An exploration of the Zapatista project, from its conception to the present. On the thirtieth anniversary of the Mayan Indigenous uprising in Chiapas, The Zapatista Experience reconstructs the trajectory of the Zapatista struggle over the last three decades, both in its concrete achievements and in its contributions to the renewal of critical and antisystemic thinking. The Zapatista rebellion has become a reference and source of inspiration for many struggles around the world due to its major contribution in reformulating a credible and desirable path to emancipation, a path that broke with previously dominant state-centric, productivist, Eurocentric, modernist, and patriarchal. Baschet demonstrates how the Zapatistas have succeeded in materializing, on a massive scale, the concrete experience of another way of living, a forerunner of possible emerging worlds.  The autonomous rebel territories of Chiapas are among the most developed and radical of the "real utopias" that exist in the world today, exceptional in their experiments in self-governance and anti-State political form, argues  Jérôme Baschet. The Zapatista Experience orients readers in the profusion of Zapatista writings concerning, for example, the elaboration of a different understanding of politics, the Zapatistas' planetary conjunctural analysis of capitalism as a total war against humanity, their conception of Indigeneity that breaks with both modernist individualism and identity politics, and their notion of time and history. All this in clear opposition to neoliberal capitalism.

Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America's own. Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences. Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means.

From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that Black men and women contend with every day in this country. These stories explore urgent instances of racism and cultural unrest, and the ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah reckons with the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by IceKing” show the horrors of consumerism and the toll it takes on us all. Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.

The fascinating history of women’s health as it’s never been told before. For as long as medicine has been a practice, women's bodies have been treated like objects to be practiced on: examined and ignored, idealized and sexualized, shamed, subjugated, mutilated, and dismissed. The history of women’s healthcare is a story in which women themselves have too often been voiceless—a narrative instead written from the perspective of men who styled themselves as authorities on the female of the species, yet uninformed by women’s own voices, thoughts, fears, pain and experiences. The result is a cultural and societal legacy that continues to shape the (mis)treatment and care of women. While the modern age has seen significant advancements in the medical field, the notion that female bodies are flawed inversions of the male ideal lingers on—as do the pervasive societal stigmas and lingering ignorance that shape women’s health and relationships with their own bodies. Memorial Sloan Kettering oncologist and medical historian Dr. Elizabeth Comen peels back the curtain on the collective medical history of women to reintroduce us to our whole bodies—how they work, the actual doctors and patients whose perspectives and experiences laid the foundation for today’s medical thought, and the many oversights that still remain unaddressed. With a physician’s knowledge and empathy, Dr. Comen follows the road map of the eleven organ systems to share unique and untold stories, drawing upon medical texts and journals, interviews with expert physicians, as well as her own experience treating thousands of women. Empowering women to better understand ourselves and advocate for care that prioritizes healthy and joyful lives—for us and generations to come—All in Her Head is written with humor, wisdom, and deep scientific and cultural insight. Eye-opening, sometimes enraging, yet always captivating, this shared memoir of women’s medical history is an essential contribution to a holistic understanding and much-needed reclaiming of women’s history and bodies.

Joining the ranks of Rebecca Skloot’s The Immortal Life of Henrietta Lacks and Zora Neale Hurston’s rediscovered classic Barracoon, an immersive and revelatory history of the Clotilda, the last slave ship to land on US soil, told through the stories of its survivors—the last documented survivors of any slave ship—whose lives diverged and intersected in profound ways. The Clotilda, the last slave ship to land on American soil, docked in Mobile Bay, Alabama, in July 1860—more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history. In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on her intensive archival, historical, and sociological research. The Survivors of the Clotilda follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile—an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston—to the foundation of the quilting community of Gee’s Bend—a Black artistic circle whose cultural influence remains enormous. An astonishing, deeply compelling tapestry of history, biography, and social commentary, The Survivors of the Clotilda is a tour de force that deepens our knowledge and understanding of the Black experience and of America and its tragic past.  The Survivors of the Clotilda includes 30 artworks and photographs.

