In this charming and emotionally resonant follow up to the internationally bestselling Days at the Morisaki Bookshop, Satoshi Yagisawa paints a poignant and thoughtful portrait of life, love, and how much books and bookstores mean to the people who love them. Set again in the beloved Japanese bookshop and nearby coffee shop in the Jimbocho neighborhood of Toyko, More Days at the Morisaki Bookshop deepens the relationship between Takako, her uncle Satoru , and the people in their lives. A new cast of heartwarming regulars have appeared in the shop, including an old man who wears the same ragged mouse-colored sweater and another who collects books solely for the official stamps with the author’s personal seal. Satoshi Yagisawa illuminates the everyday relationships between people that are forged and grown through a shared love of books. As time passes, Satoru, with Takako’s help, must choose whether to keep the bookshop open or shutter its doors forever. Making the decision will take uncle and niece on an emotional journey back to their family’s roots and remind them again what a bookstore can mean to an individual, a neighborhood, and a whole culture.

The wise and charming international bestseller and hit Japanese movie—about a young woman who loses everything but finds herself—a tale of new beginnings, romantic and family relationships, and the comfort that can be found in books. Twenty-five-year-old Takako has enjoyed a relatively easy existence—until the day her boyfriend Hideaki, the man she expected to wed, casually announces he’s been cheating on her and is marrying the other woman. Suddenly, Takako’s life is in freefall. She loses her job, her friends, and her acquaintances, and spirals into a deep depression. In the depths of her despair, she receives a call from her distant uncle Satoru. An unusual man who has always pursued something of an unconventional life, especially after his wife Momoko left him out of the blue five years earlier, Satoru runs a second-hand bookshop in Jimbocho, Tokyo’s famous book district. Takako once looked down upon Satoru’s life. Now, she reluctantly accepts his offer of the tiny room above the bookshop rent-free in exchange for helping out at the store. The move is temporary, until she can get back on her feet. But in the months that follow, Takako surprises herself when she develops a passion for Japanese literature, becomes a regular at a local coffee shop where she makes new friends, and eventually meets a young editor from a nearby publishing house who’s going through his own messy breakup. But just as she begins to find joy again, Hideaki reappears, forcing Takako to rely once again on her uncle, whose own life has begun to unravel. Together, these seeming opposites work to understand each other and themselves as they continue to share the wisdom they’ve gained in the bookshop.

On the world called Hyperion, beyond the law of the Hegemony of Man, there waits the creature called the Shrike. There are those who worship it. There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits for them all. On the eve of Armageddon, with the entire galaxy at war, seven pilgrims set forth on a final voyage to Hyperion seeking the answers to the unsolved riddles of their lives. Each carries a desperate hope—and a terrible secret. And one may hold the fate of humanity in his hands.

Fledgling, Octavia Butler's new novel after a seven year break, is the story of an apparently young, amnesiac girl whose alarmingly inhuman needs and abilities lead her to a startling conclusion: She is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted - and still wants - to destroy her and those she cares for and how she can save herself. Fledgling is a captivating novel that tests the limits of "otherness" and questions what it means to be truly human.

Growing up on the moon, Xingyin is accustomed to solitude, unaware that she is being hidden from the feared Celestial Emperor who exiled her mother for stealing his elixir of immortality. But when Xingyin’s magic flares and her existence is discovered, she is forced to flee her home, leaving her mother behind. Alone, powerless, and afraid, she makes her way to the Celestial Kingdom, a land of wonder and secrets. Disguising her identity, she seizes an opportunity to learn alongside the emperor's son, mastering archery and magic, even as passion flames between her and the prince. To save her mother, Xingyin embarks on a perilous quest, confronting legendary creatures and vicious enemies across the earth and skies. But when treachery looms and forbidden magic threatens the kingdom, she must challenge the ruthless Celestial Emperor for her dream—striking a dangerous bargain in which she is torn between losing all she loves or plunging the realm into chaos. A captivating debut fantasy inspired by the legend of Chang'e, the Chinese moon goddess, in which a young woman’s quest to free her mother pits her against the most powerful immortal in the realm. Daughter of the Moon Goddess begins an enchanting, romantic duology which weaves ancient Chinese mythology into a sweeping adventure of immortals and magic—where love vies with honor, dreams are fraught with betrayal, and hope emerges triumphant.

With Life Ceremony, the incomparable Sayaka Murata is back with her first collection of short stories ever to be translated into English. In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness. In these twelve stories, Murata mixes an unusual cocktail of humor and horror to portray both the loners and outcasts as well as turning the norms and traditions of society on their head to better question them. Whether the stories take place in modern-day Japan, the future, or an alternate reality is left to the reader’s interpretation, as the characters often seem strange in their normality in a frighteningly abnormal world. In “A First-Rate Material”, Nana and Naoki are happily engaged, but Naoki can’t stand the conventional use of deceased people’s bodies for clothing, accessories, and furniture, and a disagreement around this threatens to derail their perfect wedding day. “Lovers on the Breeze” is told from the perspective of a curtain in a child’s bedroom that jealously watches the young girl Naoko as she has her first kiss with a boy from her class and does its best to stop her. “Eating the City” explores the strange norms around food and foraging, while “Hatchling” closes the collection with an extraordinary depiction of the fractured personality of someone who tries too hard to fit in. In these strange and wonderful stories of family and friendship, sex and intimacy, belonging and individuality, Murata asks above all what it means to be a human in our world and offers answers that surprise and linger.