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peregrine

any/all (whatever's funniest) --- hi im perry and im a library science major and as such i eat books. thank u

6251 points

0% overlap
Sci-Fi Charcuterie
Cherry Blossom Festival 2026Level 7
My Taste
The Goldfinch
The Hunger Games
A Gentleman in Moscow
Reading...
Pebble in the Sky (Galactic Empire, #3)
0%
The Book Eaters (International Edition)
26%

peregrine commented on a post from the Pagebound Club forum

5d
  • Fill in the blank: My reading toxic trait is....

    What is your reading toxic trait?

    Mine: If I paid for the book, I'm finishing it. Even if I'm hate-reading by chapter five. 💀 & I judge a book by its cover 👀

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  • peregrine commented on leylines's review of Space Opera (Space Opera, #1)

    1w
  • Space Opera (Space Opera, #1)
    leylines
    Jul 09, 2026
    Space Opera (Space Opera, #1)
    3.5
    Enjoyment: 4.0Quality: 3.5Characters: 3.0Plot: 3.0Audiobook: 4.0
    🪩
    🌟
    👩‍🎤

    imagine if eurovision had aliens and was 10x more absurd

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  • peregrine commented on gracie's update

    peregrine commented on a post from the Pagebound Club forum

    1w
  • Quests on Pagebound

    Had some questions regarding quests. Can anyone create a quest? Also I noticed some quests say sidequest while others say main, so what's the difference?

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  • peregrine commented on shanethe_readingrat's update

    shanethe_readingrat DNF'd a book

    1w
    The Anthony Bourdain Reader: New, Classic, and Rediscovered Writing

    The Anthony Bourdain Reader: New, Classic, and Rediscovered Writing

    Anthony Bourdain

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    peregrine commented on gooeypeepers's update

    gooeypeepers made progress on...

    1w
    The Lions of Al-Rassan

    The Lions of Al-Rassan

    Guy Gavriel Kay

    51%
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    peregrine commented on a post

    1w
  • The Stranger
    Thoughts from 100% The Arab
    spoilers

    View spoiler

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  • peregrine commented on a post from the Pagebound Club forum

    1w
  • When have you “finished” a Choose Your Own Adventure?

    I used to LOVE reading Choose Your Own Adventure books but haven’t picked one up since I was a child. Some more recent ones have caught my attention though and made their way onto my TBR but before I dive in, I’ve been struggling to determine when to add them to my “Finished” shelf.

    How have (or would) you determine when you’ve finished? When you’ve read to the conclusion of your storyline or not until you’ve re-read several times to uncover all possible endings?

    When I think about video games I’ve played, I do consider playing through to the end of “my” story to be completing the game, even if there were other endings also available, but maybe this is different?

    Would love to hear opinions on this!

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  • peregrine commented on a post from the Pagebound Club forum

    2w
  • Oldest Book You Own…?🤔

    Hi all, hope you’re doing well! I was thinking about how I see so many vintage books when I go shopping at my local second-hand book store. I personally don’t make an effort to collect older books (my probably oldest book is from the 70s) but I was curious as to how old your oldest copies are and what title. Feel free to post a picture too!!💕

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  • peregrine commented on a post

    2w
  • The Stranger
    Seasonal Read: Summer

    For all the fellow mood readers: this is a summer read, the blistering heat of Algeria really seeps through the pages 🏖

    Current heatwave really helps me getting in the mood for this book! 🫠⛱️☄️

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  • peregrine commented on ayzrules's update

    ayzrules made progress on...

    2w
    Jester

    Jester

    R.C. Allan

    16%
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    peregrine commented on a post

    2w
  • Project Hail Mary
    Thoughts from 83% (page 397) - I like movie!Stratt more than book!Stratt. Thoughts?
    spoilers

    View spoiler

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  • peregrine commented on a post

    3w
  • The Stranger
    The Stranger Road Trip (Basic "Wait What?" Orientation in Advance of the Readalong including Trigger Warnings)

    Since this book is coming up in the read-along and I can already foresee posts asking questions or being generally bewildered about the protagonist in this book, I'm making this post to try and give a no plot spoiler quickie post both linking to other posts in the forum to highlight them from the jump and a couple external resources. (I will likely edit this in the near-future before the read-along starts for grammar/formatting or if I realize I missed a TW for the book itself)

    Disclaimer: It will contain elements that are spoiler-lite.