This contemporary companion to the Jewish year cycle is not only a bellwether for radical Jews who want their lives and practice to be rooted in their political commitments but also an educational resource in Jewish tradition, holidays, and ritual. With a chapter for each month of the Hebrew calendar, For Times Such as These offers spiritual practices and holiday rituals rooted in movements for racial justice, decolonization, feminism, and queer and trans liberation. Each chapter opens with an invocation by liturgist and healer Dori Midnight and illuminated by artist Sol Weiss. Highlighting each month’s spiritual and cultural qualities, Rabbi Ariana Katz and Rabbi Jessica Rosenberg summarize and provide commentary on Torah readings; examine the texts, histories, and contemporary customs of Jewish holidays; and offer questions to reflect on and engage spiritually with the month. This work provides a guide for creative action and ritual making throughout the seasons, an exploration of anti-Zionist Judaism, and spiritual-cultural invitation to embody and expand decolonial, anti-racist, queer, and feminist Jewish practice.

This first collection of Judith Plaskow's essays and short writings traces her scholarly and personal journey from her early days as a graduate student through her pioneering contributions to both feminist theology and Jewish feminism to her recent work in sexual ethics. Accessibly organized into four sections, the collection begins with several of Plaskow's foundational essays on feminist theology, including one previously unavailable in English. Section II addresses her nuanced understanding of oppression and includes her important work on anti-Judaism in Christian feminism. Section III contains a variety of short and highly readable pieces that make clear Plaskow's central role in the creation of Jewish feminism, including the essential "Beyond Egalitarianism." Finally, section IV presents her writings on the significance of sexual ethics to the larger project of transforming Judaism. Intelligently edited with the help of Rabbi Donna Berman, and including pieces never before published, The Coming of Lilith is indispensable for religious studies students, fans of Plaskow's work, and those pursuing a Jewish education.

What has it meant to be Jewish in a nation preoccupied with the categories of black and white? "The Price of Whiteness" documents the uneasy place Jews have held in America's racial culture since the late nineteenth century. The book traces Jews' often tumultuous encounter with race from the 1870s through World War II, when they became vested as part of America's white mainstream and abandoned the practice of describing themselves in racial terms. American Jewish history is often told as a story of quick and successful adaptation, but Goldstein demonstrates how the process of identifying as white Americans was an ambivalent one, filled with hard choices and conflicting emotions for Jewish immigrants and their children. Jews enjoyed a much greater level of social inclusion than African Americans, but their membership in white America was frequently made contingent on their conformity to prevailing racial mores and on the eradication of their perceived racial distinctiveness. While Jews consistently sought acceptance as whites, their tendency to express their own group bonds through the language of "race" led to deep misgivings about what was required of them. Today, despite the great success Jews enjoy in the United States, they still struggle with the constraints of America's black-white dichotomy. "The Price of Whiteness" concludes that while Jews' status as white has opened many doors for them, it has also placed limits on their ability to assert themselves as a group apart.

Recovering the history of the revolutionary Jewish tradition Jewish radicals manned the barricades on the avenues of Petrograd and the alleys of the Warsaw ghetto; they were in the vanguard of those resisting Franco and the Nazis. They originated in Yiddishland, a vast expanse of Eastern Europe that, before the Holocaust, ran from the Baltic Sea to the western edge of Russia and incorporated hundreds of Jewish communities with a combined population of some 11 million people. Within this territory, revolutionaries arose from the Jewish misery of Eastern and Central Europe; they were raised in the fear of God and taught to respect religious tradition, but were caught up in the great current of revolutionary utopian thinking. Socialists, Communists, Bundists, Zionists, Trotskyists, manual workers and intellectuals, they embodied the multifarious activity and radicalism of a Jewish working class that glimpsed the Messiah in the folds of the red flag. Today, the world from which they came has disappeared, dismantled and destroyed by the Nazi genocide. After this irremediable break, there remain only survivors, and the work of memory for red Yiddishland. This book traces the struggles of these militants, their singular trajectories, their oscillation between great hope and doubt, their lost illusions--a red and Jewish gaze on the history of the twentieth century.

