A seminal work that expands how we talk about the natural world and the environment as National Book Critics Circle Criticism finalist Camille T. Dungy diversifies her garden to reflect her heritage In Soil: The Story of a Black Mother's Garden, poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden in the predominately white community of Fort Collins, Colorado. When she moved there in 2013 with her husband and daughter, the community held strict restrictions about what residents could and could not plant. In resistance to the homogeneous policies that limited the possibility and wonder that grows from the earth, Dungy employs the various plants, herbs, vegetables, and flowers she grows in her garden as metaphor and treatise for how homogeneity threatens the future of the planet, and why cultivating diverse and intersectional language in our national discourse about the environment is the best means of protecting it. Definitive and singular, Soil functions at the nexus of nature writing, environmental justice, and prose to encourage readers to recognize the relationship between the peoples of the African diaspora and the land on which they live, and to understand that wherever soil rests beneath their feet is home.

An almost-mage discovers friendship—and maybe something more—in the unlikeliest of places in this delightfully charming novel from the USA Today bestselling author of The Teller of Small Fortunes.Certainty Bulrush wants to be useful—to the Guild of Mages that took her in as a novice, to the little brother who depends on her, and to anyone else she can help. Unfortunately, her tepid magic hasn’t proven much use to anyone. When Certainty has the chance to earn her magehood via a seemingly straightforward assignment, she takes it. Nevermind that she’ll have to work with Mage Aurelia, the brilliant, unfairly attractive overachiever who’s managed to alienate everyone around her.The two must transport minorly magical artifacts somewhere safe: Shpelling, the dullest, least magical village around. There, they must fix up an old warehouse, separate the gossipy teapots from the kind-of-flaming swords, corral an unruly little catdragon who has tagged along, and above all: avoid complications. The Guild’s uneasy relationship with citizens is at a tipping point, and the last thing needed is a magical incident.Still, as mage and novice come to know Shpelling’s residents—and each other—they realize the Guild’s hoarded magic might do more good being shared. Friendships blossom while Certainty and Aurelia work to make Shpelling the haven it could be. But magic is fickle—add attraction and it might spell trouble.

"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."