s poems were widely celebrated during her lifetime, and she received wide acclaim for her work including the National Book Award, the Robert Frost Medal, and the Ruth Lilly Poetry Prize. Her poems continue to inspire a new generation of readers and writers in the 21st century. In How to Carry Water, formidable younger poet Aracelis Girmay (winner of the Whiting Award, GLCA Award, and the Isabella Gardner Poetry Award) introduces a selection of Clifton’s work that is simultaneously timeless and fitting for today’s tumultuous social and political moment.

Disabled young people will be proud to see themselves reflected in this hopeful, compelling, and insightful essay collection, adapted for young adults from the critically acclaimed adult book, Disability Visibility: First Person Stories from the Twenty-First Century that "sheds light on the experience of life as an individual with disabilities, as told by none other than authors with these life experiences." -- Chicago Tribune, "Best books published in summer 2020" (Vintage/Knopf Doubleday edition). The seventeen eye-opening essays in Disability Visibility, all written by disabled people, offer keen insight into the complex and rich disability experience, examining life's ableism and inequality, its challenges and losses, and celebrating its wisdom, passion, and joy.   The accounts in this collection ask readers to think about disabled people not as individuals who need to be “fixed,” but as members of a community with its own history, culture, and movements. They offer diverse perspectives that speak to past, present, and future generations. It is essential reading for all.

A groundbreaking history of the Black Joke, the most famous member of the British Royal Navy’s anti-slavery squadron, and the long fight to end the transatlantic slave trade.The most feared ship in Britain’s West Africa Squadron, His Majesty’s brig Black Joke was one of a handful of ships tasked with patrolling the western coast of Africa in an effort to end hundreds of years of global slave trading. Sailing after the spectacular fall of Napoleon in France, yet before the rise of Queen Victoria’s England, Black Joke was first a slaving vessel itself, and one with a lightning-fast reputation; only a lucky capture in 1827 allowed it to be repurposed by the Royal Navy to catch its former compatriots. Over the next five years, the ship’s diverse crew and dedicated commanders would capture more ships and liberate more enslaved people than any other in the Squadron. Now, author A.E. Rooks chronicles the adventures on this ship and its crew in a brilliant, lively narrative of the history of Britain’s suppression efforts. As Britain slowly attempted to snuff out the transatlantic slave trade by way of treaty and negotiation, enforcing these policies fell to the Black Joke and those that sailed with it as they battled slavers, weather disasters, and interpersonal drama among captains and crew that reverberated across oceans. In this history of the daring feats of a single ship, the abolition of the international slave trade is revealed as an inexplicably extended exercise involving tense negotiations between many national powers, both colonizers and formerly colonized, that would stretch on for decades longer than it should have. Harrowing and heartbreaking, The Black Joke is a crucial and deeply compelling work of history, both as a reckoning with slavery and abolition and as a lesson about the power of political will—or the lack thereof.

In this delightfully compelling full-color graphic memoir, the author shares her process of undoing the effects of a patriarchal, colonial society on her self-image, her sexuality, and her concept of freedom. Reflecting on the ways in which oppression was the cause for her late bloom into queerness, we are invited to discover people and things in the author's life that helped shape and inform her LGBTQ identity. And we come to an understanding of her holistic definition of queerness.

Librarian's note: See alternate cover edition of ISBN 0571225381 here. In the summer of 1956, Stevens, a long-serving butler at Darlington Hall, decides to take a motoring trip through the West Country. The six-day excursion becomes a journey into the past of Stevens and England, a past that takes in fascism, two world wars, and an unrealised love between the butler and his housekeeper.

