Post from the The Country of the Pointed Firs forum
I was saving this all year to read in December, because my edition has fir needles and cones on the cover, so it was giving off winter vibes. Imagine my surprise when I find out it takes place in the middle of summer LMAO It works out though, because apparently I really like reading nature-heavy books in the winter when I'm stuck inside.
The descriptions are absolutely delicious. I'm not really a person who loves overly descriptive prose (I don't tend to picture places in my head very intricately when I read, only the people), but the descriptions in this book... đ
"The bay-sheltered islands and the great sea beyond stretched away to the far horizon southward and eastward; the little procession in the foreground looked futile and helpless on the edge of the rocky shore. It was a glorious day early in July, with a clear, high sky; there were no clouds, there was no noise of the sea. The song sparrows sang and sang, as if with joyous knowledge of immortality, and contempt for those who could so pettily concern themselves with death. I stood watching until the funeral procession had crept round a shoulder of the slope below and disappeared from the great landscape as if it had gone into a cave."
The dialogue of the characters is time-period specific and a bit dialect-heavy, so it can be difficult to parse. But given how non-existent any sort of plot is, I find myself not really minding all that much. It feels like when you're sitting in a communal area and you keep catching bits and pieces of other people's conversations, almost!
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The Country of the Pointed Firs
Sarah Orne Jewett
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This book had an interesting concept, but the execution was very lackluster for me.
I honestly don't have much to say about this... An underwhelming experience all around. I love me a collection of horror-tinged short stories, but the way this was written was so matter-of-fact that the horror elements fell completely flat for me, and the themes of each story were so explicitly defined that I felt like I was being talked down to. The concept of an institute dedicated to housing haunted items is one with nearly infinite potential that never felt properly explored. Nearly every story was framed in an identical way, as a story being told to our nameless protagonist, and as a result, the stakes felt non-existent.
I also had quite a few problems with the writing. I already mentioned the straightforward writing style, but that's more of a personal preference; I don't like being held at arm's length emotionally when reading a book. What's less of a personal preference is the lack of clarity in a lot of these stories. Many of the characters we follow don't have names, so they're instead given identifiers like "the man", "the man's wife", "the man's friend's wife", "the man's friend's wife's family"... you can see how this would get really confusing, not to mention exhausting to read. And I'm getting really tired of saying this about 2025 releases... but there's editing oversight to the point of distraction. Subject-verb agreement errors, pronoun errors, the aforementioned lack of sentence clarity... Publishers, I'm begging you to stop with the quantity over quality approach and give your editors time to do their jobs.
Unfortunately, I'll probably have forgotten I even read this in about a week. 2.5/5.
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Midnight Timetable: A Novel in Ghost Stories
Bora Chung
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Post from the A Little Hatred (The Age of Madness, #1) forum
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The challenge is to cultivate our inherent capacity for gift economies without the catalyst of catastrophe.
something i like about this book is that the author kind of predicts where we will have learned gift economics from & then gently pushes us past that every couple pages. the conversations in the forum will be like
â˘30%: i know gift economies from hurricane cleanup - forum post â˘35%: âwe cannot wait for hurricanes to experience thisâ - author
this is just an example (of a post i both made & comments i saw in other posts) but itâs like that for lots of ideas over the course of the first 35%, at least for me. she seems to know where we will logically go & continues to gently say âbut thatâs not enough - why would we stop thereâ at every turn. just a really good handle on predicting the cultural touchstones & basics we will turn to next. really really cool
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Winter 2026 Readalong
Read at least 1 book in the Winter 2026 Readalong.
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Midnight Timetable: A Novel in Ghost Stories
Bora Chung
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lovedeterrence DNF'd a book

The Dark Descent of Elizabeth Frankenstein
Kiersten White
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The Dark Descent of Elizabeth Frankenstein
Kiersten White
Post from the A Little Hatred (The Age of Madness, #1) forum