    Nothing further than the literal summary on Pagebound (which gives a straight up spoiler) but there will be things here that will make a run no longer truly blind. If you're someone who values a blind reading experience, with a high tolerance for needing to wait before making judgement calls, I would say ignore this post!

    formatting loosely based on the audio from the 'road trip' commandments gag on Family Guy picture of Peter Griffin dressed as Moses holding up two tablets

    TW for suicide for resources in "Commandment Number 1: Camus is... Camus?" as Camus uses the term in his philosophy.

    The 'Commandments'

    Commandment zero: Trigger Warnings for the Book : Domestic Violence, Animal Abuse, Sexual violence (assault mention), Violence (including gun violence and stabbing), Death/Grief (Loss of a Parent; Mother), Racism.

    Commandment Number 1: Camus is... Camus? Camus is a pied noir (meaning person of French descent from one of multiple waves of French settlement) in Algeria. Unfortunately, any bio I would link to has spoilers for this book because scholars have no chill (e.g., his bio in the Nobel website which I use for the info here!) He was an active participant in the resistance against the Nazis in France (after the poor guy was in France JUST in time for it to be invaded) around when this book is coming together. This novel is also set in Algeria (primarily in the city of Algiers, to be more precise); at the time of writing, Algeria was still a 'part' of France✨ and active colonial project where the legal system was prejudiced against those who lived there for centuries prior (Arabs and Berbers). Historically, Algiers was a hotspot for Algerian Independence activities; Camus' position was anti-independence but he was also opposed to the denial of rights and autonomy to Arabs in particular (he wanted citizenship extended alongside efforts to both eliminate economic disparity and repressive measures employed by the French). Although Camus' philosophy would coalesce in later work, we see parts of it in this novel especially in terms of the absurd. The video linked here gives a small overview of the general beats of his absurdism; this video features more animation to do a similar overview. For those who prefer writing, or want a more detailed breakdown than the general overviews, @Noctalli has a detailed breakdown of the recognition-revolt stages in Camus’ philosophy without spoilers for this book that is also linked here!

    Commandment Number 2: There's nothing I can do about the sun. This is more a hint than anything. If you find yourself thinking that it's weird how the descriptions are constantly going back to his physical experiences (temperature, brightness, etc) without much sense of his emotions beyond like/dislike... it's notable but it's not just plain weird. It's something to keep an eye on and you'll likely see posts along the way reading into it that you can add onto!

    Commandment Number 3: There are no more Maman. (They're all gone) If you're reading in French, don't worry about this note. If you're reading in English you should see the post about translations by @moski in terms of the first line; the comments in the linked post expand even further than the resources they list! In the original French, the novel is written largely in the compound past (passé composé) which is used for actions that have a definite start/end in the past tense (and this is distinct from the tendency in use the literary register, passé simple, in older French writing); in English this corresponds, ironically, to the simple past rather than compound past (i.e., it's the equivalent of saying "I did" instead of "I have done" despite the meaning being more similar to the latter). For the contemporary reader, this would be a bit more unexpected than it would for a reader in the present day. Additionally, it is not as jarring in French as the translated versions tend to read (in my limited experience) since it carries more of a conversational/everyday sense than the much more formal passé simple while some English translations seem to make the writing less conversational✨✨.

    Commandment Number 4: When we pass a weird reaction to something normal, it's weird on purpose. The wording can and will be oddly detached (and there is a post discussing it further along in this forum at 15% for poking around at that by @CatherineJ). If you can, be on the look-out for places where he seems most (and least) connected to what he's talking about. Related to Commandment 3, there are places where the writing will seem almost too neutral/casual about certain subjects (with differences depending on your edition/translation). Additionally, if you're someone who does not like characters that are generally asocial or anti-social, this book may not be to your taste whatsoever.