From bestselling author Max Brooks, the riveting story of the highly decorated, barrier-breaking, historic black regiment--the Harlem Hellfighters In 1919, the 369th infantry regiment marched home triumphantly from World War I. They had spent more time in combat than any other American unit, never losing a foot of ground to the enemy, or a man to capture, and winning countless decorations. Though they returned as heroes, this African American unit faced tremendous discrimination, even from their own government. The Harlem Hellfighters, as the Germans called them, fought courageously on--and off--the battlefield to make Europe, and America, safe for democracy. In THE HARLEM HELLFIGHTERS, bestselling author Max Brooks and acclaimed illustrator Caanan White bring this history to life. From the enlistment lines in Harlem to the training camp at Spartanburg, South Carolina, to the trenches in France, they tell the heroic story of the 369th in an action-packed and powerful tale of honor and heart.

This is no revenge story. I ain’t got time for that. I’ve got errands to run and things to do and barely enough time to make it home before sundown. I don’t care why folks are going around stealing ink. I don’t care why the monks are acting kinda strange. I don’t care that everybody is expecting me to save them. I might be a Sistah Samurai but those days playing hero were back when my knees didn’t ache, and I wasn’t the only one left. So leave me alone. All I want to do is get home, drink some green tea lemonade, and enjoy my peace. I’m not asking for much, so why are all these demons daring to get in my way? I am not the one. Not today. Sistah Samurai is an Action Fantasy novella that is an homage to the anime, Afro Samurai. Both works feature a feudal Japan-inspired setting that is rife with anachronisms. In the words of Samuel L. Jackson, “Is that a motherf—ing RPG?”

A seminal work that expands how we talk about the natural world and the environment as National Book Critics Circle Criticism finalist Camille T. Dungy diversifies her garden to reflect her heritage In Soil: The Story of a Black Mother's Garden, poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden in the predominately white community of Fort Collins, Colorado. When she moved there in 2013 with her husband and daughter, the community held strict restrictions about what residents could and could not plant. In resistance to the homogeneous policies that limited the possibility and wonder that grows from the earth, Dungy employs the various plants, herbs, vegetables, and flowers she grows in her garden as metaphor and treatise for how homogeneity threatens the future of the planet, and why cultivating diverse and intersectional language in our national discourse about the environment is the best means of protecting it. Definitive and singular, Soil functions at the nexus of nature writing, environmental justice, and prose to encourage readers to recognize the relationship between the peoples of the African diaspora and the land on which they live, and to understand that wherever soil rests beneath their feet is home.

Singer-songwriter and filmmaker Be Steadwell’s lyrical debut is Practical Magic meets Black Cake in this warm and wry family drama with a magical twist about three sisters, a vision of princes, true love, and revolution, and one very complicated year of self-realization, family dynamics, and learning to let go. The Jones sisters have powers. Jasmine is a queer, heartbroken baker who crafts beautiful pastries that no one in DC wants to buy. Her sister Ella is a fat and fine bodyworker, begrudgingly serving rich white folk. And Layla, the youngest, is an ambitious affordable housing activist in the rapidly gentrifying district. The sisters are all conjurers, but they aren’t yet sure how to use their magic— and they’re not sure the world deserves it. When their mother reveals her vision of princes, true love, and revolution, the jaded sisters meet her with skepticism. But after a chance encounter with the filthy rich Black developer Malcolm Scott and his two princely children, their mother’s prophecy begins to unfold. This romantic novel explores class privilege while placing Black love, queer sex, and joy at its center.

From bestselling author Max Brooks, the riveting story of the highly decorated, barrier-breaking, historic black regiment--the Harlem Hellfighters In 1919, the 369th infantry regiment marched home triumphantly from World War I. They had spent more time in combat than any other American unit, never losing a foot of ground to the enemy, or a man to capture, and winning countless decorations. Though they returned as heroes, this African American unit faced tremendous discrimination, even from their own government. The Harlem Hellfighters, as the Germans called them, fought courageously on--and off--the battlefield to make Europe, and America, safe for democracy. In THE HARLEM HELLFIGHTERS, bestselling author Max Brooks and acclaimed illustrator Caanan White bring this history to life. From the enlistment lines in Harlem to the training camp at Spartanburg, South Carolina, to the trenches in France, they tell the heroic story of the 369th in an action-packed and powerful tale of honor and heart.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.