From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?

The Machine Stops is a science fiction short story (12,300 words) by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories. In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two. The book is particularly notable for predicting new technologies such as instant messaging and the internet.

Accidentally trapped in an underground bunker, a teen girl must navigate the bizarre secrets within. This astonishing indie-horror graphic novel will keep readers guessing—and turning pages! Mary had a bad feeling even before they arrived at dead Aunt Pearl’s house. Dragged to a remote mining town so her mom and stepdad can settle Pearl’s estate, Mary can't wait to escape from her wreck of a family—but she’s stuck with them in the middle of nowhere. After a vicious fight, Mary runs off to hide in an abandoned gold mine. Her escape plan backfires when she realizes she’s trapped inside. Even more terrifying… she’s not alone.

In this hilarious, off-the-wall queer fantasy romance, a reclusive sorcerer is forced to protect a cowardly knight after a prophecy ties their fates together. Funny, touching and inventive, this book is perfect for fans of A Marvellous Light and Dreadful. All his life, Sir Cameron has tried to stay as far away from danger as possible. But when the Church hands down a prophecy to his fellow knights predicting that the only way to defeat their nemesis, the mad sorcerer Merulo, is to kill Sir Cameron, he finds himself in a situation too sticky for even his considerable wiles. Short of ideas, Cameron throws himself on the mercy of the one person who now actually wants him to the mad sorcerer. Merulo isn't thrilled to be babysitting a spoilt, attention-seeking knight, but fate has tied them together. And transmogrifying Cameron into a vulture is at least a great source of entertainment. Cameron, meanwhile, is on a voyage of self-discovery. It turns out he's really, really into surly sorcerers who lock him up and tell him what to do. Who knew? As a legion of knights surround their stronghold, led by an angry concussed elf—which definitely isn't in any way Cameron's fault—the sorcerer's poisonous ambitions draw ever closer to fruition. Cameron is quite invested in not dying, but he finds he's also invested in Merulo. And sometimes, supporting the sorcerer you care about means taking an interest in their hobbies. Even if their hobby is trying to kill God. Even if it might get you killed, too.

ASIN B08H831J18 moved to the more recent edition Centuries before, robots of Panga gained self-awareness, laid down their tools, wandered, en masse into the wilderness, never to be seen again. They faded into myth and urban legend. Now the life of the tea monk who tells this story is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how. They will need to ask it a lot. Chambers' series asks: in a world where people have what they want, does having more matter?

The dream chooses the dreamer, not the other way around—and Lazlo Strange, war orphan and junior librarian, has always feared that his dream chose poorly. Since he was five years old he’s been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it. Then a stunning opportunity presents itself, in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever. What happened in Weep two hundred years ago to cut it off from the rest of the world? What exactly did the Godslayer slay that went by the name of god? And what is the mysterious problem he now seeks help in solving? The answers await in Weep, but so do more mysteries—including the blue-skinned goddess who appears in Lazlo’s dreams. How did he dream her before he knew she existed? And if all the gods are dead, why does she seem so real? Welcome to Weep.

A brilliant, action-packed reimagining of The Adventures of Huckleberry Finn , both harrowing and ferociously funny, told from the enslaved Jim's point of view. When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of The Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.

#1 New York Times bestselling author Veronica Roth pulls from Slavic folklore to explore family, duty, and what it means to be a monster in this sequel to the USA Today bestselling novella When Among Crows A funeral. A heist. A mission born of desperation. When someone in Dymitr’s family dies, he’s called back home for the Empty Night, a funeral rite intended to keep evil at bay. The secret Dymitr is keeping from them makes returning home downright dangerous, but if he wants to get his hands on a book of curses that might appease Baba Jaga’s blood lust, he has no choice. And when that same funeral brings ferocious creature-of-legend Niko to town for his own bloody purposes, Dymitr’s charade becomes impossible to maintain. Family gatherings can be brutal. Dymitr’s might just be fatal.

When Among Crows is swift and striking, drawing from the deep well of Slavic folklore and asking if redemption and atonement can be found in embracing what we most fear. We bear the sword, and we bear the pain of the sword. Pain is Dymitr’s calling. His family is one in a long line of hunters who sacrifice their souls to slay monsters. Now he’s tasked with a deadly mission: find the legendary witch Baba Jaga. To reach her, Dymitr must ally with the ones he’s sworn to kill. Pain is Ala’s inheritance. A fear-eating zmora with little left to lose, Ala awaits death from the curse she carries. When Dymitr offers her a cure in exchange for her help, she has no choice but to agree. Together they must fight against time and the wrath of the Chicago underworld. But Dymitr’s secrets—and his true motives—may be the thing that actually destroys them.

New York City, 1990: When you slip through the cracks, no one is there to catch you. Monique learns that the hard way after her girlfriend Donna vanishes without a trace. Only after the disappearances of several other impoverished women does Monique hear the rumors. A taloned monster stalks the city’s underground and snatches victims into the dark. Donna isn’t missing. She was taken. To save the woman she loves, Monique must descend deeper than the known underground, into a subterranean world of enigmatic cultists and shadowy creatures. But what she finds looms beyond her wildest fears—a darkness that stretches from the dawn of time and across the stars.