Grafting

Rylan Hynes

When Eben Turner returns to his family's apple orchard in rural Maine after his parents' death, he faces more than just the weight of inheritance―he confronts the love he left behind. A decade has passed since he and Chris Hartley, the Methodist minister's son, were torn apart in their final year of high school, their secret relationship severed by the forces of faith and small-town judgment. Now, as adults navigating the crossroads of identity and belonging, they must reckon with both their buried past and an uncertain future. Set against the Edenic beauty of New England, Grafting unfolds through dual perspectives in a lyrical narrative that mirrors the delicate art of joining two trees to create something stronger. As Eben and Chris work to understand how they came to be parted, they discover that healing requires more than forgiveness―it demands the courage to cultivate love in hostile ground. This exquisite debut explores the cost of forbidden desire and the resilience required to claim one's authentic self. With prose as rooted and enduring as the heritage apple trees that anchor the story, Grafting asks whether two people can truly come home to each other after being forced apart by the very communities that shaped them. A voice-driven and unforgettable tale of queer love and rural identity, Grafting will resonate with readers who were moved by the sweeping emotion of Brokeback Mountain, the luminous prose of Ocean Vuong's On Earth We're Briefly Gorgeous, and stories that find the sacred in the profane, the universal in the deeply personal.

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Dinosaurs

Lydia Millet

A man named Gil walks from New York to Arizona to recover from a failed love. After he arrives, new neighbors move into the glass-walled house next door, and his life begins to mesh with theirs. In this warmly textured, drily funny, and philosophical account of Gil’s unexpected devotion to the family, Lydia Millet explores the uncanny territory where the self ends and community begins―what one person can do in a world beset by emergencies. Dinosaurs is both sharp-edged and tender, an emotionally moving, intellectually resonant novel that asks, In the shadow of existential threat, where does hope live?

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How to Write an Autobiographical Novel

Alexander Chee

How to Write an Autobiographical Novel is the author’s manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation’s history, including his father’s death, the AIDS crisis, 9/11, the jobs that supported his writing—Tarot-reading, bookselling, cater-waiting for William F. Buckley—the writing of his first novel, Edinburgh, and the election of Donald Trump.

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Exit Party

Emily St. John Mandel

From the bestselling author of Station Eleven, Exit Party is Emily St. John Mandel’s new mind-bending epic: a story of crimes committed and loves lost across space and time. 2031. America is at war with itself, but for the first time in weeks there is some good news: the Republic of California has been declared, the curfew in Los Angeles is lifted, and everyone in the city is going to a party. Ari, newly released from prison, arrives with her friend Gloria just as a fragile new era begins. But there are people at the party who shouldn’t be there. Something is very wrong... Years later, living a different life in Paris, Ari remains haunted by that night. Whatever happened at the party fractured her sense of reality – and may hold the key to a very different world. Exit Party is Emily St. John Mandel’s electrifying new novel about freedom and surveillance, art and survival, love and loss in a broken world.

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The Flamethrowers

Rachel Kushner

Rachel Kushner’s The Flamethrowers just made it from the National Book Award longlist to the shortlist of five finalists. Her first novel, Telex from Cuba, was also nominated for a National Book Award and reviewed on the cover of The New York Times Book Review. The Flamethrowers, even more ambitious and brilliant, is the riveting story of a young artist and the worlds she encounters in New York and Rome in the mid-1970s—by turns underground, elite, and dangerous. The year is 1975 and Reno—so-called because of the place of her birth—has come to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow. The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner’s brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.

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Unquenchable Fire (Unquenchable Fire, #1)

Rachel Pollack

Book by Pollack, Rachel

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Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry (Contemp North American Poetry)

Evie Shockley

Beginning with a deceptively simple question—What do we mean when we designate behaviors, values, or forms of expression as “black”?—Evie Shockley’s Renegade Poetics separates what we think we know about black aesthetics from the more complex and nuanced possibilities the concept has long encompassed. The study reminds us, first, that even among the radicalized young poets and theorists who associated themselves with the Black Arts Movement that began in the mid-1960s, the contours of black aesthetics were deeply contested and, second, that debates about the relationship between aesthetics and politics for African American artists continue into the twenty-first century.  Shockley argues that a rigid notion of black aesthetics commonly circulates that is little more than a caricature of the concept. She sees the Black Aesthetic as influencing not only African American poets and their poetic production, but also, through its shaping of criteria and values, the reception of their work. Taking as its starting point the young BAM artists’ and activists’ insistence upon the interconnectedness of culture and politics, this study delineates how African American poets—in particular, Gwendolyn Brooks, Sonia Sanchez, Harryette Mullen, Anne Spencer, Ed Roberson, and Will Alexander—generate formally innovative responses to their various historical and cultural contexts.   Out of her readings, Shockley eloquently builds a case for redefining black aesthetics descriptively, to account for nearly a century of efforts by African American poets and critics to name and tackle issues of racial identity and self-determination. In the process, she resituates innovative poetry that has been dismissed, marginalized, or misread because its experiments were not “recognizably black”—or, in relation to the avant-garde tradition, because they were. 

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How to Write an Autobiographical Novel

Alexander Chee

How to Write an Autobiographical Novel is the author’s manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation’s history, including his father’s death, the AIDS crisis, 9/11, the jobs that supported his writing—Tarot-reading, bookselling, cater-waiting for William F. Buckley—the writing of his first novel, Edinburgh, and the election of Donald Trump.

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