    ✨I say 'part' of France because that is what France had considered it to be and administered it as such (distinct from their other colonies). It cannot be understated that the French colonization of Algeria was particularly brutal and that it remains a hot button issue to this day. Its independence is literally the trigger/catalyst for the creation of the French Fifth Republic and the collapse of the Fourth Republic; to emphasize how important this is the other ways that a Republic in France has collapsed are Empires being declared and the Nazi invasion, they don't just do that. When Macron apologized for the colonization as a "crime contre l'humanité" (crime against humanity) it was controversial; when Algeria in 2025 criminalized the colonization, France described it as a hostile gesture. ✨✨PS is also known as passé historique (historical past) since it has shifted from being the default narrative tense to an archaic one! When I read my first novel which consistently used passé simple my teenage self was rather disgusted with it as the primary mode because it read very pretentious. This shift was actively occurring during Camus' generation (where it had already shifted to being a purely written tense in the latter half of the 19th century, it became increasingly unused).

    EDIT / Patch Notes 19/06/26 was on my computer where the post is less hostile to being edited than on my phone to make the following adjustments: ❤️wording in commandment #4 (and an according change to #3 to better organize the difference between the two) to be more precise about the shift from PS to PC. In my attempt to avoid losing the forest for the trees, my edits reducing a tangent to a draft of this post overemphasize the prevalence of PS in the mid-twentieth century (thank you to @StJust for being active in this thread and responding to @Polyglottery in the comment linked here which had me check back in on how that commandment worked out in the final product after I was back online more actively today; I've also pinned the thread below since it offers more details for those who are curious!) ❤️adding the link to @Noctalli's post

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  • peregrine commented on peregrine's review of The Three-Body Problem (Remembrance of Earth’s Past, #1)

    3w
  • The Three-Body Problem (Remembrance of Earth’s Past, #1)
    peregrine
    Dec 19, 2025
    The Three-Body Problem (Remembrance of Earth’s Past, #1)
    2.0
    Enjoyment: 3.0Quality: 2.0Characters: 2.0Plot: 2.0
    🔭
    🧠
    📡

    a cool and clever rock

    Conceptually, Three Body Problem is a fantastic novel. It's a hard scifi novel set in a very plausible modern day, using the scientific concepts that we as a species have only discovered in the last few decades. There's no warp speed, no time travel, just actual science you can read papers about. Modern day physics truly is at a fascinating stage in history, and what a celebration that a book like this could be written about it.

    Unfortunately, it kinda sucks.

    I say this as its target audience, a classic scifi fan who learned quantum physics as a hobby (talk to me about the Bohr-Einstein debates.) In other words, I really wanted to like this book. Because while there really are some interesting concepts that are explored in this book (the army-computer was my favorite part), as a story, as a narrative? It's incredibly bland.

    It fails to make me care about the characters. All science fiction (worth its salt) is supposed to be about what it means to be human. Yet the characters in Three Body, while they have their moments, ultimately fail to be compelling. They have hobbies and loved ones in happenstance, instead of as a peek into a fully-realized existence. Crucially, the book fails to present a convincing reason to show why the characters are doing what they're doing.

    This problem is exacerbated (or even illustrated) by the prose of this book. I understand this might be a problem with translation. Now I love the small bits I've read of Ken Liu's work, but this has to be one of the worst translations I've ever read. Repetitive words and stacatto sentences make for a dry read, which would have been bearable except for when Liu Cixin straight up gives you a classroom lecture. Which, and I'm only slightly exaggerating, is drier than some actual physics papers I've read. When the novel page is indistinguishable from a textbook's, you know there's a problem. (For an example on how this can be done right, check out Ted Chiang's Story Of Your Life.)

