From the #1 New York Times bestselling author of Killers of the Flower Moon, a page-turning story of shipwreck, survival, and savagery, culminating in a court martial that reveals a shocking truth. The powerful narrative reveals the deeper meaning of the events on the Wager, showing that it was not only the captain and crew who ended up on trial, but the very idea of empire. On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty's Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as "the prize of all the oceans," it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing nearly 3,000 miles of storm-wracked seas. They were greeted as heroes. But then . . . six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they told a very different story. The thirty sailors who landed in Brazil were not heroes - they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous senior officer and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death--for whomever the court found guilty could hang. The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann's recreation of the hidden world on a British warship rivals the work of Patrick O'Brian, his portrayal of the castaways' desperate straits stands up to the classics of survival writing such as The Endurance, and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann's work, the incredible twists of the narrative hold the reader spellbound.

From an electrifying new voice in epic fantasy comes The Raven Scholar, a masterfully woven and playfully inventive tale of imperial intrigue, cutthroat competition, and one scholar’s quest to uncover the truth. Let us fly now to the empire of Orrun, where after twenty-four years of peace, Bersun the Brusque must end his reign. In the dizzying heat of mid-summer, seven contenders compete to replace him. They are exceptional warriors, thinkers, strategists—the best of the best. Then one of them is murdered. It falls to Neema Kraa, the emperor’s brilliant, idiosyncratic High Scholar, to find the killer before the trials end. To do so, she must untangle a web of deadly secrets that stretches back generations, all while competing against six warriors with their own dark histories and fierce ambitions. Neema believes she is alone. But we are here to help; all she has to do is let us in. If she succeeds, she will win the throne. If she fails, death awaits her. But we won’t let that happen. We are the Raven, and we are magnificent.

From RuPaul’s Drag Race winner and host of HBO’s We’re Here comes an inventive, wondrous novel about American hero Harriet Tubman that remixes history into a fresh, dynamic novel about love, freedom, salvation, and music. In an age of miracles where our greatest heroes from history have magically, unexplainably returned to shake us out of our confusion and hate, Harriet Tubman is back, and she has a lot to say. Harriet Tubman and four of the enslaved persons she led to freedom want to tell their story in a unique way—by following in the footsteps of Lin-Manuel Miranda’s Hamilton. Harriet wants to put on a show about her life, and she needs a songwriter to help her. She calls upon Darnell Williams, a once successful hip-hop producer who was topping the charts before being outed by a rival at the BET Awards. Darnell has no idea what to expect when he steps into the studio with Harriet, only that they have one week to write a Broadway caliber musical she can take on the road. Over the course of their time together, they not only mount a show that will take the country by storm, but confront the horrors of both their pasts, and learn to find a way to a better future. Original, evocative, and historic, Harriet Live in Concert is a landmark achievement that will burrow deep into our hearts (and ears).

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

Ta-Nehisi Coates originally set off to write a book about writing, in the tradition of Orwell’s classic Politics and the English Language, but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities. The first of the book’s three intertwining essays is set in Dakar, Senegal. Despite being raised as a strict Afrocentrist, Coates had never set foot on the African continent until now. He roams the “steampunk” city of “old traditions and new machinery,” but everywhere he goes he feels as if he’s in two places at once: a modern city in Senegal and a mythic kingdom in his mind. Finally he travels to the slave castles off the coast and has his own reckoning with the legacy of the Afrocentric dream. He takes readers along with him to Columbia, South Carolina, where he meets an educator whose job is threatened for teaching one of Coates’s own books. There he discovers a community of mostly white supporters who were transformed by the “racial reckoning” of 2020. But he also explores the backlash to this reckoning and the deeper myths of the community—a capital of the confederacy with statues of segregationists looming over its public squares. And in Palestine, Coates discovers the devastating gap between the narratives we’ve accepted and the clashing reality of life on the ground. He meets with activists and dissidents, Israelis and Palestinians—the old, who remember their dispossessions on two continents, and the young, who have only known struggle and disillusionment. He travels into Jerusalem, the heart of Zionist mythology, and to the occupied territories, where he sees the reality the myth is meant to hide. It is this hidden story that draws him in and profoundly changes him—and makes the war that would soon come all the more devastating. Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive nationalist myths that shape our world—and our own souls—and embrace the liberating power of even the most difficult truths.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.