In this riveting dark fantasy debut, a woman with missing memories fights to survive a war-torn world of necromancy and alchemy—and the man tasked with unearthing the deepest secrets of her past. “What is it you think you’re protecting in that brain of yours? The war is over. Holdfast is dead. The Eternal Flame extinguished. There’s no one left for you to save.” Once a promising alchemist, Helena Marino is now a prisoner—of war and of her own mind. Her Resistance friends and allies have been brutally murdered, her abilities suppressed, and the world she knew destroyed. In the aftermath of a long war, Paladia’s new ruling class of corrupt guild families and depraved necromancers, whose vile, undead creatures helped bring about their victory, holds Helena captive. According to Resistance records, she was a healer of little importance within their ranks. But Helena has inexplicable memory loss of the months leading up to her capture, making her enemies wonder: Is she truly as insignificant as she appears, or are her lost memories hiding some vital piece of the Resistance’s final gambit? To uncover the memories buried deep within her mind, Helena is sent to the High Reeve, one of the most powerful and ruthless necromancers in this new world. Trapped on his crumbling estate, Helena’s fight—to protect her lost history and to preserve the last remaining shreds of her former self—is just beginning. For her prison and captor have secrets of their own . . . secrets Helena must unearth, whatever the cost.

Death and the Dervish is an acclaimed novel by Bosnian writer Mesa Selimovic. It recounts the story of Sheikh Nuruddin, a dervish residing in an Islamic monastery in Sarajevo in the eighteenth century during the Ottoman Turk hegemony over the Balkans. When his brother is arrested, he must descend into the Kafkaesque world of the Ottoman authorities in his search to discover what happened to him. He narrates his story in the form of an elaborate suicide note, regularly misquoting the Koran. In time, he begins to question his relations with society as a whole and, eventually, his life choices in general. Hugely successful when published in the 1960s, Death and the Dervish is an enduring classic that was made into a feature length film in 1974.

My father was a gardener. Now he is a garden. A man sits by his father's bedside and watches him die. Watches as his past begins to crack, leaving him buried in all its afternoons. The quietly collapsing afternoons of childhood. Because the end of our fathers is the end of a world. From the winner of the International Booker Prize, comes a novel about a father and a son, about the last month of a man's life, and the stories that make up a life.

"Gaza Writes Back: Short Stories from Young Writers in Gaza, Palestine", edited by Refaat Alareer is a compelling collection of short stories from fifteen young writers in Gaza, members of a generation that has suffered immensely under Israel’s siege and blockade. Their experiences, especially during and following Israel’s 2008-2009 offensive known as “Operation Cast Lead”, have fundamentally impacted their lives and their writing. Indeed, many of these writers saw the war as a catalyst for their writing, as they sought an outlet and a voice in its aftermath. They view the book as a means of preserving Palestinian memories and presenting their own narratives to the world without filters. Their words take us into the homes and hearts of moms, dads, students, children, and elders striving to live lives of dignity, compassion, and meaning in one of the world’s most embattled communities. (Some of the stories also take us with courage and empathy into the imagined world of Israelis living just on the other side of the great barriers Israel has built in and around Gaza and the West Bank to wall the Palestinians in.) These stories are acts of resistance and defiance, proclaiming the endurance of Palestinians and the continuing resilience and creativity of their culture in the face of ongoing obstacles and attempts to silence them. Whether tackling the tragedy that surrounds missile strikes and home raids, or the everyday indignities encountered by Palestinian refugees, Gaza Writes Back brings to life the real issues that the people of Gaza face. One prominent theme in many of the stories is the value placed on the wisdom of parents and grandparents. A sense of longing pervades the book, as the characters in the stories reveal desires ranging from the mundane to the complex—including, in several of the stories, a strong yearning to return to the characters’ long-cherished family homes and properties after many decades in exile from them. Social differences within Gaza are also sensitively explored. A few stories are especially difficult—but critical—to digest , for the vividness with which they depict the experiences of victims of Israeli military strikes and confront the legacy of violence and occupation, particularly on young people. Readers will be moved by the struggles big and small that emerge from the well-crafted writing by these young people, and by the hope and courage that radiates from the authors’ biographies. The contributors are university students and recent graduates, Palestinians who have chosen to speak out in their second language, which is an “expressive way to be more creative in a world where words are significantly mighty,” according to Tasnim Hamouda. Another contributor, Nour El Borno, believes “that if a person can write effectively, it is his or her duty to get up, write, and help change this world to something better.” Five years after Operation Cast Lead, these stories remind us that the pain lingers on and the people of Gaza will be forever scarred by the attack. Yet, the call for justice remains forceful and persistent, and these young Gazan writers refuse to let the world forget about them—their land, their people, and their story.

From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration.

All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations. From a kaleidoscope of cultural forms—novels, memoirs, cemeteries, monuments, films, photography, museum exhibits, video games, souvenirs, and more—Nothing Ever Dies brings a comprehensive vision of the war into sharp focus. At stake are ethical questions about how the war should be remembered by participants that include not only Americans and Vietnamese but also Laotians, Cambodians, South Koreans, and Southeast Asian Americans. Too often, memorials valorize the experience of one’s own people above all else, honoring their sacrifices while demonizing the “enemy”—or, most often, ignoring combatants and civilians on the other side altogether. Visiting sites across the United States, Southeast Asia, and Korea, Viet Thanh Nguyen provides penetrating interpretations of the way memories of the war help to enable future wars or struggle to prevent them. Drawing from this war, Nguyen offers a lesson for all wars by calling on us to recognize not only our shared humanity but our ever-present inhumanity. This is the only path to reconciliation with our foes, and with ourselves. Without reconciliation, war’s truth will be impossible to remember, and war’s trauma impossible to forget.

Meet the néaladóirí (cloud-watchers) and réadóirí (stargazers) from our past who, without the luxury of Met Éireann at their disposal, observed birds, trees, animals, as well as markers on land and sea for signs of weather change. The sheer richness and variety of terms they amassed reveal the closeness with which they observed the world around them. Swallows flying low foretold rain. The heron’s behaviour offered many hints: Aimsir chrua thirim nuair a bhíonn an corr éisc suas in aghaidh srutha chun na sléibhte (when the heron flies upstream to the mountains the weather will be dry but rough). Fearthainn nuair a thagann sí an abhainn anuas (when she goes downstream, it will rain). Evoking countless sodden, shivery experiences on this Atlantic-swept island of ours, this beautifully illustrated gift book uses Irish words to grasp an almost-lost world through the wisdom stored in the Irish language.

'The best book on the Irish language I have ever read – so funny, so soulful' Tommy Tiernan The sunlight sparkling on the waves, or the merriness you feel after early pints of stout in the morning.When you speak in Irish, every word is a tiny poem that reveals a new perspective. The Irish language is our inheritance. It lives underneath us in the soil, it blows through the leaves on trees and rises from the roots. Hector Ó hEochagáin is on a mission to help us reclaim that inheritance.From beautiful and melodic words like LOINNIR and phrases like 'CÉN CHAOI A BHFUIL TÚ?' – the perfect greeting for when the postman stops by on a winter's morning; to 'GAFA' – a way to say you're so busy you don't even have time to go to the toilet; 'DAMANTA' – when you have an almighty headache or terrible hangover; and 'SIOCTHA' – when it's so cold the grass is crunchy under your feet, rediscover the fun and magic of Irish words you can use every day.'The godfather of modern Irish brings new meaning, richness and relevance to our language' Paul Galvin