A nineteenth-century boy from a Mississippi River town recounts his adventures as he travels down the river with a runaway slave, encountering a family involved in a feud, two scoundrels pretending to be royalty, and Tom Sawyer's aunt who mistakes him for Tom.

This debut novel by a Palestinian-American voice takes us inside the lives of a conservative Arab family living in America. In Brooklyn, eighteen-year-old Deya is starting to meet with suitors. Though she doesn’t want to get married, her grandparents give her no choice. History is repeating itself: Deya’s mother, Isra, also had no choice when she left Palestine as a teenager to marry Adam. Though Deya was raised to believe her parents died in a car accident, a secret note from a mysterious, yet familiar-looking woman makes Deya question everything she was told about her past. As the narrative alternates between the lives of Deya and Isra, she begins to understand the dark, complex secrets behind her community.

THIS IS A LOVE STORY, TOLD BY EVERYONE BUT THE MAIN CHARACTERS. Clara and Seb are about to fall in love. They don't know it yet. But everybody else does.When Clara and Seb meet in a quiet corner of London, it's the start of something. She wants to be a director. He's an actor, unsure what he wants from life.Their connection is magnetic. Everyone can see that falling in love looks something like this. But when Clara casts Seb in the film that will make her name, what should be the happiest time of their lives ends with a gut-wrenching betrayal.Some love stories are bigger than just two people. This one is told through the eyes of friends, flatmates, exes and strangers who see all the sides of Seb and Clara, from their first date to the moment they fell apart. Everyone has their version of events. But only Clara and Seb can decide how their story ends...

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of "Sleepless in Seattle" reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter. Seven months into her pregnancy, Rachel Samstat discovers that her husband, Mark, is in love with another woman. The fact that the other woman has "a neck as long as an arm and a nose as long as a thumb and you should see her legs" is no consolation. Food sometimes is, though, since Rachel writes cookbooks for a living. And in between trying to win Mark back and loudly wishing him dead, Ephron's irrepressible heroine offers some of her favorite recipes. "Heartburn" is a sinfully delicious novel, as soul-satisfying as mashed potatoes and as airy as a perfect soufflé.

A brilliant, action-packed reimagining of The Adventures of Huckleberry Finn , both harrowing and ferociously funny, told from the enslaved Jim's point of view. When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of The Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.

An unparalleled novel about money, power, intimacy, and perception Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit. Hernan Diaz’s TRUST elegantly puts these competing narratives into conversation with one another—and in tension with the perspective of one woman bent on disentangling fact from fiction. The result is a novel that spans over a century and becomes more exhilarating with each new revelation. At once an immersive story and a brilliant literary puzzle, TRUST engages the reader in a quest for the truth while confronting the deceptions that often live at the heart of personal relationships, the reality-warping force of capital, and the ease with which power can manipulate facts.

An “evocative, sensitive, and compelling novel” (Delia Owens, New York Times bestselling author of Where the Crawdads Sing) that explores the deadly consequences of a love triangle in an English farming village as dangerous secrets from the past resurface—perfect for fans of The Paper Palace and Where the Crawdads Sing.“The farmer is dead. He is dead and all anyone wants to know is who killed him.” When her brother-in-law shoots a dog going after their sheep, Beth doesn’t realize that the gunshot will alter the course of their lives. For the dog belonged to none other than Gabriel Wolfe, the man Beth loved as a teenager—the man who broke her heart all those years ago. Gabriel has returned to the village with his young son Leo, a boy who reminds Beth very much of her own son Bobby, who died a few years earlier. As Beth is pulled back into Gabriel and Leo’s lives, tensions around the village rise, and jealousy rears its ugly head. Beth and her gentle and kind husband Frank are happily married, but they have their fair share of secrets, and their relationship relies on the past staying buried. And when the truth begins to come out, events spiral out of control, this time with deadly consequences. Beth is forced to make a choice—between the woman she once was, and the woman she has become. A sweeping, sexy love story with the pace and twists of a thriller, Broken Country is a novel of simmering passion, impossible choices, and explosive consequences that toggles between the past and present to explore the far-reaching legacy of first love.

Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer’s Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.