    I didn't hate this book. I found it (and this isn't the book's fault) overhyped. It's as if people read the confusing science and thought that made it a good book, like how an orchestral soundtrack can convince you a movie is more emotional than it actually is. I found it exasperating, especially towards the dilemma presented at the end. I found it interesting, the way you find a cool rock on the road interesting. A really clever, really smart rock, but a rock you put back on the ground nonetheless.

    Will I be reading the rest of the series? Probably, out of curiousity. Mostly because it gives me a thinly veiled excuse to bother my friends about physics and make incomprehensible jokes.

    Two stars. (They are in binary orbit, and not giving anyone an existential crisis. Ba dum tss. Physics jokes.)

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  • peregrine commented on a post from the Pagebound Club forum

    3w
  • Favorite Book Buying Experience

    Today my wife and I continued are tour of London……this is code for I dragged her into a lot of bookstores. We had a wonderful time. Well except for it was hotter than Dante’s seventh circle. When we got to the Waterstones we began working are way up the floor. Waterstones is not air conditioned. When we got to the 4th floor, we were like , “oh, hell no.” I did find several new authors I had not heard of and purchased them.

    My favorite stop was Cecil Court. I got to visit Goldsboro books one of my favorite stores in the world. Then we wandered down to a collectible store that had some Terry Pratchett books in the window. We wandered in and I was shocked to see the prices of the Terry Pratchett signed first editions (all of which I already own). This led to a delightful conversation with the store owner who was also a Terry Pratchett fan. When I told him that I read The Amazing Maurice and His Educated Rodents to my class for 15 years he was so happy that I was creating new Terry Pratchett fans and in the United States. It was my favorite part of my whole day.

    How about you. What are some of your favorite bookstore or book buying experiences?

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  • peregrine commented on gracie's review of Sweetbitter Song

    3w
  • Sweetbitter Song
    gracie
    Jun 24, 2026
    Sweetbitter Song
    4.5
    Enjoyment: 5.0Quality: 4.0Characters: 4.0Plot: 4.5Audiobook: 5.0
    💔
    ⛵
    🫒

    Sweetbitter Song is an absolutely breathtaking retelling of The Odyssey in which Penelope wasn't the dutiful wife awaiting her husband's return but the lover of an enslaved girl whom she met in her youth, all told from Melantho's perspective. This book serves up a level of yearning and angst found in few books and it tore my heart to shreds in the most delicious way possible.

    There are so many problems with their relationship, so many barriers that should keep them apart, both exterior (class and power differences, the fact that Penelope is married, the fact that they're both women, etc.) and interior (painful history, misunderstandings and real hurt due to the class and power differences, etc.). I really enjoyed that it wasn't just one kind of barrier keeping them apart, which added a lot of depth to the angst and tragedy that unfolded for them. The things that kept them apart are real problems and, in fact, their relationship could even be considered a little problematic, but for me that made it all the more delicious.

    As is likely clear from the beginning of this review and the cover of the book itself, though this book is a retelling, it is primarily focused on the relationship between Penelope and Melantho. For readers who love sapphic relationships dripping with angst, this will be delicious like it was for me. But for other readers who heavily prioritize worldbuilding realism, complete accuracy in myth retellings, or want to really feel the ancient Greek feeling, this may disappoint. This is a modern sapphic take on a retelling and so is not going to feel like many other retellings, certainly not exactly like the source material. Additionally, there are a handful of issues with the realism/continuity of the worldbuilding that may be unpleasant for some readers but were incidental to me.

    But for me, this book was an absolute work of art. Since the primary point of the book is the relationship, the worldbuilding and other aspects read to me as intentionally hazy. For me, this book is a Monet, not a Courbet. Like other works of art, it's not going to be to everyone's taste, but by god I can't stop staring at it myself.

    As an added bonus, the audiobook was fantastic. The subtle differences in accents provided a lot of texture to the world. The narrator did a wonderful job selecting tones and accents for various characters according to their position in society and personality.

    Bottom line: if you like emotional rollercoasters and the brand of angst that sapphic books in particular seem to nail, you're going to love this.

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  • peregrine commented on peregrine's update