“Big-hearted and inspired, George Falls Through Time gifts us the timeless reminder that love makes the best sword to slay our outsized problems. On top of that, it's great, page-turning fun.” —Steven Rowley, New York Times bestselling author of The Guncle and The Celebrants A brilliant, genre-exploding love story about a man who, in a moment of extreme stress, time travels to the year 1300 . . . where his modern problems are replaced by medieval brutalities—blending  the literary dynamism of Madeline Miller with the sharp wit of Andrew Sean Greer, and perfect for fans ofThe Ministry of Time. Newly laid off George’s internet bill is in his ex-boyfriend’s name. He’s got a spider-infested apartment, and two of the six dogs he’s walking in London have just escaped. It’s pure undiluted stress that sends him into a spiral—all the way to the year 1300. When he comes to, George recognizes the same rolling hills of Greenwich Park. But the luxuries and phone service of modernity are nowhere. In their place are locals with a bizarre, slanted speech in awe of his foreign clothes, who swiftly toss him in a dungeon. Despite the barbarity of a medieval world, a servant named Simon helps George acclimate to a simpler, easier existence. But rumors of a dragon haunting the countryside and a summons from the King threaten to send his life up in flames—this time, literally. A confessional queer romance, a swords-and-sorcery soap opera, a paradox-embracing reimagining of the legend of St. George and the Dragon, George Falls Through Time is a profound meditation on the nature of desire that pits modern sensibilities against a raw and alien backdrop. It asks whether we can love each other without destroying one another, even when life feels like a pile of bills. 

She is a curator, who spends her time dressing the rooms of historic buildings to bring them to life. But in the lush private quarters of a medieval palace, she finds herself so transfixed by the reign of an almost-forgotten King that the edges of her life begin to blur.He is a reluctant ruler with no hunger for power, rushed to the throne after the untimely deaths of his older brothers. But it isn't long before whispers begin to fly around the court. And with the growing belief that the King is not fit for the throne comes the idea that another might rule in his stead.May We Feed the King dances between the lives of a historical subject who risks the future of his kingdom and a woman who turns to the past to hide from her present. Laced with desire and longing, it is a playful, stirring meditation on history and on what makes a King 'Great', and a life meaningful.

Phillip Tennent makes his living at the tideline, collecting artefacts that wash up from the Channel. It's been years since the crisis changed everything, but its exact nature remains obscured. Government barely functions, the seas are full of new creatures, Europe has been mislaid. It feels like the end. Now Phillip has fished out of the water an object he can't keep. A creature that keeps changing. An artefact he must take inland, before it destroys everything he thinks he knows.

'One of our boldest writers' Deborah LevyA magnificent work of shadow-play and a meditation on desire, metamorphosis and mortality. Flora is visiting home in Mexico when the family dog leaps up and bites her hand. She winds up in hospital where she undergoes several surgeries under anaesthesia and meets Wilhelmina, an elderly German woman with pneumonia, who collects pre-cinema toys and instruments. The two of them embark on a series of dream-like conversations in the hospital corridors. Wilhelmina puts on a magic lantern show for Flora, leaving her spellbound.When things take an unexpected turn, Flora finds herself entrusted with an important mission. She returns to London, where she resumes her job polishing silver at a jewellery shop, and strikes up a strange friendship with Wilhelmina’s son, Max. As Flora dips in and out of her imagination, she is increasingly aware it’s not only the magic lantern that projects, and her perception of reality is subtly altered.‘One of the most brilliant novelists working in English today’ Garth Greenwell‘The politics of her prose is existential rather than anecdotal, as it was with Kafka’s’ Zadie Smith‘A subtle and courageous writer’ Ali Smith‘Chloe Aridjis is crafting a poetics of the strange’ TLS

From Marlon James, author of the Booker Prize–winning A Brief History of Seven Killings: a propulsive novel about the murder of a gay man in 1980s Jamaica and its tragic consequences.In 1988, eight men in Kingston, Jamaica, begin rehearsals for a play. The men are strangers to one another and each has a different reason for being involved. But they all share one inescapable All of them are gay―a "batty man" in Jamaican argot―and all of them must contend with the dangers that such a truth lays bare.One night a mob savagely attacks them, killing one of the men. For the survivors, their recovery is as much emotional as it is As their bodies heal, each man grapples with the violence, the hatred and the rage that the attack made plain. Some try to ignore what the attack has unearthed, while others double down on retribution.In The Disappearers, Marlon James has written a riveting and deeply human story of men forced to make compromises to survive what the society they live in demands. It is both a dramatic page-turner and an unflinching exploration of queer life in Jamaica during the 1980s and 1990s.

