In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness… In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected. When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother's identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate. After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu uses the chance to claim another future altogether: her brother's abandoned greatness. Mulan meets The Song of Achilles; an accomplished, poetic debut of war and destiny, sweeping across an epic alternate China.

When a party of goblin warriors find themselves trapped behind enemy lines, it'll take more than whining (and a bemused Elven veterinarian) to get them home again. Nine Goblins is a novella of low...very low...fantasy.

When a party of goblin warriors find themselves trapped behind enemy lines, it'll take more than whining (and a bemused Elven veterinarian) to get them home again. Nine Goblins is a novella of low...very low...fantasy.

In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe. Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. Her relatives were shot and poisoned. And it was just the beginning, as more members of the tribe began to die under mysterious circumstances. In this last remnant of the Wild West—where oilmen such as J. P. Getty made their fortunes and where desperadoes such as Al Spencer, the “Phantom Terror,” roamed—many of those who dared to investigate the killings were themselves murdered. As the death toll climbed to more than twenty-four, the relatively new FBI took over. It was one of the organization’s first major homicide cases but the bureau badly bungled the investigation. In desperation, the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. White put together an undercover team, including an American Indian agents in the bureau. Together with the Osage they began to expose one of the most chilling conspiracies in American history. In Killers of the Flower Moon, David Grann revisits a shocking series of crimes in which dozens of people were murdered in cold blood. Based on years of research and startling new evidence, the book is a masterpiece of narrative nonfiction, as each step in the investigation reveals a series of sinister secrets and reversals. But more than that, it is a searing indictment of the callousness and prejudice toward American Indians that allowed the murderers to operate with impunity for so long. Killers of the Flower Moon is utterly compelling, but also emotionally devastating.

In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe. Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. Her relatives were shot and poisoned. And it was just the beginning, as more members of the tribe began to die under mysterious circumstances. In this last remnant of the Wild West—where oilmen such as J. P. Getty made their fortunes and where desperadoes such as Al Spencer, the “Phantom Terror,” roamed—many of those who dared to investigate the killings were themselves murdered. As the death toll climbed to more than twenty-four, the relatively new FBI took over. It was one of the organization’s first major homicide cases but the bureau badly bungled the investigation. In desperation, the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. White put together an undercover team, including an American Indian agents in the bureau. Together with the Osage they began to expose one of the most chilling conspiracies in American history. In Killers of the Flower Moon, David Grann revisits a shocking series of crimes in which dozens of people were murdered in cold blood. Based on years of research and startling new evidence, the book is a masterpiece of narrative nonfiction, as each step in the investigation reveals a series of sinister secrets and reversals. But more than that, it is a searing indictment of the callousness and prejudice toward American Indians that allowed the murderers to operate with impunity for so long. Killers of the Flower Moon is utterly compelling, but also emotionally devastating.

Welcome to the Centennial. Every 100 years, the island of Lightlark appears to host the Centennial, a deadly game that only the rulers of six realms are invited to play. The invitation is a summons—a call to embrace victory and ruin, baubles and blood. The Centennial offers the six rulers one final chance to break the curses that have plagued their realms for centuries. Each ruler has something to hide. Each realm’s curse is uniquely wicked. To destroy the curses, one ruler must die. Isla Crown is the young ruler of Wildling—a realm of temptresses cursed to kill anyone they fall in love with. They are feared and despised, and are counting on Isla to end their suffering by succeeding at the Centennial. To survive, Isla must lie, cheat, and betray…even as love complicates everything.

Welcome to the Centennial. Every 100 years, the island of Lightlark appears to host the Centennial, a deadly game that only the rulers of six realms are invited to play. The invitation is a summons—a call to embrace victory and ruin, baubles and blood. The Centennial offers the six rulers one final chance to break the curses that have plagued their realms for centuries. Each ruler has something to hide. Each realm’s curse is uniquely wicked. To destroy the curses, one ruler must die. Isla Crown is the young ruler of Wildling—a realm of temptresses cursed to kill anyone they fall in love with. They are feared and despised, and are counting on Isla to end their suffering by succeeding at the Centennial. To survive, Isla must lie, cheat, and betray…even as love complicates everything.

In the underground Fae realm, only the strongest and most ruthless have power—but a young human woman forced into a life of servitude is about to change everything. Kenna Heron is best known in her village for being a little wild—some say “half feral”—but she’ll need every ounce of that ferocity to survive captivity in the cruel Fae court. Trapped as a servant in the faeries’ underground kingdom of Mistei, Kenna must help her new mistress undertake six deadly trials, one for each branch of magic: Fire, Earth, Light, Void, Illusion, and Blood. If she succeeds, her mistress will gain immortality and become the heir to Earth House. If she doesn’t, the punishment is death—for both mistress and servant. With no ally but a sentient dagger of mysterious origins, Kenna must face monsters, magic, and grueling physical tests. But worse dangers wait underground, and soon Kenna gets caught up in a secret rebellion against the inventively sadistic faerie king. When her feelings for the rebellion’s leader turn passionate, Kenna must decide if she’s willing to risk her life for a better world and a chance at happiness. Surviving the trials and overthrowing a tyrant king will take cunning, courage, and an iron will... but even that may not be enough.

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.