In Wastoid’s dystopian landscape of desire, lovers love trampolines, lamp-makers, the sound of cars driving in the rain, anonymous tips that send innocent men to the electric chair, toil, and silence. By turns tender & nonsensical, foolish & profound, Mathias Svalina explores love’s endless variety & illogical boundaries. Merging renaissance sonnet traditions with the serial explorations of Cortazar & Calvino, Wastoid cycles through the all-too familiar terrain of love & pain & ecstatic failure, searching for some new way to never be able to learn anything new.

A race for survival among the stars... Humanity's last survivors escaped earth's ruins to find a new home. But when they find it, can their desperation overcome its dangers? WHO WILL INHERIT THIS NEW EARTH? The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age—a world terraformed and prepared for human life. But all is not right in this new Eden. In the long years since the planet was abandoned, the work of its architects has borne disastrous fruit. The planet is not waiting for them, pristine and unoccupied. New masters have turned it from a refuge into mankind's worst nightmare. Now two civilizations are on a collision course, both testing the boundaries of what they will do to survive. As the fate of humanity hangs in the balance, who are the true heirs of this new Earth?

A dazzling, inventive, and thought-provoking new novel from the ingenious author of Jennifer Government and Lexicon. Gilly, Talia, Anders, and Jackson are astronauts captaining a new and supposedly indestructible ship in humanity's war against an alien race. Confined to the ship for years, each of them holding their own secrets, they are about to learn there are threats beyond the reach of human ingenuity--and that the true nature of reality might be the universe's greatest mystery. In this near future, our world is at war with another, and humanity is haunted by its one catastrophic loss--a nightmarish engagement that left a handful of survivors drifting home through space, wracked with PTSD. Public support for the war plummeted, and the military-industrial complex set its sights on a new goal: zero-casualty warfare, made possible by gleaming new ships called Providences, powered by AI. But when the latest-launched Providence suffers a surprising attack and contact with home is severed, Gilly, Talia, Anders, and Jackson must confront the truth of the war they're fighting, the ship that brought them there, and the cosmos beyond.

The bestselling, award-winning author of The Power delivers a dazzling tour de force where a handful of friends plot a daring heist to save the world from the tech giants whose greed threatens life as we know it. When Martha Einkorn fled her father’s isolated compound in Oregon, she never expected to find herself working for a powerful social media mogul hell-bent on controlling everything. Now, she’s surrounded by mega-rich companies designing private weather, predictive analytics, and covert weaponry, while spouting technological prophecy. Martha may have left the cult, but if the apocalyptic warnings in her father’s fox and rabbit sermon—once a parable to her—are starting to come true, how much future is actually left? Across the world, in a mall in Singapore, Lai Zhen, an internet-famous survivalist, flees from an assassin. She’s cornered, desperate, and—worst of all—might die without ever knowing what’s going on. Suddenly, a remarkable piece of software appears on her phone telling her exactly how to escape. Who made it? What is it really for? And if those behind it can save her from danger, what do they want from her, and what else do they know about the future? Martha and Zhen’s worlds are about to collide. An explosive chain of events is set in motion. While a few billionaires assured of their own safety lead the world to destruction, Martha’s relentless drive and Zhen’s insatiable curiosity could lead to something beautiful or the cataclysmic end of civilization. By turns “playful, incisive, horribly relevant, and surprisingly hopeful” (Lauren Beukes, New York Times bestselling author of The Shining Girls), The Future unfolds at breakneck speed, highlighting how power corrupts the few who have it and what it means to stand up to them. The future is coming. The Future is here.

Hugo Award–nominated author Stina Leicht has created a “thoroughly enjoyable” (NPR) take on space opera for fans of The Mandalorian and Cowboy Bebop in this high-stakes adventure. Persephone Station, a seemingly backwater planet that has been largely ignored by the United Republic of Worlds, becomes the focus for the Serrao-Orlov Corporation as the planet has a few secrets the corporation tenaciously wants to exploit. Rosie—owner of Monk’s Bar, in the corporate town of West Brynner, caters to wannabe criminals and rich Earther tourists, of a sort, at the front bar. However, exactly two types of people drank at Monk’s members of a rather exclusive criminal class and those who sought to employ them. Angel—ex-marine and head of a semi-organized band of beneficent criminals, wayward assassins, and washed-up mercenaries with a penchant for doing the honorable thing is asked to perform a job for Rosie. What this job reveals will affect Persephone and put Angel and her squad up against an army. Despite the odds, they are rearing for a fight with the Serrao-Orlove Corporation. For Angel, she knows that once honor is lost, there is no regaining it. That doesn’t mean she can’t damned well try.

Nick Flynn met his father when he was working as a caseworker in a homeless shelter in Boston. As a teenager he'd received letters from this stranger father, a self-proclaimed poet and con man doing time in federal prison for bank robbery. Another Bullshit Night in Suck City tells the story of the trajectory that led Nick and his father onto the streets, into that shelter, and finally to each other. .

Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut Jeremy works at the counter of Video Hut in Nevada, Iowa. It’s a small town—the first “a” in the name is pronounced ay—smack in the center of the state. This is the late 1990s, pre-DVD, and the Hollywood Video in Ames poses an existential threat to Video Hut. But there are regular customers, a predictable rush in the late afternoon. It’s good enough for Jeremy: It’s a job; it’s quiet and regular; he gets to watch movies; he likes the owner, Sarah Jane; it gets him out of the house, where he and his dad try to avoid missing Mom, who died six years ago in a car wreck. But when Stephanie Parsons, a local schoolteacher, comes in to return her copy of Targets, starring Boris Karloff—an old movie, one Jeremy himself had ordered for the store—she has an odd complaint: “There’s something on it,” she says, but doesn’t elaborate. Two days later, Lindsey Redinius brings back She’s All That, a new release, and complains that there’s something wrong with it: “There’s another movie on this tape.” So Jeremy takes a look. And indeed, in the middle of the movie the screen blinks dark for a moment and She’s All That is replaced by a black-and-white scene, shot in a barn, with only the faint sounds of someone breathing. Four minutes later, She’s All That is back. But there is something profoundly disturbing about that scene; Jeremy’s compelled to watch it three or four times. The scenes recorded onto Targets are similar, undoubtedly created by the same hand. Creepy. And the barn looks a lot like a barn just outside of town. Jeremy doesn’t want to be curious. In truth, it freaks him out, deeply. This has gone far enough, maybe too far already. But Stephanie is pushing, and once Sarah Jane takes a look and becomes obsessed, there’s no more ignoring the disturbing scenes on the videos. And all of a sudden, what had once been the placid, regular old Iowa fields and farmhouses now feels haunted and threatening, imbued with loss and instability and profound foreboding. For Jeremy, and all those around him, life will never be the same . . .

June 1941, Eastern EuropeAs the German blitzkrieg tears across a divided continent, four young lives are thrown into Neriya, a young Jewish girl who dreams of becoming a scientist; Czesław, an underage Polish deserter fleeing the Red Army; Kezia, a Roma horse trader whose family is on the run from Soviet collectivization; and a nameless,, abandoned boy who cannot speak.Driven deep into the Lithuanian woods, they form an unbreakable bond with one another and with a flock of crows whose uncanny intelligence hints at a secret older and stranger than they could ever have imagined.From the Locus and Hugo Award-winning author Ray Nayler, this haunting novel blends history and speculative wonder into a story of survival, loyalty and the fragile beauty of life in the darkest of times.

An astonishing new novel from the acclaimed and bestselling author of Eggshell Skull and The Work.  Mitchell is a brilliant biologist, committed to the environment and the growing global antinatalist movement. For one month each year he lives with his colleague Frances in a utopia of radical equality and scientific dedication in Antarctica. They are concluding the Anarctos a seed vault in an isolated, secret location. It is a biodiversity insurance policy against humanity’s devastating effects on the rapidly warming planet.   But when their helicopter doesn’t pick them up, and strange things begin to happen, their faith in science is suddenly not enough. Mitchell has been keeping big secrets – from Frances and from himself. The ice haunts him with memories of a devastating betrayal and questions of legacy and fairness crowd his mind. If they don’t get back to McMurdo Station before the last flight home they face a long dark polar winter together. Alone. As the days get shorter, these two people of firm logic and reason begin finding fault lines in their perfect social experiment. Thrilling, original and almost unbearably suspenseful, Seed offers an uneasy glimpse into isolation, love and our worst fears.  

Diane Seuss’s signature voice―audacious in its honesty, virtuosic in its artistry, outsider in its attitude―has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry , from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft―ballad, fugue, aria, refrain, coda―and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor. In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time’s deep isolation and divisiveness and What can poetry be now? Do poems still have the capacity to mean ? “It seems wrong / to curl now within the confines / of a poem,” Seuss writes. “You can’t hide / from what you made / inside what you made.” What she finds there, finally, is a surprising but unmistakable love.

In this hilariously savage, poignant novel by acclaimed author Katherine Min, a grieving daughter’s revenge on the man who caused her mother’s death sets off a series of unexpected reckonings. On a cold, gloomy night, twenty-three-year-old Kyoko stands in the rain with a knife in her hoodie’s pocket. Her target is Daniel, who seduced Kyoko’s mother then callously dropped her, leading to her death. But tonight, there will be repercussions. Following the unsuspecting Daniel home, Kyoko manages to get a rash kidnapping plot off the ground . . . and then nothing goes as planned. The Fetishist is the story of three people—Kyoko, a Japanese American punk-rock singer full of rage and grief; Daniel, a philandering violinist forced to confront the wreckage of his past; and Alma, the love of Daniel’s life, a Korean American cello prodigy long adored for her beauty, passion, and talent, but who spends her final days examining if she was ever, truly, loved. An exuberant, provocative story that confronts race, complicity, visibility, and ideals of femininity, The Fetishist was written before the celebrated author’s untimely death in 2019. Startlingly prescient, as wise and powerful as it is utterly delightful, this novel cements Katherine Min’s legacy as a writer with a singular voice for our times.