A family confronts a past that is both keeping them together and preventing them from breaking free. Meet the Valiat family. In Iran they were somebodies. In America they’re nobodies. First there is Elizabeth, the regal matriarch with the famously large nose who stayed in Tehran during the revolution. Her daughters, Shirin and Seema, left for America in 1979. She lives in a shabby apartment, paranoid and alone—except when she is visited by Niaz, her Islamic-law–breaking granddaughter who takes her debauchery with a side of purpose yet somehow manages to survive. The other granddaughter, Bita, is a self-righteous but lost law student spending her days in New York City eating pancakes and quietly giving away her belongings. When an annual vacation in Aspen goes wildly awry and Shirin ends up being bailed out of jail by Bita, the family’s brittle status quo cracks open. Shirin embarks upon a grand but half-baked quest to restore the family name—but what does that even mean in a country where the Valiats never mattered? Will they ever realize that life is more than just an old story?

An expansive yet intimate story of desire, artistic ambition, and fidelity, set in the glamorous literary and film circles of 1950s Italy In July of 1953, at a glittering party thrown by Truman Capote in Portofino, Italy, Tennessee Williams and his longtime lover Frank Merlo meet Anja Blomgren, a mysteriously taciturn young Swedish beauty and aspiring actress. Their encounter will go on to alter all of their lives. Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams's final play. What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? Like The Master and The Hours, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.

A missing boy. A corrupt system. A case that could change everything… When young queer dancer Wilbess “Bessy” Mulenga is arrested by corrupt police, fresh-from-the-village rookie lawyer Grace Zulu takes up his cause in her first pro bono case. Presented with a freshly beaten client, Grace protests to the police and gets barred from accessing Bessy, who then disappears from the system—and the world—without a trace. As she fights for justice for Bessy, Grace must navigate a dangerous world of corrupt politicians, traditional beliefs, and deep-seated homophobia. With the help of a former freedom fighter and the head of her law firm, who’s rallying for one last fight as AIDS takes its toll on him, Grace brings together a coalition of unions, students, and political opposition to take on the corrupt administration of President Kaunda. But will justice prevail in the face of such overwhelming odds? The Lions' Den is a gripping and enduring novel that will keep you on the edge of your seat from beginning to end. With unforgettable characters and a thrilling plot, Iris Mwanza has announced herself as a major new talent in fiction.

With Aya’s encouragement and inspiration from a music festival they attend together, Mitsuki begins to pursue her passion for music in earnest! But when a certain video of her singing goes viral on social media, Mitsuki ends up becoming somewhat of a celebrity at school—and her newfound fame brings difficulties for both her and Aya...

A former evangelical pastor explains why we can stop worrying about hell and start focusing on loveThere is a black hole at the center of Christian the doctrine of hell. No matter how hard we try to believe in a loving God, the fear of eternal torment always lurks at the back of our minds, warping our sense of what love means. Worse still, many churches act as if the point of Christianity is not to follow Jesus but to secure a get-out-of-hell-free card—and to “save” everyone you know by converting them to your religion. For many of us, the whole story of Christianity has punishment at the very center. But does the Bible really say we’re going to hell if we don’t do or believe the “right” things?In this taboo-shattering book, former evangelical pastor Brian Recker takes an honest look at scripture and reveals what has been true all Hell isn’t real, and God’s universal love is radically inclusive, in this life and the next. By removing punishment from Christianity's center, Recker boldly reimagines the core questions of faith, such as why Jesus lived and died, and what it means to be “saved.” It’s time to rediscover spirituality as Jesus taught loving God, and loving our neighbors as ourselves. Whether you’re Christian, exvangelical, or anywhere along a deconstruction journey, Hellbent is the perfect resource to help you replace fear and church hurt with healing and peace.

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

Approaching translations of Tolkien's works as stories in their own right, this book reads multiple Chinese translations of Tolkien's writing to uncover the new and unique perspectives that enrich the meaning of the original texts. Exploring translations of The Lord of the Rings , The Hobbit , The Silmarillion , The Children of Hurin and The Unfinished Tales , Eric Reinders reveals the mechanics of meaning by literally back-translating the Chinese into English to dig into the conceptual common grounds shared by religion, fantasy and translation, namely the suspension of disbelief, and questions of truth - literal, allegorical and existential. With coverage of themes such as gods and heathens, elves and 'Men', race, mortality and immortality, fate and doom, and language, Reinder's journey to Chinese Middle-earth and back again drastically alters views on Tolkien's work where even basic genre classification surrounding fantasy literature look different through the lens of Chinese literary expectations. Invoking scholarship in Tolkien studies, fantasy theory and religious and translations studies, this is an ambitious exercises in comparative imagination across cultures that suspends the prejudiced hierarchy of originals over translations.

Anzaldua, a Chicana native of Texas, explores in prose and poetry the murky, precarious existence of those living on the frontier between cultures and languages. Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditates on the condition of Chicanos in Anglo culture, women in Hispanic culture, and lesbians in the straight world. Her essays and poems range over broad territory, moving from the plight of undocumented migrant workers to memories of her grandmother, from Aztec religion to the agony of writing. Anzaldua is a rebellious and willful talent who recognizes that life on the border, "life in the shadows," is vital territory for both literature and civilization. Venting her anger on all oppressors of people who are culturally or sexually different, the author has produced a powerful document that belongs in all collections with emphasis on Hispanic American or feminist issues.