From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

No one expects a princess to be brutal. And Lada Dragwyla likes it that way. Ever since she and her brother were abandoned by their father to be raised in the Ottoman sultan’s courts, Lada has known that ruthlessness is the key to survival. For the lineage that makes her and her brother special also makes them targets. Lada hones her skills as a warrior as she nurtures plans to wreak revenge on the empire that holds her captive. Then she and Radu meet the sultan’s son, Mehmed, and everything changes. Now Mehmed unwittingly stands between Lada and Radu as they transform from siblings to rivals, and the ties of love and loyalty that bind them together are stretched to breaking point. The first of an epic new trilogy starring the ultimate anti-princess who does not have a gentle heart. Lada knows how to wield a sword, and she'll stop at nothing to keep herself and her brother alive.

Since medieval times, the mystical tradition of Kabbalah was restricted to qualified men over forty—because it was believed that only the most mature and pious could grasp its complexity and profound, life-changing implications. More recently, Kabbalah nearly disappeared—as most of its practitioners perished in the Holocaust. Now this powerful spiritual tradition, after centuries of secrecy and near-extinction, is explained clearly in this book by one of its most prominent teachers. Who are we? Where did we come from? Where are we going? How do we get there? These questions have fueled Kabbalists for nearly a millennium. Rabbi David A. Cooper is the first to bring this obscure and difficult tradition to a mainstream audience in a way that gently leads us to the heart of the subject, showing us how to transform profound teachings into a meaningful personal experience—and appreciate fully this great mystical process we know as God.

Welcome to Borley Rectory, the most haunted house in England. The year is 1926 and Sarah Grey has landed herself an unlikely new job – personal assistant to Harry Price, London’s most infamous ghost hunter. Equal parts brilliant and charming, neurotic and manipulative, Harry has devoted his life to exposing the truth behind England’s many ‘false hauntings’, and never has he left a case unsolved, nor a fraud unexposed. So when Harry and Sarah are invited to Borley Rectory – a house so haunted that objects frequently fly through the air unbidden, and locals avoid the grounds for fear of facing the spectral nun that walks there – they’re sure that this case will be just like any other. But when night falls and still no artifice can be found, the ghost hunters are forced to confront an uncomfortable possibility: the ghost of Borley Rectory may be real. And, if so, they’re about to make its most intimate acquaintance.

For readers of Kara Thomas and Karen McManus, an addictive, twisty crime thriller with shades of Serial and Making a Murderer about a closed local murder case that doesn't add up, and a girl who's determined to find the real killer--but not everyone wants her meddling in the past. Everyone in Fairview knows the story. Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town. But she can't shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer? Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn't want Pip digging around for answers, and now her own life might be in danger. This is the story of an investigation turned obsession, full of twists and turns and with an ending you'll never expect.

*Book one of a duet* When Ophelia Winters accepts a scholarship at a prestigious Scottish university to prove that her parents' death was the fault of Cain Green, an American aviation tycoon, her plan is simple; keep her grades up and her head down. The last thing she wants is to wind up in a mafia war or step on the toes of royalty. Her plan gets off to a rocky start when the mysterious man that almost kills her on her first day turns out to be Cain's eldest son. As far as she’s concerned, Alex Corbeau-Green is a younger version of his billionaire father. A monster hiding beneath a beautiful facade. Loneliness has been Ophelia’s only dependable companion for years, but when anonymous threats and mysterious occurrences start to haunt her time at Sorrowsong, she wonders if she really can survive there on her own. Between being paired together for a project and ending up as each other’s alibi for a murder, avoiding Alex becomes increasingly impossible. She begins to fall for the soft heart that hides beneath his hard exterior. Tormented by a malicious stalker and growing closer to Alex, Ophelia’s desperation for revenge wavers for the first time. Can she really bring herself to pull the trigger on Cain now that she knows the family it’ll split into two?__________ Dark Academic Romance - Enemies to Lovers - Slow Burn - University Setting This work is dark in places and contains several triggers throughout. Please heed the warnings before reading.

A rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment. In this captivating work, psychologist and knitter Nicole Nehrig delves into the myriad ways that art forms such as knitting, sewing, and embroidery were and continue to be liberating for women. Spanning continents and centuries, Nehrig brings together remarkable stories of women, from an eighteenth-century Quaker boarding school that used embroidered samples to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women’s postal art exchange. Throughout history, textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest. With Her Own Hands is a celebration of women who have woven their own stories and created objects of beauty and significance to bring them through hardships.

A young mortician goes behind the scenes, unafraid of the gruesome (and fascinating) details of her curious profession. Most people want to avoid thinking about death, but Caitlin Doughty—a twenty-something with a degree in medieval history and a flair for the macabre—took a job at a crematory, turning morbid curiosity into her life’s work. Thrown into a profession of gallows humor and vivid characters (both living and very dead), Doughty learned to navigate the secretive culture of those who care for the deceased. Smoke Gets in Your Eyes tells an unusual coming-of-age story full of bizarre encounters and unforgettable scenes. Caring for dead bodies of every color, shape, and affliction, Doughty soon becomes an intrepid explorer in the world of the dead. She describes how she swept ashes from the machines (and sometimes onto her clothes) and reveals the strange history of cremation and undertaking, marveling at bizarre and wonderful funeral practices from different cultures. Her eye-opening, candid, and often hilarious story is like going on a journey with your bravest friend to the cemetery at midnight. She demystifies death, leading us behind the black curtain of her unique profession. And she answers questions you didn’t know you had: Can you catch a disease from a corpse? How many dead bodies can you fit in a Dodge van? What exactly does a flaming skull look like? Honest and heartfelt, self-deprecating and ironic, Doughty's engaging style makes this otherwise taboo topic both approachable and engrossing. Now a licensed mortician with an alternative funeral practice, Doughty argues that our fear of dying warps our culture and society, and she calls for better ways of dealing with death (and our dead).

Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and expanding crafts movements. The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women.

Two graduate students must set aside their rivalry and journey to Hell to save their professor’s soul, perhaps at the cost of their own. Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality—her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world—that is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands, and even death is not going to stop the pursuit of her dreams. Nor will the fact that her rival, Peter Murdoch, has come to the same conclusion.

Everyone says you can't go back home, but Dinetah, the Navajo Nation, is a place Marin Sinclair feels she has no right to claim as home. There are dark memories for her there, most of them wrapped up in the struggle to reconcile an Anglo worldview with that of the Navajo culture. She doesn’t expect that responding to a plea from a long ago Dineh friend will put her life in jeopardy, but Navajoland was ever a place to hold mysteries. The mystery now is what about her life then would make someone want to kill her? Sgt. Justin Blue Eyes of the Navajo Nation Police shares a connection with Marin from the past, and he has the same question plus a few, including why the United States Nuclear Regulatory Commission would send a top government agent to investigate the abandoned uranium mines on Navajo tribal lands—mines that in the past exposed hundreds of Native American miners to cancer-causing radiation. But first he needs to find Marin, and it looks like she has gone off the grid—on her own in the Lukachukai mountains with a killer close behind.

Jews have been active participants in shaping the healing practices of the communities of eastern Europe. Their approach largely combined the ideas of traditional Ashkenazi culture with the heritage of medieval and early modern medicine. Holy rabbis and faith healers, as well as Jewish barbers, innkeepers, and pedlars, all dispensed cures, purveyed folk remedies for different ailments, and gave hope to the sick and their families based on kabbalah, numerology, prayer, and magical Hebrew formulas. Nevertheless, as new sources of knowledge penetrated the traditional world, modern medical ideas gained widespread support. Jews became court physicians to the nobility, and when the universities were opened up to them many also qualified as doctors. At every stage, medicine proved an important field for cross-cultural contacts. Jewish historians and scholars of folk medicine alike will discover here fascinating sources never previously explored - manuscripts, printed publications, and memoirs in Yiddish and Hebrew but also in Polish, English, German, Russian, and Ukrainian. Marek Tuszewicki's careful study of these documents has teased out therapeutic advice, recipes, magical incantations, kabbalistic methods, and practical techniques, together with the ethical considerations that such approaches entailed. His research fills a gap in the study of folk medicine in eastern Europe, shedding light on little-known aspects of Ashkenazi culture, and on how the need to treat sickness brought Jews and their neighbours together.