A unique compilation of contemporary women’s midrashim.   Contemporary Women’s Midrash , is the first-ever English edition of a historic collection of midrashim composed by Israeli women, which has been long-anticipated by multiple American audiences, including synagogues, rabbinical seminaries, adult learning programs, Jewish educators, and scholars of gender and religion. Using the classical forms developed by the ancient rabbis, the contributors express their religious and moral thought and experience through innovative interpretations of scripture. The women writers, from all denominations and beyond, of all political stripes and ethnic backgrounds, contribute their Torah to fill the missing half of the sacred Jewish bookshelf. This book reflects dramatic changes in the agency of women in the world of religious writings. The volume features a comprehensive introduction to Midrash for the uninitiated reader by the distinguished scholar Tamar Kadari and extensive annotation and commentary by Tamar Biala.  

A life-affirming memoir about resilience and repair—and the healing power of our ancestor's music, stories, and recipes.Samantha’s mother tongue is dying out. The daughter of Iraqi Jewish refugees, Samantha grew up surrounded by the noisy, vivid, hot sounds of Judeo-Iraqi Arabic. A language that’s now on the verge of extinction. The realization that she won’t be able to tell her son he’s "living in the days of the aubergines" or "chopping onions on my heart" or reminding him to "always carry salt" opens the floodgates. The questions keep coming. How can she pass on this heritage without passing on the trauma of displacement? Will her son ever love mango pickle? In her search for answers Samantha encounters demon bowls, the perils of kohl, and the unexpected joys of fusion food. Her journey transports us from the clamour of Noah’s Ark to the calm of the British Museum, from the Oxford School of Rare Jewish Languages to the banks of the River Tigris. As Samantha considers what we lose and keep, she also asks what we might need to let go of to preserve our culture and ourselves. Always Carry Salt is an immersive and moving meditation on the words and traditions that shape us and what we carry forward into future generations.

A Holocaust historian, archivist, and history blogger adds a new dimension to the story of the Warsaw Ghetto uprising during World War II, shining a long overdue spotlight on five young, Polish Jewish women—champions who helped lead the resistance, sabotage the Nazis, and aid Jews in hiding across occupied Poland and Eastern Europe.  The Warsaw Ghetto Uprising is one of the most storied events of the Holocaust, yet previous accounts of have almost entirely focused on its male participants. In The Girl Bandits of the Warsaw Ghetto, Holocaust historian Elizabeth Hyman introduces five young, courageous Polish Jewish women—known as “the girls” by the leadership of the resistance and “bandits” by their Nazi oppressors—who were central to the Jewish resistance as fighters, commanders, couriers, and smugglers. They Zivia Lubetkin, the most senior female member of the Jewish Fighting Organization Command Staff in Warsaw and a reluctant legend in her own time, who was immortalized by her code name, "Celina" Vladka Meed, who smuggled dynamite into and illegal literature out of the Warsaw Ghetto in preparation for the uprising Dr. Idina “Inka” Blady-Schweiger, a young medical student who became a reluctant angel of mercy Tema Schneiderman, a tall, beautiful and fearless young woman who volunteered for smuggling and rescue missions across Nazi-occupied Eastern Europe Tossia Altman, a heroic courier with a poetic soul, who helped bring arms into the Warsaw Ghetto, fought in the Uprising, and ferried communiques to the outside world Interspersed with the stories of other Jewish women who resisted, The Girl Bandits of the Warsaw Ghetto rescues these women from the shadows of time, bringing to light their resilience, bravery, and cunning in the face of unspeakable hardship—inspiring stories of courage, daring, and resistance that must never be forgotten.