Alternate cover edition of ISBN 9780141439662 'The more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much!' Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love. This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner's introduction to the original Penguin Classic edition.

When the scientist Victor Frankenstein attempts to create life in his laboratory, he sets in motion tragic forces beyond his control and faces losing everything he loves. No reader in the grip of Mary Shelley’s novel, with its mythic-minded hero and its highly sympathetic monster who reads Goethe and longs to be at peace with himself, can fail to notice how much more excellent the original is than all the countless adaptations, imitations, and homages which have followed in its ample wake. In her first novel, written at the instigation of Lord Byron and published in 1818 (and revised in 1831), the teenaged Shelley managed to produce English Romanticism’s finest prose fiction. This edition reproduces her original 1818 text.

Once a year, scoutmaster Tim Riggs leads a troop of boys into the Canadian wilderness for a three-day camping trip; a tradition as comforting and reliable as a good ghost story and a roaring bonfire. But when an unexpected intruder -- shockingly thin, disturbingly pale, and voraciously hungry -- stumbles upon their campsite, Tim and the boys are exposed to something far more frightening than any tale of terror. The human carrier of a bioengineered nightmare. An inexplicable horror that spreads faster than fear. A harrowing struggle for survival that will pit the troop against the elements, the infected ... and one another.

Fleabag meets Big Swiss in this bold debut about a charismatic misfit who livestreams her life for seven days and nights to raise money to save her comatose sister—a poignant and darkly funny exploration of grief, forgiveness, and redemption.Dell Danvers is barely keeping it together. She’s behind on rent for her studio apartment (formerly a walk-in closet), she’s being plagued by perpetual stomach pain, and her younger sister, Daisy, is in a coma at a hospital that wants to pull the plug. Freshly unemployed and subsisting on selling plants to trust fund kids, Dell impulsively starts a 24-hour livestream under the username mademoiselle_dell to fundraise for private life support for Daisy. Dell is her stream’s dungeon master, banishing those who don’t abide by her terms and steadily rising up the platform’s ranks with her sympathetic story and angry-funny screen presence. Once she discovers she has a talent for eating spicy food, her streaming fame explodes and her pepper consumption escalates from jalapeño to ghost to the hottest pepper on the Carolina Reaper. Dell is finally good at something—but as her behavior becomes riskier and a shadowy troll threatens to expose her dark past, Dell must reckon with what her digital life ignores, and what real redemption means. Narrated in seven taut chapters, one for each day of Dell’s livestream, Just Watch Me careens through a week in the life of this charismatic misfit with a heart of gold. Voyeuristic and visceral, audacious and outrageous, Lior Torenberg’s debut is both a razor-sharp tragicomedy about the internet economy and a surreptitiously moving tale about the desire to be watched, and the terror of being seen.

A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

Fleabag meets Big Swiss in this bold debut about a charismatic misfit who livestreams her life for seven days and nights to raise money to save her comatose sister—a poignant and darkly funny exploration of grief, forgiveness, and redemption.Dell Danvers is barely keeping it together. She’s behind on rent for her studio apartment (formerly a walk-in closet), she’s being plagued by perpetual stomach pain, and her younger sister, Daisy, is in a coma at a hospital that wants to pull the plug. Freshly unemployed and subsisting on selling plants to trust fund kids, Dell impulsively starts a 24-hour livestream under the username mademoiselle_dell to fundraise for private life support for Daisy. Dell is her stream’s dungeon master, banishing those who don’t abide by her terms and steadily rising up the platform’s ranks with her sympathetic story and angry-funny screen presence. Once she discovers she has a talent for eating spicy food, her streaming fame explodes and her pepper consumption escalates from jalapeño to ghost to the hottest pepper on the Carolina Reaper. Dell is finally good at something—but as her behavior becomes riskier and a shadowy troll threatens to expose her dark past, Dell must reckon with what her digital life ignores, and what real redemption means. Narrated in seven taut chapters, one for each day of Dell’s livestream, Just Watch Me careens through a week in the life of this charismatic misfit with a heart of gold. Voyeuristic and visceral, audacious and outrageous, Lior Torenberg’s debut is both a razor-sharp tragicomedy about the internet economy and a surreptitiously moving tale about the desire to be watched, and the terror of being seen.

“Violent, smart, gruesome and wildly original, this novel pulls readers into a horrific world of murder and cannibalism while also critiquing misogyny, exploring Asian fetishization and stereotypes, sharing what it’s like to navigate two cultures and telling a touching story of a family in turmoil.” —New York Times Book Review Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective. Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated. A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave readers mesmerized and craving more.