A cheeky up-close and personal guide to the secrets and science of our digestive system For too long, the gut has been the body’s most ignored and least appreciated organ, but it turns out that it’s responsible for more than just dirty work: our gut is at the core of who we are. Gut, an international bestseller, gives the alimentary canal its long-overdue moment in the spotlight. With quirky charm, rising science star Giulia Enders explains the gut’s magic, answering questions like: Why does acid reflux happen? What’s really up with gluten and lactose intolerance? How does the gut affect obesity and mood? Communication between the gut and the brain is one of the fastest-growing areas of medical research—on par with stem-cell research. Our gut reactions, we learn, are intimately connected with our physical and mental well-being. Enders’s beguiling manifesto will make you finally listen to those butterflies in your stomach: they’re trying to tell you something important.

In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh’s most exciting leap yet Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him as a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside of the village is a place to fear and to avoid, a godless place. Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces upset the old order. By year’s end, the veil between blindness and sight, life and death, the natural world and the spirit world, civility and savagery, will prove to be very thin indeed.

Bill Bryson describes himself as a reluctant traveller, but even when he stays safely at home he can't contain his curiosity about the world around him. "A Short History of Nearly Everything" is his quest to understand everything that has happened from the Big Bang to the rise of civilisation - how we got from there, being nothing at all, to here, being us. The ultimate eye-opening journey through time and space, revealing the world in a way most of us have never seen it before.

In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh’s most exciting leap yet Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him as a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside of the village is a place to fear and to avoid, a godless place. Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces upset the old order. By year’s end, the veil between blindness and sight, life and death, the natural world and the spirit world, civility and savagery, will prove to be very thin indeed.

'Hot, smart and completely captivating - this is a truly luscious love story' - Daisy Buchanan, author of InsatiableA love story that will last a lifetimeErica and Laure meet on the steps of the Sacré-Cœur in Paris, 1978. Erica is a student, relishing her first summer abroad before beginning university at home in England. Laure is studying for her Ph.D. at the Sorbonne, drinking and smoking far too much, and sleeping with a married woman. The moment the two women meet the spark is but their encounter turns into far more than a summer of love. It is the beginning of a relationship that will define their lives and every decision they have yet to make . . .Erica and Laure’s love story spans decades, marriage, children, secret trysts, and the agonizing changes – both personal and political – that might mean they can be together, after all. But when life brings them within touching distance again, will they be brave enough to seize a future together?Almost Life is a story of longing for the paths not taken, and the almost lives we live.

High in the Accursed Mountains, in a village ruled by the ancient laws of the Kanun, Bekja escapes an arranged marriage by becoming a sworn virgin, renouncing her womanhood to live as a man. Her decision sets off a brutal chain of events, destroying her family and separating her from the one she loves the most. Years later, as Bekija – now Matija – tells their story to a visiting journalist, long-buried truths come to light, along with the realisation of all that might have been.

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

"Fat People Don't Go to Heaven!" screamed a headline in the tabloid Globe in November 2000. The story recounted the success of the Weigh Down Workshop, the nation's largest Christian diet corporation and the subject of extensive press coverage from Larry King Live to the New Yorker. In the United States today, hundreds of thousands of people are making diet a religious duty by enrolling in Christian diet programs and reading Christian diet literature like What Would Jesus Eat? and Fit for God. Written with style and wit, far ranging in its implications, and rich with the stories of real people, Born Again Bodies launches a provocative yet sensitive investigation into Christian fitness and diet culture. Looking closely at both the religious roots of this movement and its present-day incarnations, R. Marie Griffith vividly analyzes Christianity's intricate role in America's obsession with the body, diet, and fitness. As she traces the underpinning of modern-day beauty and slimness ideals―as well as the bigotry against people who are overweight―Griffith links seemingly disparate groups in American history including seventeenth-century New England Puritans, Progressive Era New Thought adherents, and late-twentieth-century evangelical diet preachers.

From the author of Confessions of the Fox comes a novel in which a yenta on her deathbed begins to look back at all her failures—including her child. In a cluttered rent-controlled apartment in the middle of Manhattan, Barbara Rosenberg - old world yenta, committed homophobe, accomplished jazzercizer - is terminally ill, high on opioids, and writing the story of her life. Forget about her late husband, her career as the receptionist for an Upper East Side plastic surgeon, and her failed aspirations to be an actress. What she really wants to talk about are her unhinged thoughts on gender, Karl Marx, Jewish diaspora, and her two great disappointing loves: an estranged trans son and a long lost best friend whose betrayal haunts Barbara still. As she descends further into delirium and illness, Barbara's theories get wilder, and her circumstances put her on a crash course with these intimates once again. Part novel, part someone's mother's unauthorized memoir, this novel is a timely exploration of sexuality, intergenerational conflict, and who gets to have an intellectual life.