Artie Dam is living a double life. He spends his days teaching history to eleventh graders, expanding their young minds, correcting their casual cruelties, and lending a kind word to those who need it most. He goes to holiday parties with his wife of three decades, makes small talk with neighbors, and, on weekends, takes his sailboat out on the beautiful Massachusetts Bay. He is, by all appearances, present and alive. But inside, Artie is plagued by feelings of isolation. He looks out at a world gone mad—at himself and the people around him—and turns a question over and over in his mind: How is it that we know so little about one another, even those closest to us? And then, one day, Artie learns that life has been keeping a secret from him, one that threatens to upend his entire world. Once he learns it, he is forced to chart a new course, to reconsider the relationships he holds most dear—and to make peace with the mysteries at the heart of our existence. Elizabeth Strout, as we have come to expect, delivers a moving exploration of the human condition—one that brims with compassion for each and every one of her indelible characters. With exquisite prose and profound insight, The Things We Never Say takes one man’s fears and loneliness and makes them universal. And in the same breath, captures the abiding love that sustains and holds us all.

“Big-hearted and inspired, George Falls Through Time gifts us the timeless reminder that love makes the best sword to slay our outsized problems. On top of that, it's great, page-turning fun.” —Steven Rowley, New York Times bestselling author of The Guncle and The Celebrants A brilliant, genre-exploding love story about a man who, in a moment of extreme stress, time travels to the year 1300 . . . where his modern problems are replaced by medieval brutalities—blending  the literary dynamism of Madeline Miller with the sharp wit of Andrew Sean Greer, and perfect for fans ofThe Ministry of Time. Newly laid off George’s internet bill is in his ex-boyfriend’s name. He’s got a spider-infested apartment, and two of the six dogs he’s walking in London have just escaped. It’s pure undiluted stress that sends him into a spiral—all the way to the year 1300. When he comes to, George recognizes the same rolling hills of Greenwich Park. But the luxuries and phone service of modernity are nowhere. In their place are locals with a bizarre, slanted speech in awe of his foreign clothes, who swiftly toss him in a dungeon. Despite the barbarity of a medieval world, a servant named Simon helps George acclimate to a simpler, easier existence. But rumors of a dragon haunting the countryside and a summons from the King threaten to send his life up in flames—this time, literally. A confessional queer romance, a swords-and-sorcery soap opera, a paradox-embracing reimagining of the legend of St. George and the Dragon, George Falls Through Time is a profound meditation on the nature of desire that pits modern sensibilities against a raw and alien backdrop. It asks whether we can love each other without destroying one another, even when life feels like a pile of bills. 

From August Wilson, author of 'The Piano Lesson' and the 1984-85 Broadway season's best play, 'Ma Rainey's Black Bottom', is another powerful, stunning dramatic work that has won him numerous critical acclaim including the 1987 Tony Award for Best Play and the Pulitzer Prize. The protagonist of 'Fences' (part of Wilson's ten-part Pittsburgh Cycle plays), Troy Maxson, is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less.

The survivor of a brutal academy must exhume her own past in the first book in a new series from the international bestselling author of the Library Trilogy and the Broken Empire series.Set a thief to catch a thief. Set a monster to punish monsters. The Academy of Kindness exists to create agents of retribution, cast in the image of the Furies—known as the kindly ones—against whom even the gods hesitate to stand. Each year a hundred girls are sold to the Academy. Ten years later only three will emerge. The Academy’s halls run with blood. The few that survive its decade-long nightmare have been forged on the sands of the Wound Garden. They have learned ancient secrets amid the necrotic fumes of the Bone Garden. They leave its gates as avatars of vengeance, bound to uphold the oldest of laws. Only the most desperate would sell their child to the Kindnesses. But Rue … she sold herself. And now, a lifetime later, a long and bloody lifetime later, just as she has discovered peace, war has been brought to an old woman’s doorstep. That was a mistake.

The survivor of a brutal academy must exhume her own past in the first book in a new series from the international bestselling author of the Library Trilogy and the Broken Empire series.Set a thief to catch a thief. Set a monster to punish monsters. The Academy of Kindness exists to create agents of retribution, cast in the image of the Furies—known as the kindly ones—against whom even the gods hesitate to stand. Each year a hundred girls are sold to the Academy. Ten years later only three will emerge. The Academy’s halls run with blood. The few that survive its decade-long nightmare have been forged on the sands of the Wound Garden. They have learned ancient secrets amid the necrotic fumes of the Bone Garden. They leave its gates as avatars of vengeance, bound to uphold the oldest of laws. Only the most desperate would sell their child to the Kindnesses. But Rue … she sold herself. And now, a lifetime later, a long and bloody lifetime later, just as she has discovered peace, war has been brought to an old woman’s doorstep. That was a mistake.