The big-hearted, bestselling South Korean memoir co-written by two best friends flouting gender norms and societal expectations with their decision to grow old together under one roof. When most of their peers were moving in with romantic partners and having children, Kim Hana and Hwang Sunwoo chose independence—savoring solitude, quiet mornings, and the unmitigated freedom of living alone. But in their forties, something shifted, and they were met with a new, unexpected loneliness. Refusing to settle for the outdated choice between marriage or isolation, Hana and Sunwoo made a radical to buy a home and live together—not as lovers, not as roommates, but as chosen family. Now a bustling household of two women and four cats, Hana and Sunwoo still value solitude, but can do so while sharing a life and its meaning with someone else. Together they navigate the challenges and comforts of cohabiting in midlife, the growing pains of interdependence and the unexpected rewards of compromise when you’ve grown set in your ways. From sick days to career wins to aging parents and beach-side retirement plans, they are redefining domestic bliss on their own terms, where love, partnership, and home are defined not by tradition, but by choice. With warmth, wit, and sharp social insight, Hana and Sunwoo share their blueprint for building a life outside the scripts of marriage and society’s expectations for women. Two Women Living Together is a quiet revolution—a celebration of female friendship, community, and the many forms that love and family can take.

The near-distant future. Millions of kilometres from Earth. The crew of the Six-Thousand Ship consists of those who were born, and those who were made. Those who will die, and those who will not. When the ship takes on a number of strange objects from the planet New Discovery, the crew is perplexed to find itself becoming deeply attached to them, and human and humanoid employees alike start aching for the same things: warmth and intimacy. Loved ones who have passed. Shopping and child-rearing. Our shared, far-away Earth, which now only persists in memory. Gradually, the crew members come to see their work in a new light, and each employee is compelled to ask themselves whether they can carry on as before and what it means to be truly living. Structured as a series of witness statements compiled by a workplace commission, Ravn's crackling prose is as chilling as it is moving, as exhilarating as it is foreboding. Wracked by all kinds of longing, The Employees probes into what it means to be human, emotionally and ontologically, while simultaneously delivering an overdue critique of a life governed by work and the logic of productivity.

An entirely original portrait of a young writer shutting out the din in order to find her own voice On April 11, 1931, Virginia Woolf ended her entry in A Writer’s Diary with the words “too much and not the mood.” She was describing how tired she was of correcting her own writing, of the “cramming in and the cutting out” to please other readers, wondering if she had anything at all that was truly worth saying. The character of that sentiment, the attitude of it, inspired Durga Chew-Bose to write and collect her own work. The result is a lyrical and piercingly insightful collection of essays, letters (to her grandmother, to the basketball star Michael Jordan, to Death), and her own brand of essay-meets-prose poetry about identity and culture. Inspired by Maggie Nelson’s Bluets, Lydia Davis’s short prose, and Vivian Gornick’s exploration of interior life, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression. Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a first-generation, creative young woman working today.

Boston Globe's 25 Books We Can't Wait to Read in 2018 Buzzfeed's 33 Most Exciting New Books Bustle’s 28 Most Anticipated Nonfiction Books of 2018 list Nylon’s 50 Books We Can’t Wait to Read in 2018 Electric Literature’s 46 Books to Read By Women of Color in 2018 Huffington Post’s 60 Books We Can’t Wait to Read in 2018 Bitch’s 30 Most Anticipated Nonfiction Books of 2018 The Rumpus’s What to Read When 2018 is Just Around the Corner Vol.1 Brooklyn’s 23 for 2018: A Literary Preview for the Year to Come The Millions Most Anticipated 2018 List Auto Straddle Most Anticipated 2018 Preview The Coil's Books We Can't Wait to Read in 2018   A powerful, beautifully rendered memoir of chronic illness, misdiagnosis, addiction, and the myth of full recovery. For as long as author Porochista Khakpour can remember, she has been sick. For most of that time, she didn't know why. Several drug addictions, some major hospitalizations, and over $100,000 later, she finally had a diagnosis: late-stage Lyme disease. Sick is Khakpour's grueling, emotional journey—as a woman, an Iranian-American, a writer, and a lifelong sufferer of undiagnosed health problems—in which she examines her subsequent struggles with mental illness and her addiction to doctor prescribed benzodiazepines, that both aided and eroded her ever-deteriorating physical health. Divided by settings, Khakpour guides the reader through her illness by way of the locations that changed her course—New York, LA, Santa Fe, and a college town in Germany—as she meditates on the physiological and psychological impacts of uncertainty, and the eventual challenge of accepting the diagnosis she had searched for over the course of her adult life. A story of survival, pain, and transformation, Sick candidly examines the colossal impact of illness on one woman's life by not just highlighting the failures of a broken medical system but by also boldly challenging our concept of illness narratives.